Search Worlds Without End

The boldest and most wildly speculative writer of our time, Greg Egan has envisioned a quantum Brave New World -- a masterful saga of a time when not only human life, but fleshly reality itself, will be nothing but a memory...

It is the thirtieth century.The "world" has evolved into a vast network of probes, satellites, and servers knitting the solar system into one scape from the outer planets to the sun. Humanity, too, has reconfigured itself. Most people have chosen immortality, joining the polises to become conscious software. Others have opted for disposable, renewable robotic bodies that remain in contact with the physical world. A few holdouts stubbornly remain fleshers struggling to shape an antiquated existence in the muck and jungle of Earth.

And then there is the Orphan, a genderless digital being grown from a mind seed.

When an unforeseen disaster ravages the fleshers, it awakens the polises to the possibility of their own extinction from bizarre astrophysical processes that seemingly violate fundamental laws of nature. It is up to the Orphan and a group of refugees to find the knowledge that will save them all--a search that will lead them on a quantum adventure to a higher dimension beyond the macrocosmos....

Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers.

From the writer whose name is synonymous with the science of robotics comes five decades of robot visions-36 landmark stories and essays, plus three rare tales-gathered together in one volume .

Private Investigator Alma is caught up in another impossible murder. One of the world's four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim.

Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts' mastery of the form.

Table of Contents:

• What Is This Thing Called Love? - (1961)
• Strikebreaker - (1957)
• Sally - (1953)
• Nightfall - (1941)
• Segregationist - (1967)
• Eyes Do More Than See - (1965)
• Green Patches - (1950)
• Hostess - (1951)
• Breeds There a Man...? - (1951)
• Flies - (1953)
• The Up-to-Date Sorcerer - (1958)
• Unto the Fourth Generation - (1959)
• The Machine That Won the War - (1961)
• My Son, the Physicist! - (1962)
• It's Such a Beautiful Day - (1955)
• Insert Knob A in Hole B - (1957)
• "In a Good Cause--" - (1951)
• The C-Chute - (1951)
• Biographical Comments in "Nightfall and Other Stories" - essay by Isaac Asimov
• "Nobody Here But--" - (1953)
• What If-- - (1952)

Hugo, Nebula and Locus Award winning novelette. It originally appeared in the anthology Stellar #2 (1976) edited by Judy-Lynn del Rey. It has been reprinted many times and can be found in the anthologies:

• The 1977 Annual World's Best SF, edited by Donald A. Wollheim and Arthur W. Saha
• The Best Science Fiction of the Year #6 (1977), edited by Terry Carr
• Nebula Winners Twelve (1978), edited by Gordon R. Dickson
• The Arbor House Treasury of Modern Science Fiction (1980), edited by Robert Silverberg and Martin H. Greenberg
• Machines That Think: The Best Science Fiction Stories About Robots and Computers (1984) edited by Isaac Asimov, Patricia S. Warrick and Martin H. Greenberg
• Philosophy and Science Fiction (1984) edited by Michael Philips
• The Hugo Winners, Volume 4: (1976-79) (1985), edited by Isaac Asimov

The story is included in the collections:

• The Bicentennial Man and Other Stories (1976)
• Opus 200 (1979)
• The Complete Robot (1982)
• The Asimov Chronicles: Fifty Years of Isaac Asimov (1989)
• Robot Visions (1990)
• The Complete Stories, Volume 2 (1992)

The story was later expanded into the novel The Positronic Man (1992), written in collaboration with Robert Silverberg. It has been turned into a movie starring Robin Williams.

I'm usually alone in my head, and that's where 90 plus per cent of my problems are.

It calls itself Murderbot, but only when no-one can hear. It's a private joke. Funny.

It doesn't care, it tells itself, and its attachment to the humans around it is merely professional obligation.

It tries to never drop the F-bomb.

"Friends."

Ugh.

So, when its human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.

Drastic action it is, then.

Another F-bomb.

"Feelings."

Ugh.

Controlled by their tireless electronic brains which were programmed to admit no possibility of defeat, the gigantic robot tanks known as Bolos were almost indestructible, and nearly unstoppable. Their artificial intelligences were designed to make them selflessly serve and protect humans throughout the galaxy and made each Bolo the epitome of the knight sans peur et sans reproche, and often far more noble than the humans who gave them their orders.

