Search Worlds Without End

Imogene is young, beautiful... and dead, waiting in the Rosebud Theater one afternoon in 1945....

Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing....

John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead....

Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds....

The past isn't dead. It isn't even past.

Table of Contents:

• Introduction - essay by Christopher Golden
• Scheherazade's Typewriter - shortstory
• Best New Horror - (2005) - shortstory
• 20th Century Ghost - (2002) - shortstory
• Pop Art - (2001) - novelette
• You Will Hear the Locust Sing - (2004) - shortstory
• Abraham's Boys - (2004) - shortstory
• Better Than Home - (1999) - novelette
• The Black Phone - (2004) - shortstory
• In The Rundown - (2005) - shortstory
• The Cape - (2005) - shortstory
• Last Breath - (2005) - shortstory
• Dead-Wood - (2005) - shortstory
• The Widow's Breakfast - (2002) - shortstory
• My Father's Mask - novelette
• Voluntary Commital - (2005) - novella

Night Shift-Stephen King's first collection of stories-is an early showcase of the depths that King's wicked imagination could plumb. In these 20 tales, we see mutated rats gone bad ("Graveyard Shift"); a cataclysmic virus that threatens humanity ("Night Surf," the basis for The Stand); a smoker who will try anything to stop ("Quitters, Inc."); a reclusive alcoholic who begins a gruesome transformation ("Gray Matter"); and many more. This is Stephen King at his horrifying best.

No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...

A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a "geographic cure," a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.

"Edgar, does anything make you happy?"

"I used to sketch."

"Take it up again. You need hedges... hedges against the night."

Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating. The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural -- Stephen King gives us a novel as fascinating as it is gripping and terrifying.

Table of Contents:

• Introduction - essay by Ramsey Campbell
• The Book of Blood - (1984) - short story by Clive Barker
• The Midnight Meat Train - novelette by Clive Barker
• The Yattering and Jack - novelette by Clive Barker
• Pig Blood Blues - novelette by Clive Barker
• Sex, Death and Starshine - novelette by Clive Barker
• In the Hills, the Cities - novelette by Clive Barker

Welcome to Derry, Maine. It's a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real.

They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city's children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry's sewers.

Four Times Fear Equals Total Terror.... The Langoliers You are strapped in an airplane seat on a flight beyond hell. Secret Window, Secret Garden You are trapped in the demonic depths of a writer's worst nightmare. The Library Policeman You are forced into a hunt for the most horrifying secret a small town ever hid. The Sun Dog You are focusing in on a beast bent on shredding your sanity. You are in the hands of Stephen King at his mind-blowing best, with an extraordinary quartet of full-length novellas.

John Wayne Cleaver is dangerous, and he knows it.

He's spent his life doing his best not to live up to his potential.

He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation.

Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means.

Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.

Dan Wells's debut novel is the first volume of a trilogy that will keep you awake and then haunt your dreams.

Built on the Upper West Side, the elegant Breviary claims a regal history. But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants . . . except for Audrey Lucas.

No stranger to tragedy at thirty-two-a survivor of a fatherless childhood and a mother's hopeless dementia- Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her . . . and for the voice that demands that she build a door? A door it would be true madness to open . . .