Over on the Pyr-o-mania blog Lou Anders has posted that Pyr is offering a FREE Kindle edition of Bright of the Sky, book 1 of Kay Kenyon's The Entire and the Rose series.

Kay Kenyon's brilliant sci-fantasy epic quartet, The Entire and the Rose, is now available in its entirety in hardcover, trade paperback, and Kindle-format ebook. And to celebrate, the first book in the series, Bright of the Sky, is now FREE on Kindle.

"[Bright of the Sky] knocked my socks off with its brilliant evocation of a quest through a parallel universe that has a strange river running through it. Unique in conception, like Larry Niven's Ringworld, this is the beginning to what should be an amazing SF-Fantasy series.”   - Locus Online, Best of 2007

“Bright Of The Sky effortlessly blends science fiction concepts and world-building with fantasy story telling to create a unique and intriguing whole....Kay Kenyon has created a standout novel....I'm looking forward to the rest of series. 4 out of 5 stars.”  -SFSignal.com

There does not appear to be a time limit on this but I suggest you get it now just in case.  Thanks Pyr.

Christopher Nolan is becoming best-known these days for his Batman movies, but before he was a purveyor of superhero pulp he was reinventing the noir genre for the late twentieth century with mind-bending films like Following and Memento, the latter of which brought Nolan to the attention of American audiences. His films that are not merely adaptations or remakes of the works of others are ridiculously complex and yet still in the end comprehensible and satisfying. (And yes, Memento was an adaptation of his brother's short story "Memento Mori," but the two seem to have been artistic collaborators very early on.) Whenever Nolan adapts a foreign work to film, whether that be the remake of the Nordic movie Insomnia or the filming of Christopher Priest's novel The Prestige, the results are always good, but not as great as his fans know they could be. After making Warner Brothers a giant pile of money with the smarter-than-average The Dark Knight, he has been given a budget large enough to free his delicately intricate imagination to what one can only assume are the distant limits of his capabilities. And yet, at the end of it, one is left believing that he could do even more.

Inception is the story of Cobb (Leonardo DiCaprio), a man who makes a career out of invading the dreams of others, usually for the purposes of extracting valuable information from the invaded. As in all good noir films, Cobb is an imperfect anti-hero, surrounded by secrets he doesn't want to admit, and haunted by a mysterious femme fatale. And just like Humphrey Bogart in so many of his films, Cobb takes a questionable job from a questionable man; but unlike Bogart's usual roles, Cobb is actually doing some very bad things for his own selfish reasons. A bad decision he made some years back with his wife led to some very unfortunate consequences, and he escapes frequently into his own dream world to sort out the pain.

The conceit of entering another person's dreams has drawn comparison's to films like Eternal Sunshine of the Spotless Mind and The Matrix. Unlike the latter, Inception does not dumb down the concept at the beginning and then needlessly complicate it as the story goes on. Instead, all of the complicated explanations are laid out in advance, with multiple examples of how the dream-invasion technology works, so that when the time comes for the extended invasion to which all of this is leading, the audience is never truly lost or confused. Dreams are layered within dreams, and those within more dreams. Those lines of Shakespeare come to mind when watching Cobb and his team casually build and destroy entire worlds at will, "This vision... shall dissolve, / And, like this insubstantial pageant faded, / Leave not a rack behind."

Cobb's dream team--the cast of which includes such interesting choices as Joseph Gordon-Levitt ((500) Days of Summer) and Ellen Page (Juno)--is hired not to extract information from the heir to an energy empire (Cillian Murphy), but to plant an idea within his mind: not extraction but inception. As Cobb and his colleagues point out, inception is extremely difficult if not impossible because people can tell if an idea is being forced upon them from the outside. If a grown man feels that he is being coerced into an idea, he will fight against it. But Cobb takes the job not only because he wants what is being offered as a reward, but because he knows from experience that inception is possible; he also knows from experience that it is very dangerous for everyone involved.

If there are any weaknesses in Inception they revolve mostly around the fact that our dreams are never as orderly or logical as those laid out here. To be sure, the film's dreams are being designed by architects and are intentionally given narratives and a certain level of order, but Inception lacks any real presentation of the bizarre randomness that we actually experience when we fall asleep. Eternal Sunshine understood this strangeness much better, although that was a less ambitious film than Nolan's. There is also the ethical question of whether or not we should be rooting for Cobb when he is engaging in such dubious activity. Even so, he is not presented as a moral hero like Bruce Wayne who is only trying to do the right thing; Cobb is dangerously selfish in his desires, even to the point of putting his team at risk in order to keep his own secrets safe.

