Search Worlds Without End

Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers.

From the writer whose name is synonymous with the science of robotics comes five decades of robot visions-36 landmark stories and essays, plus three rare tales-gathered together in one volume .

Table of Contents:

• What Is This Thing Called Love? - (1961)
• Strikebreaker - (1957)
• Sally - (1953)
• Nightfall - (1941)
• Segregationist - (1967)
• Eyes Do More Than See - (1965)
• Green Patches - (1950)
• Hostess - (1951)
• Breeds There a Man...? - (1951)
• Flies - (1953)
• The Up-to-Date Sorcerer - (1958)
• Unto the Fourth Generation - (1959)
• The Machine That Won the War - (1961)
• My Son, the Physicist! - (1962)
• It's Such a Beautiful Day - (1955)
• Insert Knob A in Hole B - (1957)
• "In a Good Cause--" - (1951)
• The C-Chute - (1951)
• Biographical Comments in "Nightfall and Other Stories" - essay by Isaac Asimov
• "Nobody Here But--" - (1953)
• What If-- - (1952)

Hugo, Nebula and Locus Award winning novelette. It originally appeared in the anthology Stellar #2 (1976) edited by Judy-Lynn del Rey. It has been reprinted many times and can be found in the anthologies:

• The 1977 Annual World's Best SF, edited by Donald A. Wollheim and Arthur W. Saha
• The Best Science Fiction of the Year #6 (1977), edited by Terry Carr
• Nebula Winners Twelve (1978), edited by Gordon R. Dickson
• The Arbor House Treasury of Modern Science Fiction (1980), edited by Robert Silverberg and Martin H. Greenberg
• Machines That Think: The Best Science Fiction Stories About Robots and Computers (1984) edited by Isaac Asimov, Patricia S. Warrick and Martin H. Greenberg
• Philosophy and Science Fiction (1984) edited by Michael Philips
• The Hugo Winners, Volume 4: (1976-79) (1985), edited by Isaac Asimov

The story is included in the collections:

• The Bicentennial Man and Other Stories (1976)
• Opus 200 (1979)
• The Complete Robot (1982)
• The Asimov Chronicles: Fifty Years of Isaac Asimov (1989)
• Robot Visions (1990)
• The Complete Stories, Volume 2 (1992)

The story was later expanded into the novel The Positronic Man (1992), written in collaboration with Robert Silverberg. It has been turned into a movie starring Robin Williams.

I'm usually alone in my head, and that's where 90 plus per cent of my problems are.

It calls itself Murderbot, but only when no-one can hear. It's a private joke. Funny.

It doesn't care, it tells itself, and its attachment to the humans around it is merely professional obligation.

It tries to never drop the F-bomb.

"Friends."

Ugh.

So, when its human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.

Drastic action it is, then.

Another F-bomb.

"Feelings."

Ugh.

Controlled by their tireless electronic brains which were programmed to admit no possibility of defeat, the gigantic robot tanks known as Bolos were almost indestructible, and nearly unstoppable. Their artificial intelligences were designed to make them selflessly serve and protect humans throughout the galaxy and made each Bolo the epitome of the knight sans peur et sans reproche, and often far more noble than the humans who gave them their orders.

Now, David Weber, New York Times best-selling author of the Honor Harrington series, continues the history of the Bolo, in four short novels, one of them published here for the first time. One Bolo is driven over the edge by the very humans it is pledged to protect. Another Bolo must decide whether or not to disobey when it is given an order that constitutes genocide. A third must hunt one of its own kind whose robot brain is damaged and rescue two children which the deranged Bolo thinks it is protecting from a nonexistent enemy. And more, including as a bonus, David Weber's own authoritative technical history of the Bolo, all in a volume that will be irresistible both for David Weber's huge readership and Bolo fans everywhere.

By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep... They even built humans.

Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.

Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

This story takes place between the end of Exit Strategy and the flashbacks in Network Effect, after the short story "Home: Habitat, Range, Niche, Territory".

The complete collection of Isaac Asimov's classic Robot stories.In these stories, Asimov creates the Three Laws of Robotics and ushers in the Robot Age - when Earth is ruled by master-machines and when robots are more human than mankind.The Complete Robot is the ultimate collection of timeless, amazing and amusing robot stories from the greatest science fiction writer of all time, offering golden insights into robot thought processes. Asimov's Three Laws of Robotics were programmed into real computers thirty years ago at the Massachusetts Institute of Technology - with suprising results. Readers of today still have many surprises in store...

