A Fire Upon the Deep

Vernor Vinge
A Fire Upon the Deep Cover

Good Ideas, Terrible Execution

Triseult
3/24/2012
Email

I tried very hard to like A Fire Upon the Deep. The reviews for it are stellar, and it did won a Hugo. Also, I am a huge fan of SF, so I felt this book would be a sure-fire hit with me. Not so.

As other reviewers pointed out, this book has some great ideas. Pack sentience is very nice, and the idea of zones is intriguing. Unfortunately, all these are wrapped in very shoddy writing. To tell the truth, the writing was barely above fan sci-fi in some places.

The characterization is also, most unfortunately, pretty bad. The Tine race is filled with potential, but the Tine characters are nothing more than stereotypes : the wanderer, the wise queen, the evil lord, the evil adviser, the betrayer. Human characters are predictable to the point of being boring, and their motivations serve the plot more than any sort of coherence. As a whole, the race is strangely 'Western european', despite their uniqueness. Also, as interesting as they were, I don't think they deserved that much of a treatment.

One major source of disappointment for me, also, was the way the Galactic net was portrayed. I'm aware the novel was written in 1993, but Vinge's depiction lacks any kind of vision whatsoever. It's silly to see the whole Galaxy chattering on newsgroups and sending each other emails. Not once did it try to be something else than the 1993's Internet surimposed on a galactic scale, and it was more a gimmick than anything else.

On a whole, the story has ambitions of grandeur, but fails at articulating it. The events are always portrayed vaguely and don't have resonance. In one scene, a character learns billions have died when her homeworld was devastated, yet this event only serves as a setup for the personal drama of the characters! Most of the story happens either among 5-6 individuals on the Tine world, or within the closed confines of the ship, and neither progress at a pace that would be satisfying.

There are some great ideas in this book, but they're buried under a nonsensical plot that fails to impress. Because of this, it has neither the scope nor the emotional impact of, say, Frank Herbert's Dune or Peter Hamilton's Night's Dawn trilogy.

Finishing the book was a difficult endeavour, and I will NOT pick up the prequel. Phan Newen is far from being interesting enough a character to make me pick it up.