Inception has an overabundance of originality and intelligence, something entirely lacking in most films today. Nolan as auteur puts out some of the best films of our time, and even when he is working with other people's stories he manages to keep it smart and enthralling (unlike some other auteurs we all know). His next slated project is the third (and promised last) movie of his Batman series, after which he will reportedly move on to produce a relaunch of the Superman franchise. My hope, though, is that he can continue as an auteur to direct the kind of films that push the envelope of filmmaking's capabilities.

The Center for the Study of Science Fiction at the University of Kansas has announced the winners of the 2010 Campbell Award:

• 1st Place: The Windup Girl by Paolo Bacigalupi
• 2nd Place: Julian Comstock: A Story of 22nd-Century America by Robert Charles Wilson
• 3rd Place: The City & the City by China Mieville

The Windup Girl won the Nebula back in May as well as the 2010 Locus Award for First Novel and is still in the hunt for the Hugo. Congratulations to Paol Bacigalupi, Robert Charles Wilson and China Mieville and all the 2010 Campbell Award Finalists.

So what do you think?  Surprised that the juggernaut that is The City & The City got beat to the finish?

So there’s been a lot of recent buzz on the internets about the SF Masterworks series from Gollancz including this meme.  Mostly it’s because of the SF and Fantasy Masterworks Reading Project that kicked off a few weeks ago.  The reading project is a "a group blog dedicated to reading and reviewing Gollancz’s series of genre classics in its entirety".  They have several reviews posted already that are worth a read.

As you might have guessed from looking at WWEnd I really love this idea.  The Masterworks collections contain some of the best works in the genre and have some great cover art to boot.  I’ve only read a few from the list but it’s my goal to eventually read them all - though I’ll be taking my time.  These guys will be reading them all within a year.  Sheesh!

Of course, if you’re interested in reading them too, WWEnd’s BookTrackr can help you keep tabs on your progress.  We’ve got the complete lists for the SF Masterworks and the Fantasy Masterworks and you can use BookTrackr to tag the ones you’ve read as you go along.  The color coding will show you how many you’ve read and which ones you still need to read.  Give it a shot.

Anyway, without further ado, here is my SF list so far.  I’ve bolded and linked the ones I’ve read.