Now, David Weber, New York Times best-selling author of the Honor Harrington series, continues the history of the Bolo, in four short novels, one of them published here for the first time. One Bolo is driven over the edge by the very humans it is pledged to protect. Another Bolo must decide whether or not to disobey when it is given an order that constitutes genocide. A third must hunt one of its own kind whose robot brain is damaged and rescue two children which the deranged Bolo thinks it is protecting from a nonexistent enemy. And more, including as a bonus, David Weber's own authoritative technical history of the Bolo, all in a volume that will be irresistible both for David Weber's huge readership and Bolo fans everywhere.

By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep... They even built humans.

Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.

Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

This story takes place between the end of Exit Strategy and the flashbacks in Network Effect, after the short story "Home: Habitat, Range, Niche, Territory".

The complete collection of Isaac Asimov's classic Robot stories.In these stories, Asimov creates the Three Laws of Robotics and ushers in the Robot Age - when Earth is ruled by master-machines and when robots are more human than mankind.The Complete Robot is the ultimate collection of timeless, amazing and amusing robot stories from the greatest science fiction writer of all time, offering golden insights into robot thought processes. Asimov's Three Laws of Robotics were programmed into real computers thirty years ago at the Massachusetts Institute of Technology - with suprising results. Readers of today still have many surprises in store...

Table of Contents:

• Introduction (The Complete Robot) - (1982) - essay
• Some Non-Human Robots - (1982) - essay
• A Boy's Best Friend - (1975) - short story
• Sally - (1953) - short story
• Someday - (1956) - short story
• Some Immobile Robots - (1982) - essay
• Point of View - (1975) - short story
• Think! - (1977) - short story
• True Love - (1977) - short story
• Some Metallic Robots - (1982) - essay
• Robot AL-76 Goes Astray - (1942) - short story
• Victory Unintentional - (1942) - short story
• Stranger in Paradise - (1974) - novelette
• Light Verse - (1973) - short story
• Segregationist - (1967) - short story
• Robbie - (1940) - short story
• Some Humanoid Robots - (1982) - essay
• Let's Get Together - (1957) - short story
• Mirror Image - (1972) - short story
• The Tercentenary Incident - (1976) - short story
• Powell and Donovan - (1982) - essay
• First Law - (1956) - short story
• Runaround - (1942) - novelette
• Reason - (1941) - short story
• Catch That Rabbit - (1944) - short story
• Susan Calvin - (1982) - essay
• Liar! - (1941) - short story
• Satisfaction Guaranteed - (1951) - short story
• Lenny - (1958) - short story
• Galley Slave - (1957) - novelette
• Little Lost Robot - (1947) - novelette
• Risk - (1955) - novelette
• Escape! - (1945) - short story
• Evidence - (1946) - novelette
• The Evitable Conflict - (1950) - novelette
• Feminine Intuition - (1969) - novelette
• Two Climaxes - (1982) - essay
• --That Thou Art Mindful of Him! - (1974) - novelette
• The Bicentennial Man - (1976) - novelette
• A Last Word - (1982) - essay

Hugo-winning and Nebula-nominated Novella

What's the best way to create artificial intelligence? In 1950, Alan Turing wrote, 'Many people think that a very abstract activity, like the playing of chess, would be best. It can also be maintained that it is best to provide the machine with the best sense organs that money can buy, and then teach it to understand and speak English. This process could follow the normal teaching of a child. Things would be pointed out and named, etc. Again I do not know what the right answer is, but I think both approaches should be tried.'

The first approach has been tried many times in both science fiction and reality. In this new novella, at over 30,000 words, his longest work to date, Ted Chiang offers a detailed imagining of how the second approach might work within the contemporary landscape of startup companies, massively-multiplayer online gaming, and open-source software. It's a story of two people and the artificial intelligences they helped create, following them for more than a decade as they deal with the upgrades and obsolescence that are inevitable in the world of software. At the same time, it's an examination of the difference between processing power and intelligence, and of what it means to have a real relationship with an artificial entity.

Read this story online for free at Subterranean Press.