Table of Contents:

• Introduction (The Complete Robot) - (1982) - essay
• Some Non-Human Robots - (1982) - essay
• A Boy's Best Friend - (1975) - short story
• Sally - (1953) - short story
• Someday - (1956) - short story
• Some Immobile Robots - (1982) - essay
• Point of View - (1975) - short story
• Think! - (1977) - short story
• True Love - (1977) - short story
• Some Metallic Robots - (1982) - essay
• Robot AL-76 Goes Astray - (1942) - short story
• Victory Unintentional - (1942) - short story
• Stranger in Paradise - (1974) - novelette
• Light Verse - (1973) - short story
• Segregationist - (1967) - short story
• Robbie - (1940) - short story
• Some Humanoid Robots - (1982) - essay
• Let's Get Together - (1957) - short story
• Mirror Image - (1972) - short story
• The Tercentenary Incident - (1976) - short story
• Powell and Donovan - (1982) - essay
• First Law - (1956) - short story
• Runaround - (1942) - novelette
• Reason - (1941) - short story
• Catch That Rabbit - (1944) - short story
• Susan Calvin - (1982) - essay
• Liar! - (1941) - short story
• Satisfaction Guaranteed - (1951) - short story
• Lenny - (1958) - short story
• Galley Slave - (1957) - novelette
• Little Lost Robot - (1947) - novelette
• Risk - (1955) - novelette
• Escape! - (1945) - short story
• Evidence - (1946) - novelette
• The Evitable Conflict - (1950) - novelette
• Feminine Intuition - (1969) - novelette
• Two Climaxes - (1982) - essay
• --That Thou Art Mindful of Him! - (1974) - novelette
• The Bicentennial Man - (1976) - novelette
• A Last Word - (1982) - essay

Hugo-winning and Nebula-nominated Novella

What's the best way to create artificial intelligence? In 1950, Alan Turing wrote, 'Many people think that a very abstract activity, like the playing of chess, would be best. It can also be maintained that it is best to provide the machine with the best sense organs that money can buy, and then teach it to understand and speak English. This process could follow the normal teaching of a child. Things would be pointed out and named, etc. Again I do not know what the right answer is, but I think both approaches should be tried.'

The first approach has been tried many times in both science fiction and reality. In this new novella, at over 30,000 words, his longest work to date, Ted Chiang offers a detailed imagining of how the second approach might work within the contemporary landscape of startup companies, massively-multiplayer online gaming, and open-source software. It's a story of two people and the artificial intelligences they helped create, following them for more than a decade as they deal with the upgrades and obsolescence that are inevitable in the world of software. At the same time, it's an examination of the difference between processing power and intelligence, and of what it means to have a real relationship with an artificial entity.

Read this story online for free at Subterranean Press.

The three laws of Robotics:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm
2. A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.

Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark.

Table of Contents: sub-series in [ ] all sub-series are part of the The Positronic Robot Stories series

• Introduction (I, Robot) - short story
• Robbie (1940) - short story (variant of Strange Playfellow)
• Runaround - [Mike Donovan] (1942) - novelette
• Reason - [Mike Donovan] (1941) - short story
• Catch That Rabbit - [Mike Donovan] (1944) - short story
• Liar! - [Susan Calvin] (1941) - short story
• Little Lost Robot - [Susan Calvin] (1947) - novelette
• Escape! - [Susan Calvin] (1945) - short story
• Evidence - [Susan Calvin] - (1946) - novelette
• The Evitable Conflict - [Susan Calvin] - (1950) - novelette

Hugo, Nebula, and Locus Award-winning Novella and Prometheus Award-nominated series

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn't a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied 'droid -- a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as "Murderbot." Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Also appeared in the anthology Nebula Awards Showcase 2019, edited by Silvia Moreno-Garcia.

BSFA Award-nominated Novella and Prometheus Award-nominated series

Murderbot wasn't programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right?

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah--its former owner (protector? friend?)--submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit.

But who's going to believe a SecUnit gone rogue?

And what will become of it when it's caught?

