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China Miéville doesn't follow trends, he sets them. Relentlessly pushing his own boundaries as a writer-and in the process expanding the boundaries of the entire field-with Embassytown, Miéville has crafted an extraordinary novel that is not only a moving personal drama but a gripping adventure of alien contact and war.

In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak.

Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.

When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties-to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

Something is stirring in London's dark, stamping out its territory in brickdust and blood. Something has murdered Saul Garamond's father, and left Saul to pay for the crime.

But a shadow from the urban waste breaks into Saul's prison cell and leads him to freedom. A shadow called King Rat, who reveals Saul's royal heritage, a heritage that opens a new world to Saul, the world below London's streets--a heritage that also drags Saul into King Rat's plan for revenge against his ancient enemy,. With drum 'n' bass pounding the backstreets, Saul must confront the forces that would use him, the forces that would destroy him, and the forces that shape his own bizarre identity.

With this outrageous new novel, China Miéville has written one of the strangest, funniest, and flat-out scariest books you will read this--or any other--year. The London that comes to life in Kraken is a weird metropolis awash in secret currents of myth and magic, where criminals, police, cultists, and wizards are locked in a war to bring about--or prevent--the End of All Things.

In the Darwin Centre at London's Natural History Museum, Billy Harrow, a cephalopod specialist, is conducting a tour whose climax is meant to be the Centre's prize specimen of a rare Architeuthis dux--better known as the Giant Squid. But Billy's tour takes an unexpected turn when the squid suddenly and impossibly vanishes into thin air.

As Billy soon discovers, this is the precipitating act in a struggle to the death between mysterious but powerful forces in a London whose existence he has been blissfully ignorant of until now, a city whose denizens--human and otherwise--are adept in magic and murder.

There is the Congregation of God Kraken, a sect of squid worshippers whose roots go back to the dawn of humanity--and beyond. There is the criminal mastermind known as the Tattoo, a merciless maniac inked onto the flesh of a hapless victim. There is the FSRC--the Fundamentalist and Sect-Related Crime Unit--a branch of London's finest that fights sorcery with sorcery. There is Wati, a spirit from ancient Egypt who leads a ragtag union of magical familiars. There are the Londonmancers, who read the future in the city's entrails. There is Grisamentum, London's greatest wizard, whose shadow lingers long after his death. And then there is Goss and Subby, an ageless old man and a cretinous boy who, together, constitute a terrifying--yet darkly charismatic--demonic duo.

All of them--and others--are in pursuit of Billy, who inadvertently holds the key to the missing squid, an embryonic god whose powers, properly harnessed, can destroy all that is, was, and ever shall be.

What William Gibson did for science fiction, China Miéville has done for fantasy, shattering old paradigms with fiercely imaginative works of startling, often shocking, intensity. Now from this brilliant writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales - one set in Miéville's signature fantasy world of New Crobuzon.

From China Miéville, New York Times bestselling author of Un Lun Dun, a thrilling new young adult novel that re imagines Moby-Dick in an unforgettable and fascinatingly imagined setting.

Sham Yes ap Soorap, young doctor's assistant, is in search of life's purpose aboard a diesel locomotive on the hunt for the great elusive moldywarpe, Mocker-Jack. But on an old train wreck at the outskirts of the world, Sham discovers an astonishing secret that changes everything: evidence of an impossible journey. A journey left unfinished...which Sham takes it on himself to complete. It's a decision that might cost him his life.

Locus Award winning and World Fantasy Award nominated novelette. It originally appeared in the anthology McSweeney's Enchanted Chamber of Astonishing Stories (2004), edited by Michael Chabon. The story can also be found in the anthology The Year's Best Fantasy and Horror: Eighteenth Annual Collection (2005), edited by Ellen Datlow, Kelly Link and Gavin J. Grant. The story is included in Looking for Jake: Stories (2005).

When the body of a murdered woman is found in the extraordinary, decaying city of Bes el, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to conspiracies far stranger, and more deadly, than anything he could have imagined. Soon his work puts him and those he cares for in danger. Borlu must travel to the only metropolis on Earth as strange as his own, across a border like no other.

A thriller of war that never was--of survival in an impossible city--of surreal cataclysm. In The Last Days of New Paris, China Miéville entwines true historical events and people with his daring, uniquely imaginative brand of fiction, reconfiguring history and art into something new.