1. The Forever War – Joe Haldeman
2. I Am Legend – Richard Matheson
3. Cities in Flight – James Blish
4. Do Androids Dream of Electric Sheep? – Philip K. Dick
5. The Stars My Destination – Alfred Bester
6. Babel-17 – Samuel R. Delany
7. Lord of Light – Roger Zelazny
8. The Fifth Head of Cerberus – Gene Wolfe
9. Gateway – Frederik Pohl
10. The Rediscovery of Man – Cordwainer Smith
11. Last and First Men – Olaf Stapledon
12. Earth Abides – George R. Stewart
13. Martian Time-Slip – Philip K. Dick
14. The Demolished Man – Alfred Bester
15. Stand on Zanzibar – John Brunner
16. The Dispossessed – Ursula K. Le Guin
17. The Drowned World – J. G. Ballard
18. The Sirens of Titan – Kurt Vonnegut
19. Emphyrio – Jack Vance
20. A Scanner Darkly – Philip K. Dick
21. Star Maker – Olaf Stapledon
22. Behold the Man – Michael Moorcock
23. The Book of Skulls – Robert Silverberg
24. The Time Machine and The War of the Worlds – H. G. Wells
25. Flowers for Algernon – Daniel Keyes
26. Ubik – Philip K. Dick
27. Timescape – Gregory Benford
28. More Than Human – Theodore Sturgeon
29. Man Plus – Frederik Pohl
30. A Case of Conscience – James Blish
31. The Centauri Device – M. John Harrison
32. Dr. Bloodmoney – Philip K. Dick
33. Non-Stop – Brian Aldiss
34. The Fountains of Paradise – Arthur C. Clarke
35. Pavane – Keith Roberts
36. Now Wait for Last Year – Philip K. Dick
37. Nova – Samuel R. Delany
38. The First Men in the Moon – H. G. Wells
39. The City and the Stars – Arthur C. Clarke
40. Blood Music – Greg Bear
41. Jem – Frederik Pohl
42. Bring the Jubilee – Ward Moore
43. VALIS – Philip K. Dick
44. The Lathe of Heaven – Ursula K. Le Guin
45. The Complete Roderick – John Sladek
46. Flow My Tears, the Policeman Said – Philip K. Dick
47. The Invisible Man – H. G. Wells
48. Grass – Sheri S. Tepper
49. A Fall of Moondust – Arthur C. Clarke
50. Eon – Greg Bear
51. The Shrinking Man – Richard Matheson
52. The Three Stigmata of Palmer Eldritch – Philip K. Dick
53. The Dancers at the End of Time – Michael Moorcock
54. The Space Merchants – Frederik Pohl and Cyril M. Kornbluth
55. Time Out of Joint – Philip K. Dick
56. Downward to the Earth – Robert Silverberg
57. The Simulacra – Philip K. Dick
58. The Penultimate Truth – Philip K. Dick
59. Dying Inside – Robert Silverberg
60. Ringworld – Larry Niven
61. The Child Garden – Geoff Ryman
62. Mission of Gravity – Hal Clement
63. A Maze of Death – Philip K. Dick
64. Tau Zero – Poul Anderson
65. Rendezvous with Rama – Arthur C. Clarke
66. Life During Wartime – Lucius Shepard
67. Where Late the Sweet Birds Sang – Kate Wilhelm
68. Roadside Picnic – Arkady and Boris Strugatsky
69. Dark Benediction – Walter M. Miller, Jr.
70. Mockingbird – Walter Tevis
71. Dune – Frank Herbert
72. The Moon Is a Harsh Mistress – Robert A. Heinlein
73. The Man in the High Castle – Philip K. Dick
74. Inverted World – Christopher Priest
75. Cat’s Cradle - Kurt Vonnegut
76. The Island of Dr. Moreau - H.G. Wells
77. Childhood’s End - Arthur C. Clarke
78. The Time Machine - H.G. Wells
79. Dhalgren (July 2010) - Samuel R. Delany
80. Helliconia (August 2010) - Brian Aldiss
81. Food of the Gods (Sept. 2010) - H.G. Wells
82. The Body Snatchers (Oct. 2010) - Jack Finney
83. The Female Man (Nov. 2010) - Joanna Russ
84. Arslan (Dec. 2010) - M.J. Engh

As you can see, I’ve got my work cut out for me to finish this list.  I own my shame.   So how many have you read?  Are you trying to read them all?

Call me Yankee Doodle Dandy, but I’m in a patriotic mood, with it being the Fourth of July weekend and all.

When you couple that with the recent news headline domination by Russian spy rings, it’s an ideal time to go old school and tap into some good old fashioned Cold War sci-fi from the 1950s.

So, I secured a copy of one of the hallmarks of 1950s commienoia, William Cameron Menzies’ 1953 opus Invaders from Mars.

Let me run things down for you. This film has everything that Uncle Sam would approve of in a parable about the Red scourge: Interstellar marauders that hide underground and employ mind control on hapless U.S. citizens. A cheeky young protagonist whose pluck, determination and belief in the American Way ultimately convinces the U.S. military that there just might be interstellar marauders hiding underground and attacking hapless U.S. citizens. A cornucopia of U.S. tank footage that would make General Patton wet his pants. And a giant alien baby head in a goldfish bowl with an unfortunate resemblance to Howard Dean.

All of this drama delivered in that stiff patois characteristic of overwrought 1950s science fiction.

Damn, I love America.

Boy hero David MacLean wakes up in the middle of the night during a thunder storm to witness an honest-to-gosh UFO land outside his family’s home. Dad, responding to the boy’s troubled cries, eventually goes to check things out. And then Dad checks out, as he falls into the hands of the aliens who plant a mind probe in his brain.

Dad returns home with a red sore at the base of his neck and in an angry stupor, looking like he spent a few too many nights at the Overlook Hotel. From there, things turn south as various townspeople fall prey to the aliens, including David’s mom, the police chief and an Army general. Even a little girl, Kathy Wilson, is not spared the ignominy of having her brain carjacked by the cosmic commies.

Fortunately, David is able to secure the aid of an astronomer and a beautiful health care professional. With their help, he’s able to defy logic and actually convince the military that them thar hills is loaded with alien bastards.

