Search Worlds Without End

As a Red, Darrow grew up working the mines deep beneath the surface of Mars, enduring backbreaking labor while dreaming of the better future he is building for his decendents. But the Society he faithfully served was built on lies. Darrow's kind have betrayed and denied by their elitist masters, the Golds -- and their only path to liberation is revolution. And so Darrow sacrifices himself in the name for greater good for which Eo, his true love and inspiration , laid down her own life. He becomes a Gold, infiltrating their privileged realm so that he can destroy it from within.

A lamb among wolves in a cruel world, Darrow find friendship, respect, and even love -- but also the wrath of powerful rivals. To wage and win the war that will change humankind's destiny, Darrow must must confront the treachery arrayed against him, overcome his all-too-human desire for retribution -- and strive not for violent revolt but a hopeful rebirth. Though the road ahead if fraught with danger and deciet, Darrow must choose to follow Eo's principles of love and justice to free his people.

He must live for more.

A powerful story about loss of freedom and individuality, V FOR VENDETTA takes place in a totalitarian England following a devastating war that changed the face of the planet.

In a world without political freedom, personal freedom and precious little faith in anything comes a mysterious man in a white porcelain mask who fights political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil.

For fifteen years, Earth has had a scientific station on an exoplanet orbiting Gliese 876, humanity's only presence outside the Solar System. But a new and powerful telescope at L5 can detect no evidence of Phaeton Base, even though it should be able to do so. So the US has sent Colonel Bradley Elliott, USAF, to investigate. Twenty years before, Elliott was the first, and to date only, man to land on the Martian surface. What he discovered there gave the US the stars, but it might also be responsible for the disappearance of Phaeton Base...

One summer weekend in 1949-but not our 1949-the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before.

Despite her parents' evident disapproval, Lucy is married-happily-to a London Jew. It was therefore quite a surprise to Lucy when she and her husband David found themselves invited to the retreat. It's even more startling when, on the retreat's first night, a major politician of the Farthing set is found gruesomely murdered, with abundant signs that the killing was ritualistic.

It quickly becomes clear to Lucy that she and David were brought to the retreat in order to pin the murder on him. Major political machinations are at stake, including an initiative in Parliament, supported by the Farthing set, to limit the right to vote to university graduates. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts - and looking beyond the obvious.

As the trap slowly shuts on Lucy and David, they begin to see a way out-a way fraught with peril in a darkening world.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them."

"I live for you," I say sadly.

Eo kisses my cheek. "Then you must live for more."

Darrow is a Red, a member of the lowest caste in a color-coded society of the future. Like his fellow Reds, he works all day believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children.

But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and lush wilds spread across the planet. Darrow -- and Reds like him -- are nothing more than slaves to a decadent ruling class.

Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the Legendary Institue, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for the power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

When the body of a murdered woman is found in the extraordinary, decaying city of Bes el, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to conspiracies far stranger, and more deadly, than anything he could have imagined. Soon his work puts him and those he cares for in danger. Borlu must travel to the only metropolis on Earth as strange as his own, across a border like no other.

In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes.

What is Un Lun Dun?

It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book.

When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison's 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards - not surprising with a contributors list that reads like a who's who of 20th-century SF.

Table of Contents:

