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This morning, Commander Vimes of the City Watch had it all. He was a Duke. He was rich.He was respected. He had a silver cigar case. He was about to become a father.

This morning he thought longingly about the good old days.

Tonight, he's in them.

Flung back in time by a mysterious accident, Sam Vimes has to start all over again. He must get a new name and a job, and there's only one job he's good at: cop in the Watch. He must track down a brutal murderer. He must find his younger self and teach him everything he knows. He must whip the cowardly, despised Night Watch into a crack fighting force -- fast. Because Sam Vimes knows what's going to happen. He remembers it. He was there. It's part of history. And you can't change history . . .

But Sam is going to. He has no choice. Otherwise, a bloody revolution will start, and good men will die. Sam saw their names on old headstones just this morning -- but tonight they're young men who think they have a future. And rather than let them die, Sam will do anything -- turn traitor, burn buildings, take over a revolt, anything -- to snatch them from the jaws of history. He will do it even if victory will mean giving up the only future he knows.

For if he succeeds, he's got no wife, no child, no riches, no fame -- all that will simply vanish. But if he doesn't try, he wouldn't be Sam Vimes.

And so the battle is on. He knows how it's going to end after all, he was there. His name is on one of those headstones. But that's just a minor detail . . .

A Connecticut Yankee in King Arthur's Court is Mark Twain's classic tale of Hank Morgan, a resident of 19th century Hartford Connecticut who is inexplicably transported to the early medieval England of King Arthur. A classic satire, A Connecticut Yankee in King Arthur's Court pokes fun at the romanticized notions of chivalry and the idealization of the middle ages. A delightful and enchanting tale, A Connecticut Yankee in King Arthur's Court shows Twain at his satirical best.

When A Connecticut Yankee at King Arthur's Court was published in 1889, Mark Twain was undergoing a series of personal and professional crises. In his Introduction, M. Thomas Inge shows how what began as a literary burlesque of British chivalry and culture developed to tragedy and into a novel that remains a major literary and cultural text for generations of new readers.