The military investigates and comes to the conclusion that they need to roll in a ton of tanks and start blowing things up. I tell you, there’s not much that makes me more proud as an American than hearing some gravelly voiced commander shout with full-hearted gusto, “Blast ‘em!”

Damn, I love America.

We learn through the course of action that the aliens came to Earth to destroy the nascent U.S. atomic space program by which we could send nuclear weapons to the stars. To scuttle our capabilities, the aliens sent their mind-controlled human puppets to attempt blowing up a top secret rocket; they burned down the home and attempted an assassination of one of our top scientists; and they killed several Hollywood B movie actors.

And you wonder why Ronald Reagan had it in for the commies.

The film concludes with the military rescuing the boy and the beautiful health care professional from the villainous clutches of the aliens, then blowing up the subterranean ship. We are treated to a hallucinatory montage of the film’s highlights as the boy, running from the blast area, reminisces about all the strange goings-on.

As the ship detonates, David wakes up in his bed. Was it all a dream? He goes to his parents’ room and they tell him to go back to sleep. Returning to his room, he looks out the window. And lo and behold, he sees a UFO land outside his family’s home. Eerie! But you got to love twist sci-fi endings, right?

I know you probably expect me to body slam the film for its cheesy effects (there were plenty) or its wooden characterizations (plenty of those, too). But I enjoyed it. It put me in touch with my inner John Wayne and riled me up. And I don’t mean The Searchers John Wayne, but rather Stagecoach John Wayne.

I do, however, need to ding the film on one major faux pas.

One of the scenes follows David’s mind-controlled old man as he aims to carry out a nefarious act of dastardliness. We cut to a scientist in a lab, messing around with test tubes. One of the lab flunkies comes in and passes on his condolences to the scientist for the loss of his daughter – at this point we learn the scientist is Dr. Bill Wilson, the main man behind the atomic rocket program as well as the father of the little girl who died after the aliens blew her mind-control device.

The flunkie remarks that he’s surprised to see Dr. Wilson working at the lab, given that his little girl just died, to which the good doctor remarks something along the lines of, “Yes it’s too bad, but the show must go on.”

So I’m thinking, obviously the doc is another alien-controlled sap. He must be, to be so callous and robotic. It made sense, since all the other people that the cosmic commies got their hands on turned into emotionless monsters.

But no, David’s mind-controlled dad shows up and tries to assassinate the doctor. So it became clear they weren’t working the same side.

Dr. Bill Wilson wasn’t an alien puppet. He was just some jerk with no freakin’ priorities.

I was like, really? You’ve got to be kidding. What lout heads to the office after the death of his only child? C’mon. If this guy is supposed to be some paradigm of scientific prowess, if he’s on our side, then what are we fighting for? Clearly we’re no better than the aliens or their puppets.

If that’s the best the doctor could muster emotionally, no wonder the 1960s were so generationally turbulent and rebellious. If I was a kid of that era, I’d be PO’d, too.

This obvious lack of character development aside, I think I really enjoyed the film. And like I said, any time you get the U.S. military blasting communists in the guise of space aliens, count me in.

Blast ‘em!

Damn, I love America. Happy birthday!

This series reviews the short stories found in Walter Miller’s Dark Benediction collection. This is the final installment. (Part 1, Part 2, Part 3, Part 4)

The Darfsteller

Also known as Walter Miller's other Hugo-winning story, "The Darfsteller" presents an episode late in the life of aging theatrical actor Ryan Thornier. Years ago human actors have been bullied off the stage by mechanic automotons called dolls which have been imprinted with the personality patterns of popular actors who have signed their careers away to the Smithfield corporation. Those actors popular enough got a Smithfield contract, and the rest got a stolen dream, but none of them got to stay on stage. Thornier has never given up on artistic integrity, even though he had to make a living as a janitor in one of the robotic theatres, but while he "had stood firm on principle... the years had melted the cold glacier of reality from under the principle." This story is an account of his last attempt to save himself.

Dark Benediction

Much like "Dumb Waiter," this story takes place in a future that is, if not exactly post-apocalyptic, at least a pessimistic take on the human race. Meteors have fallen to earth which contained a parasitical infection that has already spread to one-third of the human race, causing the structures of civilization to collapse. The infected are known as "dermies" because the infection is spread by physical touch of hand-on-skin, and because the infected possess an almost irresistable urge to touch the uninfected. The dermies' skin turns grey, and they are said to experience hallucinations that some think are tied to a restructured nervous system. It's unclear to many if the dermie infection is even harmful, but mass panic has caused all social systems to collapse and has driven the world into a state of perpetual fear. The "benediction" of the title is a play on the religious practice of the laying on of hands to give a blessing, and indicates the belief of the dermies that they are giving a gift to those they infect. (Incidentally, the sperm-like creatures on the book cover above is a representation of the alien parasite from this story.)

