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Gaston de Blondeville; or, The Court of Henry the Third Keeping Festival in Ardenne, a Romance; St. Alban's Abby, a Metrical Tale; with some Poetical Pieces.

King Henry III is holding court at Kenilworth. Festivities abound, wine flows copiously, and spirits are high as the King and his subjects prepare to celebrate the nuptials of Sir Gaston de Blondeville. But the joyous mood is interrupted when a merchant, Hugh Woodreeve, comes distraught before the King to demand justice. His kinsman, he claims, was murdered, by the very man the King has come to honour -- Gaston de Blondeville!

Suspecting a conspiracy against Gaston, yet obliged to hold a trial to determine the truth of the allegations, Henry imprisons Woodreeve in a tower while awaiting a hearing. Meanwhile, sinister forces are at work, represented by an evil abbot, who will stop at nothing to ensure the truth behind Woodreeve's claims is never revealed.

As the trial unfolds and the danger mounts for both Woodreeve and Gaston, a mysterious figure will come from beyond the grave to elucidate the horrible mystery!

Ann Radcliffe, author of The Romance of the Forest and The Mysteries of Udolpho, is the high priestess of the gothic novel. In The Italian, first published in 1797, she creates a chilling, atmospheric concoction of thwarted lovers, ruined abbeys, imprisonment and dark passages, with an undercurrent of seething sexuality and presents us with a cunning villain in the sinister monk Schedoni.

A contemporary review commented on, 'Radcliffe's uncommon talent for exhibiting, with picturesque touches of genius, the vague and horrid shapes which imagination bodies forth...'

Radcliffe's work was hugely influential and H.P. Lovecraft, early twentieth century master of the uncanny, was impressed by the, 'eerie touch of setting and action contributing artistically to the impression of illimitable frightfulness which she wished to convey.'

The novel remains a fascinating, engrossing and unnerving masterpiece of gothic fiction.

This was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her.

Manfroné; or, The One-Handed Monk (1809) opens with an unforgettable Gothic scene: a lascivious monk enters the lovely Rosalina's bedroom at midnight through a secret panel, planning to rape her--but suffers the gruesome loss of his hand when he is caught in the act!

But the one-handed monk is not the only danger facing Rosalina. Her father, the haughty Duca di Rodolpho, is determined to marry her to the cruel Prince di Manfroné and has imprisoned her true love, Montalto, in the castle dungeon. And then there is the mysterious Grimaldi. What are his inscrutable plans, and is he trying to help Rosalina or destroy her?