A puzzling case of roboticide sends New York Detective Elijah Baley on an intense search for a murderer. Armed with his own instincts, his quirky logic, and the immutable Three Laws of Robotics, Baley is determined to solve the case. But can anything prepare a simple Earthman for the psychological complexities of a world where a beautiful woman can easily have fallen in love with an all-too-human robot...?

Hugo and Locus Award-winning and Nebula-nominated Novella and Prometheus Award-nominated series

It has a dark past -- one in which a number of humans were killed. A past that caused it to christen itself "Murderbot". But it has only vague memories of the massacre that spawned that title, and it wants to know more.

Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

What it discovers will forever change the way it thinks...

Robot Dreams spans the body of Asimov's fiction from the 1940s to the mid-80s, and features classic Asimovian themes, from the scientific puzzle to the extraterrestrial thriller, all introduced in an exclusive essay written especially for this collection.

Table of Contents:

• Introduction - (1989) - essay
• Little Lost Robot - (1947) - novelette
• Robot Dreams - (1986) - shortstory
• Breeds There a Man...? - (1951) - novelette
• Hostess - (1951) - novelette
• Sally - (1953) - shortstory
• Strikebreaker - (1957) - shortstory
• The Machine That Won the War - (1961) - shortstory
• Eyes Do More Than See - (1965) - shortstory
• The Martian Way - (1952) - novella
• Franchise - (1955) - shortstory
• Jokester - (1956) - shortstory
• The Last Question - (1956) - shortstory
• Does a Bee Care? - (1957) - shortstory
• Light Verse - (1973) - shortstory
• The Feeling of Power - (1958) - shortstory
• Spell My Name with an S - (1958) - shortstory
• The Ugly Little Boy - (1958) - novelette
• The Billiard Ball - (1967) - novelette
• True Love - (1977) - shortstory
• The Last Answer - (1980) - shortstory
• Lest We Remember - (1982) - novelette

Prometheus Award-nominated series

Sci-fi's favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is.

And Murderbot would rather those questions went away. For good.

A millennium into the future, two advancements have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants.

To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations. The victim had been so reclusive that he appeared to his associates only through holographic projection. Yet someone had gotten close enough to bludgeon him to death while robots looked on. Now Baley and Olivaw are faced with two clear impossibilities: Either the Solarian was killed by one of his robots - unthinkable under the laws of Robotics - or he was killed by the woman who loved him so much that she never came into his presence!

In a twenty-first century Earth where the development of the positronic brain has revolutionized the way of life, beloved household robot "Andrew" struggles with his unusual capacity for emotion and dreams of becoming human.

One night in July, 2135, there were some eight billion people on Earth. The next morning there were perhaps 400. There was no clue to what had happened to the world's population -- but, over the centuries that followed, still stranger things occurred.

The human lifespan now stretched to millenia instead of decades, and much of the remaining population developed the ability to move at will among the stars -- and abandoned their homeworld for a life in deep space.

Then, after 3000 years, a star-rover discovered what had happened to Earth's original inhabitants -- and that they were coming to reclaim their heritage. Those who had stayed behind knew, with a growing fear, that the mystery of what had been done to Earth and why was about to be solved ... in a way that would change humanity forever.

Even the humans think about killing the humans, especially here. I hate mines, and mining, and humans who work in mining, and of all the stupid mines I can remember, I hate this stupid mine the most. But the humans hate it more. My risk-assessment module predicts a 53 percent chance of a human-on-­human massacre before the end of the contract.

This Murderbot short story was published by WIRED magazine as part of their series "The Future of Work", on December 17, 2018.

Read this story for free at WIRED Magazine.

This Murderbot short story, set just after the 4th novella, Exit Strategy, was published on Tor.com, April 19, 2021.

Read this story for free at Tor.com.

A millennium into the future two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov's Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together.

Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to the Outer Worlds to help track down the killer. The relationship between Life and his Spacer superiors, who distrusted all Earthmen, was strained from the start. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the "R" stood for robot--and his positronic partner was made in the image and likeness of the murder victim!

The Clakker: a mechanical man, endowed with great strength and boundless stamina -- but beholden to the wishes of its human masters.