The Lineman

Set on the moon in the late twenty-first century, "The Lineman" is a brief look at the harsh life endured by lunar workers in the early stages of extraterrestrial colonization. The twist that gets the story moving—the arrival of a space-bound brothel—reminded me of the old C.S. Lewis story "Ministering Angels," but without the wry sense of humor Lewis brought to the subject. This is one of Miller's weaker stories from this collection, and it never really comes together coherently to make a point.

Vengeance for Nikolai

This story, on the other hand, is a short but frightfully vivid nightmare of a near-future war between an America that has been overtaken by a nationalist party and the Soviets (this was written in 1956, mind you). A woman, Marya Dmitriyevna, has recently lost her infant son Nikolai in an attack, and is given the chance to revenge herself upon the Americans by a Russian colonel. The American military has a general, Rufus MacAmsward, who may be half-mad, but whose strategies have thus far managed to overcome any obstacle. He also has a thing for women. I won't ruin the ending, but it is dark and funny and disturbing all at once.

In Closing

All things considered, this is a pretty solid collection of science fiction stories. It shows off Miller's talent as well as his versatility. I suspect he could have written a dozen novels, and each one would have been both brilliant and entirely different than any of the others. It's a pity his output mostly stopped with A Canticle for Leibowitz, especially after seeing the potential only hinted at in this collection.

Next up for review, Saint Leibowitz and the Wild Horse Woman?

The winners for the 2010 Locus Awards have been announced at the Science Fiction Awards Weekend in Seattle, WA.  They winners are:

• Science Fiction Novel: Boneshaker by Cherie Priest (Tor)
• Fantasy Novel: The City & The City by China Miéville (Del Rey; Macmillan UK)
• First Novel: The Windup Girl by Paolo Bacigalupi (Night Shade)
• Young Adult Novel: Leviathan by Scott Westerfeld (Simon Pulse; Simon & Schuster UK)
• Novella: The Women of Nell Gwynne’s by Kage Baker (Subterranean)
• Novelette: “By Moonlight” by Peter S. Beagle (We Never Talk About My Brother)
• Short Story: “An Invocation of Incuriosity” by Neil Gaiman (Songs of the Dying Earth)
• Magazine: F&SF
• Publisher: Tor
• Anthology: The New Space Opera 2 by Gardner Dozois & Jonathan Strahan, eds. (Eos; HarperCollins Australia)
• Collection: The Best of Gene Wolfe by Gene Wolfe (Tor); as The Very Best of Gene Wolfe (PS)
• Editor: Ellen Datlow
• Artist: Michael Whelan
• Non-Fiction/Art Book: Cheek by Jowl by Ursula K. Le Guin (Aqueduct)

Thanks to Locus Online for the live coverage of the event.  You can go to their website to see the official announcement.  Congrats to all the winners and nominees.  You can see the list of finalists for the SF and Fantasy novels here.

So, Boneshaker and The City & The City.  No surprises there as they have both been very well received and won multiple awards - especially City with six nominations and now three wins.  Impressive.  Both books are still in the running for the 2010 Hugo as well with City also still in the hunt for the 2010 Campbell.

Last month the fine folks at Pyr started sending books to WWEnd for us to share with our visitors.  I’ve been a bit remiss in getting these posted in a timely manner (World Cup, Baby!) and I’d like to rectify that.  In no particular order:

The Dervish House by Ian McDonald

It begins with an explosion. Another day, another bus bomb. Everyone it seems is after a piece of Turkey. But the shockwaves from this random act of 21st century pandemic terrorism will ripple further and resonate louder than just Enginsoy Square.

Welcome to the world of The Dervish House; the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. The year is 2027 and Turkey is about to celebrate the fifth anniversary of its accession to the European Union; a Europe that now runs from the Arran Islands to Ararat. Population pushing one hundred million, Istanbul swollen to fifteen million; Turkey is the largest, most populous and most diverse nation in the EU, but also one of the poorest and most socially divided. It’s a boom economy, the sweatshop of Europe, the bazaar of central Asia, the key to the immense gas wealth of Russia and Central Asia.

