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Recognized as a major innovator in the weird story, H. P. Lovecraft (1890-1937) was an author whose influence was felt by nearly every writer of horror, fantasy, and science fiction in the second half of the twentieth century. Considered one of the leading writers of gothic horror, Lovecraft and his work continue to inspire writers today.

In Lovecraft and Influence: His Predecessors and Successors, Robert H. Waugh has assembled essays that are vast in scope, ranging from the Bible through the Edwardian period and well into the present. This collection is devoted to authors whose work had an impact on Lovecraft--Alexander Pope, Jonathan Swift, Nathaniel Hawthorne, Edgar Allan Poe, and Lord Dunsany--and those who drew inspiration from him, including William S. Burroughs, Ramsey Campbell, Thomas Ligotti, and Stephen King.

A fascinating anthology, Lovecraft and Influence will appeal to aficionados of classic horror, fantasy, and science fiction and those with an interest in modern authors whose works reflect and honor Lovecraft's enduring legacy.

From the publication of his first book in 1905 until his death, Lord Dunsany (1878-1957) was an immensely popular Anglo-Irish writer. He has long been admired in the realms of fantasy, horror, and supernatural fiction and was a friend and colleague of writers W. B. Yeats, Lady Gregory, James Stephens, and Oliver St. John Gogarty. In recent years he has enjoyed a resurgence as a pioneering fantasy writer and an immense influence on later work in the genre.

Critical Essays on Lord Dunsany is the first volume to assemble studies of Dunsany's short fiction, novels, plays, and memoirs, as well as discussions of his influence on such writers as J. R. R. Tolkien and H. P. Lovecraft. The book also contains early articles and reviews by Yeats, Lovecraft, H. L. Mencken, Rebecca West, and Arthur C. Clarke. Seven original essays by leading contemporary scholars on Dunsany examine the use of medieval archetypes in his fantasy novels; the distinctiveness of his recurring character, clubman Joseph Jorkens; the influence of Don Quixote on his first novel, The Chronicles of Rodriguez (1922); the treatment of religion in his later novels; and other subjects.

This anthology presents a comprehensive snapshot of Dunsany's distinctive work and his contribution to fantasy fiction and world literature. Making a case for the continued study of this neglected but hugely influential writer, Critical Essays on Lord Dunsany will be of great interest to enthusiasts of Dunsany's work as well as students and scholars of fantasy, horror, the supernatural, and Irish literature.

In his classic study Supernatural Horror in Literature, H. P. Lovecraft discusses the emergence of what he called spectral literature--literature that involves the gothic themes of the supernatural found in the past but also considers modern society and humanity. Beyond indicating how authors of such works derived pleasure from a sense of cosmic atmosphere, Lovecraft did not elaborate on what he meant by the term spectral as a form of haunted literature concerned with modernity.

In Lord Dunsany, H. P. Lovecraft, and Ray Bradbury: Spectral Journeys, William F. Touponce examines what these three masters of weird fiction reveal about modernity and the condition of being modern in their tales. In this study, Touponce confirms that these three authors viewed storytelling as a kind of journey into the spectral. Furthermore, he explains how each identifies modernity with capitalism in various ways and shows a concern with surpassing the limits of realism, which they see as tied to the representation of bourgeois society.

The collected writings of Lord Dunsany, H. P. Lovecraft, and Ray Bradbury span the length of the tumultuous twentieth century with hundreds of stories. By comparing these authors, Touponce also traces the development of supernatural fiction since the early 1900s. Reading about how these works were tied to various stages of capitalism, one can see the connection between supernatural literature and society. This study will appeal to fans of the three authors discussed here, as well as to scholars and others interested in the connection between literature and society, criticism of supernatural fiction, the nature of storytelling, and the meaning and experience of modernity.

As the author of more than two dozen novels and hundreds of short stories, as well as essays, reviews, and columns, Ramsey Campbell is one of the most prolific writers in the field of horror literature. The consistently high level of quality in his work has resulted in every major award that weird fiction has to offer, including the Grand Master Award of the World Horror Convention, the Lifetime Achievement Award of the Horror Writers Association, and the Living Legend Award of the International Horror Guild. Strangely, though, relatively little criticism has been written about Campbell.