• Foreword 1-The Second Revolution - (1967) - essay by Isaac Asimov
• Foreword 2-Harlan and I - (1967) - essay by Isaac Asimov
• Thirty-Two Soothsayers - (1967) - essay by Harlan Ellison
• Evensong - (1967) - shortstory by Lester del Rey
• Flies - (1967) - shortstory by Robert Silverberg
• The Day After the Day the Martians Came - (1967) - shortstory by Frederik Pohl
• Riders of the Purple Wage - (1967) - novella by Philip José Farmer
• The Malley System - (1967) - shortstory by Miriam Allen deFord
• A Toy for Juliette - shortstory by Robert Bloch
• The Prowler in the City at the Edge of the World - novelette by Harlan Ellison
• The Night That All Time Broke Out - (1967) - shortstory by Brian W. Aldiss
• The Man Who Went to the Moon - Twice - (1967) - shortstory by Howard Rodman
• Faith of Our Fathers - novelette by Philip K. Dick
• The Jigsaw Man - (1967) - shortstory by Larry Niven
• Gonna Roll the Bones - novelette by Fritz Leiber
• Lord Randy, My Son - (1967) - shortstory by Joe L. Hensley
• Eutopia - (1967) - novelette by Poul Anderson
• Incident in Moderan - (1967) - shortstory by David R. Bunch
• The Escaping - (1967) - shortstory by David R. Bunch
• The Doll-House - (1967) - shortstory by James Cross
• Sex and/or Mr. Morrison - shortstory by Carol Emshwiller
• Shall the Dust Praise Thee? - (1967) - shortstory by Damon Knight
• If All Men Were Brothers, Would You Let One Marry Your Sister? - (1967) - novella by Theodore Sturgeon
• What Happened to Auguste Clarot? - (1967) - shortstory by Larry Eisenberg
• Ersatz - (1967) - shortstory by Henry Slesar
• Go, Go, Go, Said the Bird - (1967) - shortstory by Sonya Dorman
• The Happy Breed - shortstory by John Sladek
• Encounter with a Hick - (1967) - shortstory by Jonathan Brand
• From the Government Printing Office - (1967) - shortstory by Kris Neville
• Land of the Great Horses - shortstory by R. A. Lafferty
• The Recognition - shortstory by J. G. Ballard
• Judas - (1967) - shortstory by John Brunner
• Test to Destruction - (1967) - novelette by Keith Laumer
• Carcinoma Angels - (1967) - shortstory by Norman Spinrad
• Auto-da-Fé - (1967) - shortstory by Roger Zelazny
• Aye, and Gomorrah... - (1967) - shortstory by Samuel R. Delany

Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying – from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.

On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works – and shamelessly flirts – with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.

But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined – and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

You live in Eden. You are a member of the Family, one of 532 descendants of Angela and Tommy. You shelter beneath the light and warmth of the Forest's lantern trees, hunting woollybuck and harvesting tree candy. Beyond the forest lie the treeless mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among you recount legends of a world where light came from the sky, where men and women made boats that could cross between worlds. One day, the Oldest say, they will come back for you.

You live in Eden. You are a member of the Family, one of 532 descendants of two marooned explorers. You huddle, slowly starving, beneath the light and warmth of geothermal trees, confined to one barely habitable valley of a startlingly alien, sunless world. After 163 years and six generations of incestuous inbreeding, the Family is riddled with deformity and feeblemindedness. Your culture is a infantile stew of half-remembered fact and devolved ritual that stifles innovation and punishes independent thought. You are John Redlantern. You will break the laws of Eden, shatter the Family and change history. You will be the first to abandon hope, the first to abandon the old ways, the first to kill another, the first to venture in to the Dark, and the first to discover the truth about Eden.

Hugo Award nominated short story. It originally appeared in Galaxy Magazine, October 1968. The story can aslo be found in the anthologies Worlds of Maybe (1970) edited by Robert Silverberg, Galaxy: Thirty Years of Innovative Science Fiction (1980), edited by Frederik Pohl, Martin H. Greenberg and Joseph D. Olander, and The Best Alternate History Stories of the 20th Century (2001), edited by Harry Turtledove and Martin H. Greenberg. It is included in the collecions All the Myriad Ways (1971), N-Space (1990) and The Best of Larry Niven (2010).

It is the 20th Century, an advertisement-drenched world in which the big ad agencies dominate governments and everything else. Now Schoken Associates, one of the big players, has a new challenge for star copywriter Mitch Courtenay. Volunteers are needed to colonise Venus. It's a hellhole, and nobody who knew anything about it would dream of signing up. But by the time Mitch has finished, they will be queuing to get on board the spaceships.