Gas is power. But it’s power at a price, and that price is emissions permits. This is the age of carbon consciousness: every individual in the EU has a card stipulating individual carbon allowance that must be produced at every CO2 generating transaction. For those who can master the game, who can make the trades between gas price and carbon trading permits, who can play the power factions against each other, there are fortunes to be made. The old Byzantine politics are back. They never went away.

The ancient power struggled between Sunni and Shia threatens like a storm: Ankara has watched the Middle East emerge from twenty-five years of sectarian conflict. So far it has stayed aloof. A populist Prime Minister has called a referendum on EU membership. Tensions run high. The army watches, hand on holster. And a Galatasary Champions’ League football game against Arsenal stokes passions even higher.

The Dervish House is seven days, six characters, three interconnected story strands, one central common core--the eponymous dervish house, a character in itself--that pins all these players together in a weave of intrigue, conflict, drama and a ticking clock of a thriller.

Shadow’s Son by Jon Sprunk

In the holy city of Othir, treachery and corruption lurk at the end of every street, just the place for a freelance assassin with no loyalties and few scruples.

Caim makes his living on the edge of a blade, but when a routine job goes south, he is thrust into the middle of an insidious plot. Pitted against crooked lawmen, rival killers, and sorcery from the Other Side, his only allies are Josephine, the socialite daughter of his last victim, and Kit, a guardian spirit no one else can see. But in this fight for his life, Caim only trusts his knives and his instincts, but they won’t be enough when his quest for justice leads him from Othir’s hazardous back alleys to its shining corridors of power. To unmask a conspiracy at the heart of the empire, he must claim his birthright as the Shadow’s Son . . .

Geosynchron - The Jump 225 Trilogy: Book 3 by David Louis Edelman

The Defense and Wellness Council is enmeshed in full-scale civil war between Len Borda and the mysterious Magan Kai Lee. Quell has escaped from prison and is stirring up rebellion in the Islands with the aid of a brash young leader named Josiah. Jara and the apprentices of the Surina/Natch MultiReal Fiefcorp still find themselves fighting off legal attacks from their competitors and from Margaret Surina’s unscrupulous heirs - even though MultiReal has completely vanished.

The quest for the truth will lead to the edges of civilisation, from the tumultuous society of the Pacific Islands to the lawless orbital colony of 49th Heaven; and through the deeps of time, from the hidden agenda of the Surina family to the real truth behind the Autonomous Revolt that devastated humanity hundreds of years ago.

Meanwhile, Natch has awakened in a windowless prison with nothing but a haze of memory to clue him in as to how he got there. He’s still receiving strange hallucinatory messages from Margaret Surina and the nature of reality is buckling all around him. When the smoke clears, Natch must make the ultimate decision - whether to save a world that has scorned and discarded him, or to save the only person he has ever loved: himself.

World’s End - The Age of Misrule: Book 1 by Mark Chadbourne

When Jack Churchill and Ruth Gallagher encounter a terrifying, misshapen giant beneath a London bridge they are plunged into a mystery which portends the end of the world as we know it. All over the country, the ancient gods of Celtic myth are returning to the land from which they were banished millennia ago. Following in their footsteps are creatures of folklore: fabulous bests, wonders and dark terrors As technology starts to fail, Jack and Ruth are forced to embark on a desperate quest for four magical items – the last chance for humanity in the face of powers barely comprehended.

Darkest Hour - The Age of Misrule: Book 2 by Mark Chadbourne

The eternal conflict between the Light and Dark once again blackens the skies and blights the land. On one side stand the Tuatha de Danaan, golden-skinned and beautiful, filled with all the might of angels. On the other are the Fomorii, monstrous devils hell-bent on destroying all human existence. And in the middle are the Brothers and Sisters of Dragons, determined to use the strange power that binds them to the land in a last, desperate attempt to save the human race. Church, Ruth, Ryan, Laura and Shavi have joined forces with Tom, a hero from the mists of time, to wage a guerrilla war against the iron rule of the gods. But they didn’t count on things going from bad to worse...