In Ramsey Campbell: Critical Essays on the Modern Master of Horror, Gary William Crawford has assembled a collection of articles that examine the work of one of weird fiction's most revered writers. These essays looks at a number of elements that characterize Campbell's stories and novels, including comparisons to H.P. Lovecraft, who was an early inspiration; Campbell's modern variations of Gothic fiction; his concept of evil; religious subtext in his fiction; and how adversities Campbell has faced have shaped his life and his work.

In all, these essays pay homage to Campbell's painstaking craftsmanship and show that there is much to be mined in his fiction. Because Campbell is so important in the genre of horror literature, this book serves as a much needed affirmation of his work. It will be of interest to scholars of supernatural fiction in general, but also to devoted fans of this major figure in weird fiction.

Anglo-Irish writer Lord Dunsany (1878-1957) was a pioneering writer in the genre of fantasy literature and the author of such celebrated works as The Book of Wonder (1912) and The King of Elfland's Daughter (1924). Over the course of a career that spanned more than five decades, Dunsany wrote thousands of stories, plays, novels, essays, poems, and reviews, and his work was translated into more than a dozen languages. Today, Dunsany's work is experiencing a renaissance, as many of his earlier works have been reprinted and much attention has been paid to his place in the history of fantasy and supernatural literature.

This bibliography is a revision of the landmark volume published in 1993, which first charted the full scope of Dunsany's writing. This new edition not only brings the bibliography up to date, listing the dozens of new editions of Dunsany's work that have appeared in the last two decades and the wealth of criticism that has been written about him, but also records many obscure publications in Dunsany's lifetime that have not been previously known or identified. In all, the bibliography has been expanded by at least thirty percent. Among this new material are dozens of uncollected short stories, newspaper articles, and poems, and many books, essays, and reviews of Dunsany's work published over the past century.

Altogether, this bibliography is the definitive listing of works by and about Dunsany and will be the foundation of Dunsany studies for many years to come.

The tradition of supernatural horror fiction runs deep in Anglo-American literature. From the Gothic novels of the eighteenth century to such contemporary authors as Stephen King and Anne Rice, writers have employed horror fiction to unearth many disquieting truths about the human condition, ranging from mistreatment of women and minorities to the ever-present dangers of modern city life.

In Journeys into Darkness: Critical Essays on Gothic Horror, James Goho analyzes many significant writers and trends in American and British horror fiction. Beginning with Charles Brockden Brown's disturbing novels of terror and madness, Goho proceeds to discuss the influence of Edgar Allan Poe's "The Fall of the House of Usher" on H. P. Lovecraft, who is treated in several penetrating essays. Lovecraft was a uniquely philosophical writer, and Goho approaches his work through the lens of existentialist philosopher Søren Kierkegaard, while also probing Lovecraft's racism as exhibited in several tales about Native Americans. Goho also discusses the Welsh writer Arthur Machen's tortured tales of suffering and evil and Algernon Blackwood's numerous stories set in the wilds of the Canadian backwoods. The book concludes with a centuries-spanning essay on the witchcraft theme in the American Gothic tradition and a comprehensive essay on Fritz Leiber's invention of the urban Gothic.

In this wide-ranging study, James Goho examines the varied ways in which supernatural fiction can address the deepest moral, social, and political concerns of the human experience. Journeys into Darkness will be of interest to readers and scholars of horror fiction and to students of literary history and culture in general.

Over the past century or more, the genres of fantasy, horror, and supernatural fiction have increasingly expanded beyond literature and into an array of media--film, television, comic books, and art. Many of the leading figures in the field engage in multimedia enterprises that allow their work to reach a much wider public than the mere readers of books.