Todd Hewitt is the last boy in Prentisstown.

But Prentisstown isn't like other towns. Everyone can hear everyone else's thoughts in a constant, overwhelming, never-ending Noise. There is no privacy. There are no secrets.

Or are there?

Just one month away from the birthday that will make him a man, Todd unexpectedly stumbles upon a spot of complete silence.

Which is impossible.

Prentisstown has been lying to him.

And now he's going to have to run...

On October 11 the television star Jason Taverner is so famous that 30 million viewers eagerly watch his prime-time show. On October 12 Jason Taverner is not a has-been but a never-was -- a man who has lost not only his audience but all proof of his existence. And in the claustrophobic betrayal state of Flow My Tears, the Policeman Said, loss of proof is synonymous with loss of life.

Taverner races to solve the riddle of his disappearance", immerses us in a horribly plausible Philip K. Dick United States in which everyone -- from a waiflike forger of identity cards to a surgically altered pleasure -- informs on everyone else, a world in which omniscient police have something to hide. His bleakly beautiful novel bores into the deepest bedrock self and plants a stick of dynamite at its center.

For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire, whose servant he is. But when the interrogation experts arrive, he is jolted into sympathy with the victims and into a quixotic act of rebellion which lands him in prison, branded as an enemy of the state. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency.

It's 2015, and Patricia Cowan is very old. "Confused today," read the notes clipped to the end of her bed. She forgets things she should know--what year it is, major events in the lives of her children. But she remembers things that don't seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.

Her childhood, her years at Oxford during the Second World War--those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?

Two lives, two worlds, two versions of modern history; each with their loves and losses, their sorrows and triumphs. Jo Walton's My Real Children is the tale of both of Patricia Cowan's lives... and of how every life means the entire world.?

After 37 years on a brutal and dangerous journey through space, a federation of settlers finally arrives on the planet Salt. Thus begins the colonization of this brave new world--a process that inevitably slips into a tragedy of biblical proportions. The two communities who undertook the voyage originally united in peace and a shared vision of a fresh beginning. Once isolated in a landscape of cruel majesty and minimal resources, however, ancient enmities begin to tear them apart. Related alternately by Petja, from the Alsist people, and Barlei (a Senaarian), their different voices, perspectives, and experiences come together to make an unusually rich and complex story about the fragility of life.

Lew Nichols is in the business of stochastic prediction. A mixture of sophisticated analysis and inspired guesswork, it is the nearest man can get to predicting the future. And Nichols is very good at it. So good that he is soon indispensable to Paul Quinn, the ambitious and charismatic mayor of New York whose sights are firmly set on the presidency. But there is nothing paranormal about stochastic prediction: Nichols can't actually see the future. However, Martin Carvajal apparently can and he offers to help Nichols do so too. It's an offer Nichols can't resist, even though he can clearly see the devastating impact that knowing in advance every act of his life has on Carvajal. For Carvajal has even seen his own death.

A photographer returns to a near-future Britain after the death of his wife in a terrorist incident in Afghanistan. And finds that Britain has, itself, been suffering terrorist attacks. But no-one knows quite what is happening or how. Just that there are similarities between what killed the photographer's wife and what happened in West London. Soon he is drawn into a hall of mirrors at the heart of government.

In the First World War a magician is asked to travel to the frontline to help a naval aerial reconnaissance unit hide its planes from the German guns. On the way to France he meets a certain H.G. Wells. In the Second World War on the airfields of Bomber Commands there is also an obsession with camouflage, with misdirection. With deceit.

And in a garden, an old man raises a conch shell to his ear and initiates the first Adjacency.

Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.

Intending to stay just a short while, Vanja falls in love with her housemate, Nina, and prolongs her visit. But when she stumbles on evidence of a growing threat to the colony, and a cover-up by its administration, she embarks on an investigation that puts her at tremendous risk.