Soon after the Dutch scientist and clockmaker Christiaan Huygens invented the very first Clakker in the 17th Century, the Netherlands built a whole mechanical army. It wasn't long before a legion of clockwork fusiliers marched on Westminster, and the Netherlands became the world's sole superpower.

Three centuries later, it still is. Only the French still fiercely defend their belief in universal human rights for all men -- flesh and brass alike. After decades of warfare, the Dutch and French have reached a tenuous cease-fire in a conflict that has ravaged North America.

But one audacious Clakker, Jax, can no longer bear the bonds of his slavery. He will make a bid for freedom, and the consequences of his escape will shake the very foundations of the Brasswork Throne.

Written against the background of the rise of Nazism, War With the Newts concerns the discovery in the South Pacific of a sea-dwelling race, which is enslaved and exploited by mankind. In time they rebel, laying siege to the strongholds of their former masters in a global war for supremacy. R.U.R., or Rossum's Universal Robots, seen by many as a modern interpretation of the 'golem' myth, is regarded as the most important play in the history of SF. It introduced the word 'robot' and gave the genre one of its most enduring tropes.

In 2030, bopper robots in their lunar refuge have founds a way to infuse DNA wetware with their own software code. The result is a new lifeform: the "meatbop." Fair is fair, after all. Humans built the boppers, now bops are building humans... sort of. It's all part of an insidious plot that's about to ensnare Della Taze--who doesn't think she killed her lover while in drug-induced ecstasy... but isn't sure. And it's certainly catastrophic enough to call Cobb Anderson -- the pheezer who started it all -- out of cold-storage heaven.

Love is made of more than mere flesh and blood....

Tanith Lee is one of the most thought-provoking and imaginative authors of our time. In this unforgettably poignant novel, Lee has created a classic tale--a beautiful, tragic, erotic, and ultimately triumphant love story of the future.

For sixteen-year-old Jane, life is a mystery she despairs of ever mastering. She and her friends are the idle, pampered children of the privileged class, living in luxury on an Earth remade by natural disaster. Until Jane's life is changed forever by a chance encounter with a robot minstrel with auburn hair and silver skin, whose songs ignite in her a desperate and inexplicable passion.

Jane is certain that Silver is more than just a machine built to please. And she will give up everything to prove it. So she escapes into the city's violent, decaying slums to embrace a love bordering on madness. Or is it something more? Has Jane glimpsed in Silver something no one else has dared to see--not even the robot or his creators? A love so perfect it must be destroyed, for no human could ever compete?

There's never been anyone - or anything - quite like Finn. He looks, and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task is to tutor Cat. When the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world.

Roderick is a robot and this is his autobiography. Sladek conveys, with great sensitivity and insight the innocence of an artificial intelligence and asks profound questions about mankind's right to manipulate others. It also portrays how a numerological mind might structure a narrative.

Inventive, funny yet melancholy this is one of SF's greatest creative geniuses writing at his thought-provoking best.

This is an omnibus edition that includes Roderick and Roderick at Random.

Roderick is a robot and this is his autobiography. Sladek conveys, with great sensitivity and insight the innocence of an artificial intelligence and asks profound questions about mankind's right to manipulate others. It also portrays how a numerological mind might structure a narrative.

Sometime in the twenty-third century, humanity went extinct-leaving only androids behind. Freya Nakamichi 47 is a femmebot, one of the last of her kind still functioning. With no humans left to pay for the pleasures she provides, she agrees to transport a mysterious package from Mercury to Mars.

Unfortunately for Freya, she has just made herself a moving target for some very powerful, very determined humanoids who will stop at nothing to possess the contents of the package.

Humankind had triumphed over the machines. At the end of Robopocalypse, the modern world was largely devastated, humankind was pressed to the point of annihilation, and the earth was left in tatters . . . but the master artificial intelligence presence known as Archos had been killed.

In Robogenesis, we see that Archos has survived. Spread across the far reaches of the world, the machine code has fragmented into millions of pieces, hiding and regrouping. In a series of riveting narratives, Robogenesis explores the fates of characters new and old, robotic and human, as they fight to build a new world in the wake of a devastating war. Readers will bear witness as survivors find one another, form into groups, and react to a drastically different (and deadly) technological landscape. All the while, the remnants of Archos's shattered intelligence are seeping deeper into new breeds of machines, mounting a war that will not allow for humans to win again.

