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Someone, or something, is haunting the Titanic.

Deaths and disappearances have plagued the vast liner from the moment she began her maiden voyage on 10 April 1912. Four days later, caught in what feels like an eerie, unsettling twilight zone, some passengers - including millionaire Madeleine Astor and maid Annie Hebbley - are convinced that something sinister is afoot. And then disaster strikes.

Four years later and the world is at war. Having survived that fateful night, Annie is now a nurse on board the Titanic's sister ship, the Britannic, now refitted as a hospital ship. And she is about to realise that those demons from her past and the terrors of that doomed voyage have not finished with her yet.

1944: As World War II rages on, the threat has come to the home front. In a remote corner of Idaho, Meiko Briggs and her daughter, Aiko, are desperate to return home. Following Meiko's husband's enlistment as an air force pilot in the Pacific months prior, Meiko and Aiko were taken from their home in Seattle and sent to one of the internment camps in the Midwest. It didn't matter that Aiko was American-born: They were Japanese, and therefore considered a threat by the American government.

Mother and daughter attempt to hold on to elements of their old life in the camp when a mysterious disease begins to spread among those interned. What starts as a minor cold quickly becomes spontaneous fits of violence and aggression, even death. And when a disconcerting team of doctors arrive, nearly more threatening than the illness itself, Meiko and her daughter team up with a newspaper reporter and widowed missionary to investigate, and it becomes clear to them that something more sinister is afoot, a demon from the stories of Meiko's childhood, hell-bent on infiltrating their already strange world.

Inspired by the Japanese yokai and the jorogumo spider demon, The Fervor explores the horrors of the supernatural beyond just the threat of the occult. With a keen and prescient eye, Katsu crafts a terrifying story about the danger of demonization, a mysterious contagion, and the search to stop its spread before it's too late. A sharp account of too-recent history, it's a deep excavation of how we decide who gets to be human when being human matters most.

Evil is invisible, and it is everywhere.

That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the isolated travelers to the brink of madness. Though they dream of what awaits them in the West, long-buried secrets begin to emerge, and dissent among them escalates to the point of murder and chaos. They cannot seem to escape tragedy...or the feelings that someone--or something--is stalking them. Whether it's a curse from the beautiful Tamsen Donner (who some think might be a witch), their ill-advised choice of route through uncharted terrain, or just plain bad luck, the ninety men, women, and children of the Donner Party are heading into one of one of the deadliest and most disastrous Western adventures in American history.

As members of the group begin to disappear, the survivors start to wonder if there really is something disturbing, and hungry, waiting for them in the mountains...and whether the evil that has unfolded around them may have in fact been growing within them all along.

Effortlessly combining the supernatural and the historical, The Hunger is an eerie, thrilling look at the volatility of human nature, pushed to its breaking point.

Dr. Luke Findley is on the midnight shift in the emergency room when the police bring in a young woman. Few strangers come to this remote town in northernmost Maine in the winter, and this stranger is accused of a bizarre crime: killing a man and leaving his body in the Great North Woods. The young woman, Lanny, tells the doctor that she and the man in the woods lived in this town at its founding two hundred years ago, until fate sentenced them to an eternity of unhappiness until they atone for their sins.

The man in the woods is Jonathan, son of the town's founder, and the love of Lanny's life. After Lanny commits a terrible sin in the hope of claiming Jonathan for her own, she's banished from town and sent to Boston to serve her penance. In Boston, she falls in with a beguiling yet frightening man, Adair, who has otherworldly powers, including the ability to confer immortality. His world is one of unknown sensual pleasures and seemingly limitless power, but at what price?

Adair wants to add Jonathan to the collection of treacherous courtiers who do his bidding (but for unknown ends) and sends Lanny back to Maine to collect him. It seems like the answer to Lanny's deepest desire-to be with Jonathan forever-but once Jonathan has joined Adair's pack of immortals, she sees that Adair is not what he seems and his intentions toward Jonathan are far worse than she imagined. And now it is up to her to save her beloved-and herself-from a terrible fate designed to last for all eternity.

The Taker is a story of the power of love to corrupt, to drive us to do terrible things in its name, and the courage it takes to sacrifice in the name of love and ultimately be worthy of absolution.

SECOND IN ALMA KATSU'S GRIPPING SUPERNATURAL TRILOGY THAT BEGAN WITH THE TAKER

Lanore McIlvrae is the kind of woman who will do anything for love. Including imprisoning the man who loves her behind a wall of brick and stone.

She had no choice but to entomb Adair, her nemesis, to save Jonathan, the boy she grew up with in a remote Maine town in the early 1800s and the man she thought she would be with forever. But Adair had other plans for her. He used his mysterious, otherworldly powers to give her eternal life, but Lanore learned too late that there was a price for this gift: to spend eternity with him. And though he is handsome and charming, behind Adair's seductive faÇade is the stuff of nightmares. He is a monster in the flesh, and he wants Lanore to love him for all of time.

Now, two hundred years after imprisoning Adair, Lanore is trying to atone for her sins. She has given away the treasures she's collected over her many lifetimes in order to purge her past and clear the way for a future with her new lover, Luke Findley. But, while viewing these items at an exhibit at the Victoria and Albert Museum in London, Lanore suddenly is aware that the thing she's been dreading for two hundred years has caught up to her: Adair has escaped from his prison. He's free- and he will come looking for her. And she has no idea how she will save herself.

With the stunningly imaginative storytelling and rich characterizations that fascinated readers worldwide and made The Taker a singular and memorable literary debut and an international sensation, Alma Katsu once again delivers "a powerful evocation of the dark side of romantic love" (Publishers Weekly) in her breathtaking new novel.

Alma Katsu's acclaimed trilogy--a supernatural epic that began with The Taker and sparked a chase around the world in The Reckoning--comes to a stunning conclusion, and brings Lanore McIlvrae to a final encounter with Adair, her powerful nemesis.

Dismayed by Adair's otherworldly powers and afraid of his passionate temper, Lanore has run from him across time, even imprisoning him behind a wall for two centuries to save Jonathan, her eternal love. But instead of punishing her for her betrayal, Adair declared his love for Lanore once more and set her free.

Now, Lanore has tracked Adair to his mystical island home to ask for one last favor. The Queen of the Underworld is keeping Jonathan as her consort, and Lanore wants Adair to send her to the hereafter so that she may beg for his release. Will she honor her promise to return to Adair? Or is her true intention to be reunited with Jonathan at any cost?