In Karin Tidbeck's world, everyone is suspect, no one is safe, and nothing--not even language, nor the very fabric of reality--can be taken for granted. Amatka is a beguiling and wholly original novel about freedom, love, and artistic creation by a captivating new voice.

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that reads like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

2000 years in the future, runaway pollution has made the Earth uninhabitable except in giant biodomes. The society is an anarchy, with disputes mediated through the Machiavellian Committee for the Revolution. Mars, Venus and the Moon support flourishing colonies of various political stripes. On the fringes of the solar system, in the Gas Planets, a strange, new, violent kind of human has evolved. In this unstable system the anarchist Paula Mendoza, an agent of the Committee, works to make peace, and ultimately protect her people, in a catastrophic clash of worlds that destroys the order she knows.

Fleeing the city of New York on the TransContinental atmospheric transport vehicle, Dran Florrian is traveling with Palimpsest -- the ultimate proof of a lifetime of scientific theorizing.

When a rogue organization attempts to steal the device, however, Dran takes drastic action.

But his invention threatens to destroy the very fabric of this and all other possible universes, unless Dran -- or someone very much like him -- can shut down the machine and reverse the process.

The time is today or tomorrow - or perhaps the day after tomorrow. Paul Fadhil Abbas Ali, a young British citizen of Muslim descent, has written a satirical novel in which two characters joke about the assassination of the prime minister. Arrested by agents of HARM - the Hostile Activities Research Ministry - Paul is thrown into a nameless Abu Ghraib-like prison, possibly located in Syria, where he is held incommunicado and brutally interrogated by jailers to whom his Muslim heritage is itself a crime meriting the harshest punishment. Under this sadistic regime, Paul's personality begins to show signs of radical fragmentation....

On the remote planet of Stygia, a man named Fremant, haunted by memories of torture that seem drawn from Paul's mind, is one of a small group of colonists struggling for survival on a harsh but weirdly beautiful world whose dominant life-forms are insects. The sole humanoid race on the planet has been hunted to extinction by the human settlers, whose long journey to Stygia has left them unable to understand their own history and technology.

Thrown back to a more primitive state, they seem destined to repeat all the sins of the world they fled to Stygia to escape.

Is Paul dreaming Fremant as a way of escaping the horrors of his imprisonment? Or is there a stronger - and far stranger - connection between the two men, whose very different circumstances begin to take on uncanny parallels?

As aspects of their identities blur and, finally, merge, astonishing answers take shape - and profound new questions arise.

The very far future: The Galaxy is a drifting wreck of black holes, neutron stars, chill white dwarfs. The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous Galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light...

The 27th century: Proxima Centauri, an undistinguished red dwarf star, is the nearest star to our sun - and (in this fiction), the nearest to host a world, Proxima IV, habitable by humans. But Proxima IV is unlike Earth in many ways. Huddling close to the warmth, orbiting in weeks, it keeps one face to its parent star at all times. The 'substellar point', with the star forever overhead, is a blasted desert, and the 'antistellar point' on the far side is under an ice cap in perpetual darkness. How would it be to live on such a world? Needle ships fall from Proxima IV's sky. Yuri Jones, with 1000 others, is about to find out...P ROXIMA tells the amazing tale of how we colonise a harsh new eden, and the secret we find there that will change our role in the Universe for ever.

When a repairman accidentally discovers a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth's overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace, or are they just as corrupt and ill-intentioned as the people of this world?

It's influenced William Gibson and been listed as one of the ten essential works of science fiction. Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael--four alternate selves from drastically different realities--meet.

Of all the cities on all the planets of the Solar System, Marsport was the most corrupt. So when one-time prize-fighter, cop, and reporter, Bruce Gordon ends up with a one way ticket to Mars, it was only natural that he would find himself walking a beat collecting graft like the rest of the force. Just trying to survive, he finds himself caught in the middle between two rival gangs as they battle for control of the planet.