In Disorders of Magnitude: A Survey of Dark Fantasy, Jason V Brock analyzes the intersection of literature, media, and genre fiction in essays, reviews, and pioneering interviews. Beginning with the pulp magazines of the 1920s, Brock studies such dynamic figures as H. P. Lovecraft, Forrest J Ackerman, Harlan Ellison, and the Southern California writers known collectively as "The Group"--Ray Bradbury, Charles Beaumont, Richard Matheson, Rod Serling, and William F. Nolan. This collection also includes filmmakers Roger Corman, George Romero, and Dan O'Bannon, and such fantasy artists as H. R. Giger.

Graced with dozens of photographs from the author's personal collection, this wide-ranging study offers a kaleidoscopic look at the multifarious ways in which fantasy, horror, and the supernatural have permeated our culture. Brock--himself a fiction writer, critic, and filmmaker--concludes the book with touching eulogies to the recently deceased Ray Bradbury and Ray Harryhausen. Highlighting so many figures essential to the understanding of fantasy and horror, Disorders of Magnitude will appeal to fans of these fiction genres around the world.

Table of Contents:

• xi - Preface: Disorders of Magnitude - essay by Jason V Brock
• 1 - Part One: The Darkest Part - essay by Jason V Brock
• 5 - The Smoldering Past: The Creation of the Modern from Frankenstein and Dracula to the Great War and Beyond - (2014) - essay by Jason V Brock
• 9 - "Cosmic Introspection": Lovecraft's Attainment of Personal Value by Way of Infinite Insignificance - (2011) - essay by Jason V Brock
• 17 - Forrest J Ackerman: Fan Zero - (2013) - essay by Jason V Brock
• 31 - Gathering Darkness: In Appreciation of Weird Tales - (2010) - essay by Jason V Brock
• 34 - Frank M. Robinson: First Fandom and Beyond - (2010) - essay by Jason V Brock
• 37 - Part Two: Things Become - essay by Jason V Brock
• 39 - The Burden of Now: Welles's "Panic Broadcast," World War II, and Creeping Anomie - essay by Jason V Brock
• 41 - Ray Bradbury: The Boy Who Never Grew Up - (2009) - interview of Ray Bradbury - interview by Jason V Brock
• 50 - Cinematic Dream Logic: How Movies Permanently Altered the Fabric of Reality - essay by Jason V Brock
• 55 - Individual Sexual Liberation Becomes Social Emancipation: Playboy Changes the World - essay by Jason V Brock
• 58 - Harlan Ellison: L'enfant terrible (sort of) - interview of Harlan Ellison - interview by Jason V Brock
• 65 - Part Three: The Rise of the Speculative Mind - essay by Jason V Brock
• 67 - Rod Serling: Articulating the American Nightmare - (2010) - essay by Jason V Brock
• 69 - A Howling at Owl Creek Bridge: Observations on Two Important Twilight Zone Episodes - (2009) - essay by Jason V Brock
• 72 - George Clayton Johnson: A Touch of Strange - (2009) - interview of George Clayton Johnson - interview by Jason V Brock
• 80 - L'Age d'Or to Gotterdammerung: How Bradbury, Serling, Beaumont, and "The Group" Shaped a Pop Future - (2009) - essay by Jason V Brock (variant of From L'Age d'Or to Gotterdammerung: How Bradbury, Serling, Beaumont and 'The Group' Shaped a Pop Future)
• 95 - Roger Corman: Socially Conscious Auteur - interview of Roger Corman - interview by Jason V Brock
• 101 - Finding Sanctuary: Running from the Zone to Logan - (2014) - essay by Jason V Brock
• 110 - The Long Nuclear Shadow: Atomic Horror, Godzilla, and the Cold War - essay by Jason V Brock
• 113 - The Horror of It All! EC and the Beginnings of Modern Media HOOHAH! - (2010) - essay by Jason V Brock
• 123 - MADly Yours, Al Feldstein - (2010) - interview of Al Feldstein - interview by Jason V Brock
• 128 - An End, a Middle, a Beginning: Richard Matheson and His Impact - (2013) - essay by Jason V Brock
• 131 - What Dreams May Come: A Discussion with Richard Matheson and William F. Nolan - (2013) - interview of Richard Matheson and William F. Nolan - interview by Jason V Brock