"Beauty will be convulsive...."

1941. In the chaos of wartime Marseille, American engineer--and occult disciple--Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever.

1950. A lone Surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts--and by the forces of Hell. To escape the city, he must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse.

But Sam is being hunted. And new secrets will emerge that will test all their loyalties--to each other, to Paris old and new, and to reality itself.

The tale takes place in a ravaged, post-apocalyptic London. A man named Sholl survives by knowing the safe parts of town, and those where people go in and never come out. He's been living on his own for a while, and decides to befriend a makeshift unit of soldiers camped out in the south of Hampstead Heath. They seem to have their wits about them, unlike other units scattered throughout London who will shoot anything that moves. He wants them to join him. Sholl has a plan to deal with the enemy....

Hugo Award nominated novella.

In a remote house on a hilltop, a lonely boy witnesses a traumatic event. He tries - and fails - to flee. Left alone with his increasingly deranged parent, he dreams of safety, of joining the other children in the town below, of escape.

When at last a stranger knocks at his door, the boy senses that his days of isolation might be over.

But by what authority does this man keep the meticulous records he carries? What is the purpose behind his questions? Is he friend? Enemy? Or something else altogether?

Filled with beauty, terror and strangeness, This Census-Taker is a poignant and riveting exploration of memory and identity.

A highly anticipated collection of short fiction listed in the Guardian's 'Essential Literary Calendar' for 2015 from one of the most exciting and original authors writing today.

The multi-award-winning China Miéville has been called 'the equal of David Mitchell or Zadie Smith' (Scotland on Sunday), whose 'inventiveness and precision is awesome' (Independent), and who writes with 'an imagination of immense power' (Guardian). In this extraordinary series of stories, defying definitions and literary stereotyping, he once again proves why he 'is one of the most interesting and promising writers to appear in the last few years in any genre' (Carlos Ruiz Zafon).

In these stories, glistening icebergs float above urban horizons; a burning stag runs wild through the city; the ruins of industry emerge unsteadily from the sea; and the abandoned generations in a decayed space-elevator look not up at the stars but down at the Earth. Ranging from portraits of childhood to chilling ghost stories, from dystopian visions to poignant evocations of uncanny love, with beautiful prose and melancholy wit, this breath-taking collection poses searching questions of what it is to be human in an unquiet world. It is a humane and unsentimental investigation of our society, our world, and ourselves.

Table of Contents:

• Three Moments of an Explosion
• Polynia
• The Condition of New Death
• The Dowager of Bees
• In The Slopes
• The Crawl
• Watching God
• The 9th Technique
• The Rope is the World
• The Buzzard's Egg
• Säcken
• Syllabus
• Dreaded Outcome
• After the Festival
• The Dusty Hat
• Escapee
• The Bastard Prompt
• Rules
• Estate
• Keep
• A Second Slice Manifesto
• Covehithe
• The Junket
• Four Final Orpheuses
• The Rabbet
• Listen The Birds
• A Mount
• The Design

What is Un Lun Dun?

It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book.

When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

Science fiction and socialism have always had a close relationship. Many science fiction novelists and filmmakers have used the genre to examine explicit or implicit Marxist concerns. Red Planets is an accessible and lively account, which makes an ideal introduction to anyone interested in the politics of science fiction. The volume covers a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne, H. G. Wells, Philip K. Dick, and Thomas Disch to Ursula K. Le Guin, Kim Stanley Robinson, Ken MacLeod, and Charles Stross. Contributors include Matthew Beaumont, William J. Burling, Carl Freedman, Darren Jorgensen, Rob Latham, Iris Luppa, Andrew Milner, John Rieder, Steven Shaviro, Sherryl Vint, and Phillip Wegner.