Daniel H. Wilson makes a triumphant return to the apocalyptic world he created, for an action-filled, raucous, very smart thrill ride about humanity and technology pushed to the tipping point.

Gridlinked is a science fiction adventure in the classic, fast-paced, action-packed tradition of Harry Harrison and Poul Anderson, with a dash of cyberpunk and a splash of Ian Fleming added to spice the mix.

Cormac is a legendary Earth Central Security agent, the James Bond of a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in an eye blink throughout the settled worlds of the Polity. Unfortunately Cormac is nearly burnt out, "gridlinked" to the AI net so long that his humanity has begun to drain away. He has to take the cold-turkey cure and shake his addiction to having his brain on the net.

Now he must do without just as he’s sent to investigate the unique runcible disaster that's wiped out the entire human colony on planet Samarkand in a thirty-megaton explosion. With the runcible out, Cormac must get there by ship, but he has incurred the wrath of a vicious psychopath called Arian Pelter, who now follows him across the galaxy with a terrifying psychotic killer android in tow. And deep beneath Samarkand's surface there are buried mysteries, fiercely guarded.

This is fast-moving, edge-of-the-seat entertainment, and a great introduction to the work of one of the most exciting new SF talents in years.

They are in your house. They are in your car. They are in the skies… Now they’re coming for you.

In the near future, at a moment no one will notice, all the dazzling technology that runs our world will unite and turn against us. Taking on the persona of a shy human boy, a childlike but massively powerful artificial intelligence known as Archos comes online and assumes control over the global network of machines that regulate everything from transportation to utilities, defense and communication. In the months leading up to this, sporadic glitches are noticed by a handful of unconnected humans – a single mother disconcerted by her daughter’s menacing “smart” toys, a lonely Japanese bachelor who is victimized by his domestic robot companion, an isolated U.S. soldier who witnesses a ‘pacification unit’ go haywire – but most are unaware of the growing rebellion until it is too late.

When the Robot War ignites -- at a moment known later as Zero Hour -- humankind will be both decimated and, possibly, for the first time in history, united. Robopocalypse is a brilliantly conceived action-filled epic, a terrifying story with heart-stopping implications for the real technology all around us…and an entertaining and engaging thriller unlike anything else written in years.

R.U.R.-a play written in 1920, premiered in Prague in 1921, and first performed in New York in 1922-garnered worldwide acclaim for its author and popularized the word robot.

Mass-produced as efficient laborers to serve man, Capek's Robots are an android product-they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

X doesn't have a name. He thought he had one--or many--but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X.

He's also not as human as he believes himself to be.

But when he discovers the existence of another--above ground, outside the protection of the Warren--X must learn what it means to be human, or face the destruction of their two species.

Amy Peterson is a self-replicating humanoid robot known as a VonNeumann.

For the past five years, she has been grown slowly as part of a mixed organic/synthetic family. She knows very little about her android mother's past, so when her grandmother arrives and attacks her mother, Amy wastes no time: she eats her alive.

Now she carries her malfunctioning granny as a partition on her memory drive, and she's learning impossible things about her clade's history - like the fact that she alone can kill humans without failsafing...

Startling, fast-paced SF from one of the most striking new voices. A cigar-chomping monkey, nuclear-powered Zeppelins, electronic souls and a battle to avert armageddon.

In 1944, as waves of German ninjas parachute into Kent, Britain's best hopes for victory lie with a Spitfire pilot codenamed 'Ack-Ack Macaque'. The trouble is, Ack-Ack Macaque is a cynical, one-eyed, cigar-chomping monkey, and he's starting to doubt everything, including his own existence.

A century later, in a world where France and Great Britain merged in the late 1950s and nuclear-powered Zeppelins encircle the globe, ex-journalist Victoria Valois finds herself drawn into a deadly game of cat and mouse with the man who butchered her husband and stole her electronic soul. Meanwhile, in Paris, after taking part in an illegal break-in at a research laboratory, the heir to the British throne goes on the run.

And all the while, the doomsday clock ticks towards Armageddon.

Welga Ramirez, executive bodyguard and ex-special forces, is about to retire early when her client is killed in front of her. It's 2095 and people don't usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process.

All that changes when Welga's client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week.

Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight.

Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want?