• 151 - Part Four: Slashers, Blockbusters, and Best Sellers - essay by Jason V Brock
• 153 - Riding the Dark Wave: The Role of Dystopian Science Fiction in Popular Culture - (2010) - essay by Jason V Brock (variant of Riding the Dark Wave: The Role of Dark Sci-Fi in Popular Culture)
• 158 - Celluloid Asylum: O'Bannon, Romero, Carpenter, and the Liberals Lose (and Find) Their Collective Minds - essay by Jason V Brock
• 161 - Terrible Beauty: Slasher Film Connections to Conservatism, Pornography, and Misogyny - (2011) - essay by Jason V Brock
• 165 - King of the Dead: Filmmaker George A. Romero on Politics, Film, and the Future - (2012) - interview of George A. Romero - interview by Jason V Brock
• 177 - Dan O'Bannon: Not Gone, Not Forgotten - (2009) - essay by Jason V Brock
• 183 - H. R. Giger: A Darkness Faster Than Light - (2009) - essay by Jason V Brock
• 188 - The Emperor's New Book: How Stephen King Saved Horror, Create Clive Barker (and Sam Raimi) ... and Killed Publishing - essay by Jason V Brock
• 190 - The Doctor Is In: A Discussion with F. Paul Wilson - (2011) - interview of F. Paul Wilson - interview by Jason V Brock and James R. Beach [as by Jason V Brock and James Beach]
• 198 - Sounds Horrific: Art Rock, Soundtracks, and the Zeitgeist - essay by Jason V Brock
• 201 - Part Five: A Century of Speculation - essay by Jason V Brock
• 203 - Review: Carnivora: The Dark Art of Automobiles by Les Barany - (2011) - review by Jason V Brock
• 205 - David J. Skal: Monster Kid Ambassador of Horror - interview of David J. Skal - interview by Jason V Brock
• 213 - Review: Blood Will Have Its Season by Joseph S. Pulver, Sr. - (2010) - review by Jason V Brock
• 215 - Kris Kuksi: Dark Horizons in the Realm of the Senses - (2009) - interview of Kris Kuksi - interview by Jason V Brock
• 220 - Bluewater Comics' Darren G. Davis: On the Run in the Digital Age of Comics - (2010) - interview of Darren G. Davis - interview by Jason V Brock
• 225 - The H. P Lovecraft Film Festival: Cosmic Chaos on the Silver Screen - (2009) - essay by Jason V Brock
• 228 - S. T. Joshi: Champion of the Weird Tale - (2009) - interview of S. T. Joshi - interview by Jason V Brock
• 231 - Marc Scott Zicree: As Timeless as Infinity - interview of Marc Scott Zicree - interview by Jason V Brock
• 239 - Part Six: From (and Into) the Beyond - essay by Jason V Brock
• 241 - Fangoria's Chris Alexander: Cinephilia, Music, and All the Rest of It - (2011) - interview of Chris Alexander - interview by Jason V Brock
• 247 - Bruce Campbell: From The Evil Dead to Burn Notice and Beyond - (2011) - interview of Bruce Campbell - interview by Jason V Brock
• 252 - The Inner World of William F. Nolan - (2013) - essay by Jason V Brock
• 260 - Review: The Mammoth Book of Body Horror by Paul Kane and Marie O'Regan - (2012) - review by Jason V Brock
• 262 - Two of a Kind: Lee-Anne Raymond and Demetrios Vakras - (2012) - interview of Lee-Anne Raymond and Demetrios Vakras - interview by Jason V Brock
• 273 - "Cthulhu, a Vampire, and a Zombie Walk into a Bar ...": Why These Themes, Why Now, and What's the Matter with Hollyweird? - essay by Jason V Brock
• 276 - John Shirley: The Tao of Identity - (2010) - interview of John Shirley - interview by Jason V Brock
• 284 - Ray Harryhausen: A Note on the Passage of Giants - (2013) - essay by Jason V Brock
• 288 - Kneeling at the Dandelion Shrine: An Appreciation - (2013) - essay by Jason V Brock (variant of Kneeling at the Dandelion Shrine 2012)
• 290 - William F. Nolan and Ray Bradbury: Reflections - (2013) - interview of Ray Bradbury and William F. Nolan - interview by Jason V Brock
• 294 - Introduction: The Pope of Speculative Fiction (Nolan on Bradbury) - (2013) - essay by Jason V Brock (variant of Introduction (Nolan on Bradbury))
• 295 - Future Shock? (De)Parting Thoughts - essay by Jason V Brock