Contents:

• Series Preface - Mike Wayne and Esther Leslie
• Introduction: Rough Guide to a Lonely Planet, from Nemo to Neo - Mark Bould
• THINGS TO COME
• The Anamorphic Estrangements of Science Fiction - Matthew Beaumont
• Art as 'The Basic Technique of Life': Utopian Art and Art in Utopia in The Dispossessed and Blue Mars - William J. Burling
• Marxism, Cinema and some Dialectics of Science Fiction and Film Noir - Carl Freedman
• Spectacle, Technology and Colonialism in SF Cinema: the Case of Wim Wenders' Until the End of the World - John Rieder
• WHEN WORLDS COLLIDE
• The Singularity is Here - Steven Shaviro
• Species and Species Being: Alienated Subjectivity and the Commodification of Animals - Sherryl Vint
• Ken MacLeod's Permanent Revolution: Utopian Possible Worlds, History, and the Augenblick in the Fall Revolution Quartet - Phillip Wegner
• BACK TO THE FUTURE
• 'Madonna in moon rocket with breeches': Weimar SF Film Criticism during the Stabilisation Period - Iris Luppa
• The Urban Question in New Wave SF - Rob Latham
• Toward a Revolutionary Science Fiction: Althusser's Critique of Historicity - Darren Jorgensen
• Utopia and Science Fiction Revisited - Andrew Milner
• Afterword: Cognition as Ideology: A Dialectic of SF Theory - China Miéville
• Appendices
• About the Contributors
• Index

Beneath the towering bleached ribs of a dead, ancient beast lies New Crobuzon, a squalid city where humans, Re-mades, and arcane races live in perpetual fear of Parliament and its brutal militia. The air and rivers are thick with factory pollutants and the strange effluents of alchemy, and the ghettos contain a vast mix of workers, artists, spies, junkies, and whores. In New Crobuzon, the unsavory deal is stranger to none not even to Isaac, a brilliant scientist with a penchant for Crisis Theory.

Isaac has spent a lifetime quietly carrying out his unique research. But when a half-bird, half-human creature known as the Garuda comes to him from afar, Isaac is faced with challenges he has never before fathomed. Though the Garuda's request is scientifically daunting, Isaac is sparked by his own curiosity and an uncanny reverence for this curious stranger.

While Isaac's experiments for the Garuda turn into an obsession, one of his lab specimens demands attention: a brilliantly colored caterpillar that feeds on nothing but a hallucinatory drug and grows larger and more consuming by the day. What finally emerges from the silken cocoon will permeate every fiber of New Crobuzon and not even the Ambassador of Hell will challenge the malignant terror it invokes...

Aboard a vast seafaring vessel, a band of prisoners and slaves, their bodies remade into grotesque biological oddities, is being transported to the fledgling colony of New Crobuzon. But the journey is not theirs alone. They are joined by a handful of travelers, each with a reason for fleeing the city. Among them is Bellis Coldwine, a renowned linguist whose services as an interpreter grant her passageand escape from horrific punishment. For she is linked to Isaac Dan der Grimnebulin, the brilliant renegade scientist who has unwittingly unleashed a nightmare upon New Crobuzon.

For Bellis, the plan is clear: live among the new frontiersmen of the colony until it is safe to return home. But when the ship is besieged by pirates on the Swollen Ocean, the senior officers are summarily executed. The surviving passengers are brought to Armada, a city constructed from the hulls of pirated ships, a floating, landless mass ruled by the bizarre duality called the Lovers. On Armada, everyone is given work, and even Remades live as equals to humans, Cactae, and Cray. Yet no one may ever leave.

Lonely and embittered in her captivity, Bellis knows that to show dissent is a death sentence. Instead, she must furtively seek information about Armada's agenda. The answer lies in the dark, amorphous shapes that float undetected miles below the watersterrifying entities with a singular, chilling mission....

Following Perdido Street Station and The Scar, acclaimed author China Miéville returns with his hugely anticipated Del Rey hardcover debut. With a fresh and fantastical band of characters, he carries us back to the decadent squalor of New Crobuzon-this time, decades later.

It is a time of wars and revolutions, conflict and intrigue. New Crobuzon is being ripped apart from without and within. War with the shadowy city-state of Tesh and rioting on the streets at home are pushing the teeming city to the brink. A mysterious masked figure spurs strange rebellion, while treachery and violence incubate in unexpected places.

In desperation, a small group of renegades escapes from the city and crosses strange and alien continents in the search for a lost hope.

In the blood and violence of New Crobuzon's most dangerous hour, there are whispers. It is the time of the iron council....

The bold originality that broke Miéville out as a new force of the genre is here once more in Iron Council: the voluminous, lyrical novel that is destined to seal his reputation as perhaps the edgiest mythmaker of the day.