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I am as brown as brown can be,
And my eyes as black as sloe;
I am as brisk as brisk can be,
And wild as forest doe.
(The Child Ballads, 295)

So begins a beautiful tale of love, loss and revenge. Following the seasons, A Pocketful of Crows balances youth and age, wisdom and passion, and draws on nature and folklore to weave a stunning modern mythology around a nameless wild girl.

Only love could draw her into the world of named, tamed things. And it seems only revenge will be powerful enough to let her escape.

This is a stunning and original modern fairy tale.

An earthly nourris sits and sings
And aye she sings, "Ba lilly wean,
Little ken I my bairn's father,
Far less the land that he staps in.
(Child Ballad, no. 113)

So begins a stunning tale of love, loss and revenge, against a powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.

Passion drew him to a new world, and trickery has kept him there - without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.

Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.

Deep in the heart of London, a photographer walks the streets and captures whatever catches his eye: an old man drinking coffee; a beautiful woman sipping champagne in St. Pancras station; a cloud of moths, disturbed, taking flight across the sky.

But with each photo, he captures something unseen by the eye, and as each negative develops - revealing a person he hadn't met, a danger he hadn't noticed, and a world he hadn't seen - he is drawn further into a hidden war. One which he has been drawn into many times before... and every time, had his memories of the truth, and of the woman he loves, stolen from him.

As Tom pieces fragments of the truth together, he realizes he must weave through the war and fight his own battle: both for the woman he loves, and for himself.

In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows. Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch? Soon the parish no longer cares, as it abandons itself to temptation, happiness, and a dramatic face-off between Easter solemnity and the pagan gaiety of a chocolate festival. "Chocolat"'s every page offers a description of chocolate to melt in the mouths of chocoholics, francophiles, armchair gourmets, cookbook readers, and lovers of passion everywhere.

Since she was a little girl, the wind has dictated every move Vianne Rocher has made, buffeting her from place to place, from the small French village of Lansquenet-sous-Tannes to the crowded streets of Paris. Cloaked in a new identity, that of widow Yanne Charbonneau, she opens a chocolaterie on a small Montmartre street, determined to still the wind at last and keep her daughters, Anouk and the baby, Rosette, safe.

Her new home above the chocolate shop offers calm and quiet: no red sachets hang by the door; no sparks of magic fill the air; no Indian skirts with bells hang in her closet. Conformity brings with it anonymity--and peace. There is even Thierry, the stolid businessman who wants to take care of Yanne and the children. On the cusp of adolescence, an increasingly rebellious and restless Anouk does not understand. But soon the weathervane turns... and into their lives blows the charming and enigmatic Zozie de l'Alba. And everything begins to change.

Zozie offers the brightness Yanne's life needs. Anouk, too, is dazzled by this vivacious woman with the lollipop-red shoes who seems to understand her better than anyone--especially her mother. Yet this friendship is not what it seems. Ruthless, devious, and seductive, Zozie has plans that will shake their world to pieces. And with everything she loves at stake, Yanne must face a difficult choice: Run, as she has done so many times before, or stand and confront this most dangerous enemy.

It isn't often you receive a letter from the dead. When Vianne Rocher receives a letter from beyond the grave, she has no choice but to follow the wind that blows her back to Lansquenet, the village in south-west France where, eight years ago, she opened up a chocolate shop. But Vianne is completely unprepared for what she finds there. Women veiled in black, the scent of spices and peppermint tea, and there, on the bank of the river Tannes, facing the square little tower of the church of Saint-Jerome like a piece on a chessboard - slender, bone-white and crowned with a silver crescent moon - a minaret. Nor is it only the incomers from North Africa that have brought big changes to the community. Father Reynaud, Vianne's erstwhile adversary, is now disgraced and under threat. Could it be that Vianne is the only one who can save him?

When you can find me an acre of land,
Every sage grows merry in time,
Between the ocean and the sand
Then will you be united again.
(Inspired by The Child Ballads 2 & 19)

So begins a beautiful and tragic quest as a heartbroken mother sets out to save her lost daughter, through the realms of the real, of dream, and even into the underworld itself.

But determination alone is not enough. For to save something precious, she must give up something precious, be it a song, a memory, or her freedom itself...

Seven o'clock on a Monday morning, five hundred years after the end of the world, and goblins had been at the cellar again.... Not that anyone would admit it was goblins. In Maddy Smith's world, order rules. Chaos, old gods, fairies, goblins, magic, glamours–all of these were supposedly vanquished centuries ago.

But Maddy knows that a small bit of magic has survived. The "ruinmark" she was born with on her palm proves it–and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy's mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.

The squabbling Norse gods and goddesses of Runemarks are back! And there's a feisty new heroine on the scene: Maggie, a girl the same age as Maddy but brought up a world apart - literally, in World's End, the focus of the Order in which Maddy was raised. Now the Order is destroyed, Chaos is filling the vacuum left behind...and is breaching the everyday world. A chilling prophecy from the Oracle. A conflict between two girls. And with just twelve days to stave off the Apocalypse, carnage is about to be unleashed...

The novel is a brilliant first-person narrative of the rise and fall of the Norse gods - retold from the point of view of the world's ultimate trickster, Loki. It tells the story of Loki's recruitment from the underworld of Chaos, his many exploits on behalf of his one-eyed master, Odin, through to his eventual betrayal of the gods and the fall of Asgard itself.

With his notorious reputation for trickery and deception, and an ability to cause as many problems as he solves, Loki is a Norse god like no other. Demon-born, he is viewed with deepest suspicion by his fellow gods who will never accept him as one of their own and for this he vows to take his revenge.

From his recruitment by Odin from the realm of Chaos, through his years as the go-to man of Asgard, to his fall from grace in the build-up to Ragnarok, this is the unofficial history of the world's ultimate trickster.

The end of the world--also known as Ragnarok to the Norse gods--has occurred, and Loki has been trapped in a seemingly endless purgatory, in torture, until he finds a way to escape. It seems that he still exists in the minds of humanity and uses that as a way to our time.

Back in the ninth world (Earth), Loki finds himself sharing the mind of a teenage girl named Jumps, who is a bit of a mess. She's also not happy about Loki sneaking his way into her mind, since she was originally calling on Thor. Worse, her friends have also been co-opted by the gods: Odin, Jump's one-eyed best friend in a wheelchair, and Freya, the pretty one. Thor escapes the netherworld as well and shares the mind of a dog, and he finds that it suits him.

Odin has a plan to bring back the Norse gods ascendancy, but Loki has his own ideas on how things can go--and nothing goes according to plan.