When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, "The Unique Magazine," Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre authors.

In The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror, Justin Everett and Jeffrey Shanks have assembled an impressive collection of essays that explore many of the themes critical to understanding the importance of the magazine. This multi-disciplinary collection from a wide array of scholars looks at how Weird Tales served as a locus of genre formation and literary discourse community. There are also chapters devoted to individual authors--including Lovecraft, Howard, and Bloch--and their particular contributions to the magazine.

As the literary world was undergoing a revolution and mass-produced media began to dwarf high-brow literature in social significance, Weird Tales managed to straddle both worlds. This collection of essays explores the important role the magazine played in expanding the literary landscape at a very particular time and place in American culture. The Unique Legacy of Weird Tales will appeal to scholars and aficionados of fantasy, horror, and weird fiction and those interested in the early roots of these popular genres.

Table of Contents:

• ix - Introduction: Weird Tales -- Discourse Community and Genre Nexus - essay by Jeffrey Shanks and Justin Everett [as by Justin Everett and Jeffrey H. Shanks]
• 3 - "Something That Swayed as If in Unison": The Artistic Authenticity of Weird Tales in the Interwar Periodical Culture of Modernism - essay by Jason Ray Carney
• 15 - Weird Modernism: Literary Modernism in the First Decade of Weird Tales - essay by Jonas Prida
• 29 - The Lovecraft Circle and the "Weird Class": "Against the Complacency of an Orthodox Sun-Dweller" - essay by Dániel Nyikos
• 51 - Strange Collaborations: Weird Tales's Discourse Community as a Site of Collaborative Writing - essay by Nicole Emmelhainz
• 63 - Gothic to Cosmic: Sword-and-Sorcery Fiction in Weird Tales - essay by Morgan Holmes [as by Morgan T. Holmes]
• 83 - A Nameless Horror: Madness and Metamorphosis in H. P. Lovecraft and Postmodernism - essay by Clancy Smith
• 105 - Great Phallic Monoliths: Lovecraft and Sexuality - essay by Bobby Derie
• 119 - Evolutionary Otherness: Anthropological Anxiety in Robert E. Howard's "Worms of the Earth" - essay by Jeffrey Shanks [as by Jeffrey H. Shanks]
• 131 - Eugenic Thought in the Works of Robert E. Howard - essay by Justin Everett
• 153 - Pegasus Unbridled: Clark Ashton Smith and the Ghettoization of the Fantastic - essay by Scott Connors
• 173 - "A Round Cipher": Word-Building and World-Building in the Weird Works of Clark Ashton Smith - essay by Geoffrey Reiter
• 187 - C. L. Moore, M. Brundage, and Jirel of Joiry: Women and Gender in the October 1934 Weird Tales - essay by Jonathan Helland
• 193 - Weird Tales, October 1934 (cover) - (1934) - interior artwork by Margaret Brundage (variant of cover art for Weird Tales, October 1934)
• 194 - The Black God's Kiss - (1934) - interior artwork by H. R. Hammond
• 201 - Psycho-ology 101: Incipient Madness in the Weird Tales of Robert Bloch - essay by Paul W. Shovlin
• 211 - "To Hell and Gone": Harold Lawlor's Self-Effacing Pulp Metafiction - essay by Sidney Sondergard