Always Forever - The Age of Misrule: Book 3 by Mark Chadbourne

The Eternal Conflict between the Light and Dark once again blackens the skies and blights the land. On one side stand the Tuatha de Danaan, golden-skinned and beautiful, filled with all the might of angels. On the other are the Fomorii, monstrous devils hell-bent on destroying all human existence. And in the middle are the Brothers and Sisters of Dragons, determined to use the strange power that binds them to the land in a last, desperate attempt to save the human race. Church, Ruth, Ryan, Laura and Shavi have joined forces with Tom, a hero from the mists of time, to wage a guerrilla war against the iron rule of the gods.

Gardens of the Sun - The Quiet War: Book 2 by Paul J. McAuley

The Quiet War is over. The city states of the moons of Jupiter and Saturn have fallen to the Three Powers Alliance of Greater Brazil, the European Union and the Pacific Community. A century of enlightenment, rational utopianism and exploration of new ways of being human has fallen dark. Outers are herded into prison camps and forced to collaborate in the systematic plundering of their great archives of scientific and technical knowledge, while Earth’s forces loot their cities, settlements and ships, and plan a final solution to the ’Outer problem’.

But Earth’s victory is fragile, and riven by vicious internal politics. While seeking out and trying to anatomise the strange gardens abandoned in place by Avernus, the Outers’ greatest genius, the gene wizard Sri Hong-Owen is embroiled in the plots and counterplots of the family that employs her. The diplomat Loc Ifrahim soon discovers that profiting from victory isn’t as easy as he thought.

And in Greater Brazil, the Outers’ democratic traditions have infected a population eager to escape the tyranny of the great families who rule them. After a conflict fought to contain the expansionist, posthuman ambitions of the Outers, the future is as uncertain as ever. Only one thing is clear. No one can escape the consequences of war - especially the victors.

The Office of Shadow - Midwinter: Book 2 by Matthew Sturges

Midwinter has gone, but that cold season has been replaced by a cold war in the world of Faerie, and this new kind of war requires a new kind of warrior.

Seelie forces drove back Empress Mab at the Battle of Sylvan, but hostilities could resume at any moment. Mab has developed a devastating new weapon capable of destroying an entire city, and the Seelie have no defense against it. If war comes, they will almost certainly be defeated.

In response, the Seelie reconstitutes a secret division of the Foreign Ministry, unofficially dubbed the "Office of Shadow," imbuing it with powers and discretion once considered unthinkable. They are a group of covert operatives given the tasks that can’t be done in the light of day: secretly stealing the plans for Mab’s new weapon, creating unrest in the Unseelie Empire, and doing whatever is necessary to prevent an unwinnable war.

The new leader of the "Shadows" is Silverdun. He’s the nobleman who fought alongside Mauritane at Sylvan and who helped complete a critical mission for the Seelie Queen Titania. His operatives include a beautiful but naïve sorceress who possesses awesome powers that she must restrain in order to survive and a soldier turned scholar whose research into new ways of magic could save the world, or end it.

They’ll do whatever is required to prevent a total war: make a dangerous foray into a hostile land to retrieve the plans for Mab’s weapon; blackmail a king into revolting against the Unseelie Empire; journey into the space between space to uncover a closely guarded secret with the power to destroy worlds.

We’ve got our team reading some of these books now and we’ll start posting the reviews as they come in.  A few of these are sequels to other books we don’t have so it may be some time before we get around to reading those.  Our thanks to Pyr for their generosity and the many wonderful books they publish.

The finalists for the 2010 John W. Campbell Memorial Award for best science fiction novel of the year have been announced by the J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction at the University of Kansas.  They are:

• The Year of the Flood, Margaret Atwood (Talese)
• The Windup Girl, Paolo Bacigalupi (Night Shade)
• Transition, Iain M. Banks (Orbit)
• Makers, Cory Doctorow (Tor)
• Steal Across the Sky, Nancy Kress (Tor)
• Gardens of the Sun, Paul McAuley (Pyr)
• The City & The City, China Miéville (Del Rey)
• Yellow Blue Tibia, Adam Roberts (Gollancz)
• Galileo’s Dream, Kim Stanley Robinson (Ballantine Spectra)
• WWW: Wake, Robert J. Sawyer (Ace; Gollancz)
• The Caryatids, Bruce Sterling (Del Rey)
• Julian Comstock: A Story of 22nd-Century America, Robert Charles Wilson (Tor)

My God, it’s full of stars!  The awards will be presented at a banquet on July 18 as part of the Center’s annual Campbell Conference.