Search Worlds Without End

Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries.

The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

M. R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror. As well as the preface, there is a fascinating tail-piece by M. R. James, Stories I Have Tried To Write , which accompanies these thirty tales. Among them are 'Casting the Runes', 'Oh, Whistle and I'll come to you, My Lad', 'The Tractate Middoth', 'The Ash Tree' and 'Canon Alberic's Scrapbook'.

• Canon Alberic's Scrapbook - (1895) - short story (variant of Canon Alberic's Scrap-Book)
• Lost Hearts - (1895) - short story
• The Mezzotint - (1904) - short story
• The Ash-Tree - (1904) - short story
• Number 13 - (1904) - short story
• Count Magnus - (1904) - short story
• "Oh, Whistle, and I'll Come to You, My Lad" - (1904) - novelette
• The Treasure of Abbot Thomas - (1904) - short story
• A School Story - (1911) - short story
• The Rose Garden - (1911) - short story
• The Tractate Middoth - (1911) - short story
• Casting the Runes - (1911) - novelette
• The Stalls of Barchester Cathedral - (1910) - short story
• Martin's Close - (1911) - short story
• Mr. Humphreys and His Inheritance - (1911) - novelette
• The Residence at Whitminster - (1919) - novelette
• The Diary of Mr. Poynter - (1919) - short story
• n Episode of Cathedral History - (1914) - short story
• The Story of a Disappearance and an Appearance - (1913) - short story
• Two Doctors - (1919) - short story
• The Haunted Dolls' House - (1923) - short story
• The Uncommon Prayer-Book - (1925) - short story
• A Neighbour's Landmark - (1924) - short story
• A View from a Hill - (1925) - short story by
• A Warning to the Curious - (1925) - short story
• n Evening's Entertainment - (1925) - short story
• here Was a Man Dwelt by a Churchyard - (1924) - short story
• Rats - (1929) - short story
• After Dark in the Playing Fields - (1924) - short story
• Wailing Well - (1928) - short story
• Stories I Have Tried to Write - (1929) - essay

Night Shift-Stephen King's first collection of stories-is an early showcase of the depths that King's wicked imagination could plumb. In these 20 tales, we see mutated rats gone bad ("Graveyard Shift"); a cataclysmic virus that threatens humanity ("Night Surf," the basis for The Stand); a smoker who will try anything to stop ("Quitters, Inc."); a reclusive alcoholic who begins a gruesome transformation ("Gray Matter"); and many more. This is Stephen King at his horrifying best.

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own.

In life, not every sin goes unpunished.

For four aging men in the terror-stricken town of Milburn, New York, an act inadvertently carried out in their youth has come back to haunt them. Now they are about to learn what happens to those who believe they can bury the past -- and get away with murder.

Peter Straub's classic bestseller is a work of "superb horror" (The Washington Post Book World) that, like any good ghost story, stands the test of time -- and conjures our darkest fears and nightmares.

He is trying to poison me. You must come for me, Noemí. You have to save me.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find - her cousin's husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

Noemí is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

A classic ghost story: the chilling tale of a menacing specter haunting a small English town. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford--a faraway town in the windswept salt marshes beyond Nine Lives Causeway--to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow's house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip he anticipated quickly takes a horrifying turn when he finds himself haunted by a series of mysterious sounds and images--a rocking chair in a deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and, most terrifying of all, a ghostly woman dressed all in black.

This is Oscar Wilde's tale of the American family moved into a British mansion, Canterville Chase, much to the annoyance its tired ghost. The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate haunted by a beckoning evil.

Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls.

But worse - much worse - the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

A haunted castle and a ruined bloodline Manfred, wicked lord of Otranto Castle, is horrified when his son is crushed to death on his wedding day. But rather than witness the end of his line, as foretold in a curse, he resolves to send his own wife to a convent and marry the intended bride himself. However, Manfred's lustful greed will be disturbed by the terrifying omens that now haunt his castle: bleeding statues, skeletal ghouls and a giant sword - as well as the arrival of the rightful prince of Otranto.