Search Worlds Without End

In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty—the opposite of the life she's left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman.

A wicked stepmother is a creature Boy never imagined she'd become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy's daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white. Among them, Boy, Snow, and Bird confront the tyranny of the mirror to ask how much power surfaces really hold.

Dazzlingly inventive and powerfully moving, Boy, Snow, Bird is an astonishing and enchanting novel. With breathtaking feats of imagination, Helen Oyeyemi confirms her place as one of the most original and dynamic literary voices of our time.

Perdita Lee may appear your average British schoolgirl; Harriet Lee may seem just a working mother trying to penetrate the school social hierarchy; but there are signs that they might not be as normal as they think they are. For one thing, they share a gold-painted, seventh-floor flat with some surprisingly verbal vegetation. And then there's the gingerbread they make. Londoners may find themselves able to take or leave it, but it's very popular in Druhástrana, the far-away (and, according to Wikipedia, non-existent) land of Harriet Lee's early youth. In fact, the world's truest lover of the Lee family gingerbread is Harriet's charismatic childhood friend, Gretel Kercheval - a figure who seems to have had a hand in everything (good or bad) that has happened to Harriet since they met.

Years later, when teenaged Perdita sets out to find her mother's long-lost friend, it prompts a new telling of Harriet's story, as well as a reunion or two. As the book follows the Lees through encounters with jealousy, ambition, family grudges, work, wealth, and real estate, gingerbread seems to be the one thing that reliably holds a constant value.

Influenced by the mysterious place gingerbread holds in classic children's stories - equal parts wholesome and uncanny; from the tantalizing witch's house in Hansel and Gretel to the man-shaped confection who one day decides to run as fast as he can - beloved novelist Helen Oyeyemi invites readers into a delightful tale of a surprising family legacy, in which the inheritance is a recipe. Endlessly surprising and satisfying, written with Helen Oyeyemi's inimitable style and imagination, Gingerbread is a true feast for the reader.

From a prizewinning young writer, a brilliant and inventive story of love, lies, and inspiration.

Fairy-tale romances end with a wedding, and the fairy tales don't get complicated. In this book, the celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently.

Mary challenges Mr. Fox to join her in stories of their own devising; and in different times and places, the two of them seek each other, find each other, thwart each other, and try to stay together, even when the roles they inhabit seem to forbid it. Their adventures twist the fairy tale into nine variations, exploding and teasing conventions of genre and romance, and each iteration explores the fears that come with accepting a lifelong bond. Meanwhile, Daphne becomes convinced that her husband is having an affair, and finds her way into Mary and Mr. Fox's game. And so Mr. Fox is offered a choice: Will it be a life with the girl of his dreams, or a life with an all-too-real woman who delights him more than he cares to admit?

The extraordinarily gifted Helen Oyeyemi has written a love story like no other. Mr. Fox is a magical book, endlessly inventive, as witty and charming as it is profound in its truths about how we learn to be with one another.

For reasons of her own, Hero Tojosoa accepts an invitation she was half expected to decline, and finds herself in Prague on a bachelorette weekend hosted by her estranged friend Sofie. Little does she know she's arrived in a city with a penchant for playing tricks on the unsuspecting.

A book Hero has brought with her seems to be warping her mind: the text changes depending on when it's being read and who's doing the reading, revealing startling new stories of fictional Praguers past and present. Uninvited companions appear at bachelorette activities and at city landmarks, offering opinions, humor, and even a taste of treachery.

When a third woman from Hero and Sofie's past appears unexpectedly, the tensions between the friends' different accounts of the past reach a new level.

When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment--and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people on board, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.

Jessamy "Jess" Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly's visits become more disturbing, until Jess realizes she doesn't actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.

Lyrical and intensely moving, The Opposite House explores the thin wall between myth and reality through the alternating tales of two young women. Growing up in London, Maja, a singer, always struggled to negotiate her Afro-Cuban background with her physical home. Yemaya is a Santeria emissary who lives in a mysterious somewherehouse with two doors: one opening to London, the other to Lagos. She is troubled by the ease with which her fellow emissaries have disguised themselves behind the personas of saints and by her inability to recognize them. Interweaving these two tales. Helen Oyeyemi, acclaimed author of The Icarus Girl, spins a dazzling tale about faith, identity, and self-discovery.

From the award-winning author of Boy, Snow, Bird and Mr. Fox comes an enchanting collection of intertwined stories.

Playful, ambitious, and exquisitely imagined, What Is Not Yours Is Not Yours is cleverly built around the idea of keys, literal and metaphorical. The key to a house, the key to a heart, the key to a secret--Oyeyemi's keys not only unlock elements of her characters' lives, they promise further labyrinths on the other side. In "Books and Roses" one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?" an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks," where doors can be closed only with a key--with surprising, unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think," a key keeps a mystical diary locked (for good reason).

Oyeyemi's tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation? What Is Not Yours Is Not Yours captivates as it explores the many possible answers.

“Miranda is at home-homesick, home sick ...”

As a child, Miranda Silver developed pica, a rare eating disorder that causes its victims to consume nonedible substances. The death of her mother when Miranda is sixteen exacerbates her condition; nothing, however, satisfies a strange hunger passed down through the women in her family. And then there’s the family house in Dover, England, converted to a bed-and-breakfast by Miranda’s father. Dover has long been known for its hostility toward outsiders. But the Silver House manifests a more conscious malice toward strangers, dispatching those visitors it despises. Enraged by the constant stream of foreign staff and guests, the house finally unleashes its most destructive power.

With distinct originality and grace, and an extraordinary gift for making the fantastic believable, Helen Oyeyemi spins the politics of family and nation into a riveting and unforgettable mystery.