The three laws of Robotics:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm
2. A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.

Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark.

Table of Contents: sub-series in [ ] all sub-series are part of the The Positronic Robot Stories series

• Introduction (I, Robot) - short story
• Robbie (1940) - short story (variant of Strange Playfellow)
• Runaround - [Mike Donovan] (1942) - novelette
• Reason - [Mike Donovan] (1941) - short story
• Catch That Rabbit - [Mike Donovan] (1944) - short story
• Liar! - [Susan Calvin] (1941) - short story
• Little Lost Robot - [Susan Calvin] (1947) - novelette
• Escape! - [Susan Calvin] (1945) - short story
• Evidence - [Susan Calvin] - (1946) - novelette
• The Evitable Conflict - [Susan Calvin] - (1950) - novelette

Hugo, Nebula, and Locus Award-winning Novella and Prometheus Award-nominated series

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn't a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied 'droid -- a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as "Murderbot." Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Also appeared in the anthology Nebula Awards Showcase 2019, edited by Silvia Moreno-Garcia.

BSFA Award-nominated Novella and Prometheus Award-nominated series

Murderbot wasn't programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right?

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah--its former owner (protector? friend?)--submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit.

But who's going to believe a SecUnit gone rogue?

And what will become of it when it's caught?

Six months after she left, Dee is struggling to manage her rage toward the people who ordered the nuclear strike that destroyed Earth. She's trying to find those responsible, but she's not getting very far alone.

A dedicated gamer, Dee is endeavoring to discover a mersive good enough to enable her to escape her trauma. When she is approached by a designer who asks her to play test his new game, she hopes it will be what she needs--but it isn't like any mersive she's played before. When a man suddenly dies in the real world, she realizes that at the same time in the game, she killed a character who bears a striking resemblance to the dead man--a man she discovers was one of those responsible for the death of millions on Earth.

Disturbed, but thinking it must be a coincidence, Dee continues the hunt for information. But when she finds out the plans for the future colony, she realizes that to save what is left of humanity, she might have to do something that risks what remains of her own.

A puzzling case of roboticide sends New York Detective Elijah Baley on an intense search for a murderer. Armed with his own instincts, his quirky logic, and the immutable Three Laws of Robotics, Baley is determined to solve the case. But can anything prepare a simple Earthman for the psychological complexities of a world where a beautiful woman can easily have fallen in love with an all-too-human robot...?

Robot Dreams spans the body of Asimov's fiction from the 1940s to the mid-80s, and features classic Asimovian themes, from the scientific puzzle to the extraterrestrial thriller, all introduced in an exclusive essay written especially for this collection.

Table of Contents:

• Introduction - (1989) - essay
• Little Lost Robot - (1947) - novelette
• Robot Dreams - (1986) - shortstory
• Breeds There a Man...? - (1951) - novelette
• Hostess - (1951) - novelette
• Sally - (1953) - shortstory
• Strikebreaker - (1957) - shortstory
• The Machine That Won the War - (1961) - shortstory
• Eyes Do More Than See - (1965) - shortstory
• The Martian Way - (1952) - novella
• Franchise - (1955) - shortstory
• Jokester - (1956) - shortstory
• The Last Question - (1956) - shortstory
• Does a Bee Care? - (1957) - shortstory
• Light Verse - (1973) - shortstory
• The Feeling of Power - (1958) - shortstory
• Spell My Name with an S - (1958) - shortstory
• The Ugly Little Boy - (1958) - novelette
• The Billiard Ball - (1967) - novelette
• True Love - (1977) - shortstory
• The Last Answer - (1980) - shortstory
• Lest We Remember - (1982) - novelette

Hugo and Locus Award-winning and Nebula-nominated Novella and Prometheus Award-nominated series

It has a dark past -- one in which a number of humans were killed. A past that caused it to christen itself "Murderbot". But it has only vague memories of the massacre that spawned that title, and it wants to know more.

Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

What it discovers will forever change the way it thinks...

Prometheus Award-nominated series

Sci-fi's favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is.

And Murderbot would rather those questions went away. For good.

A millennium into the future, two advancements have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants.

To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations. The victim had been so reclusive that he appeared to his associates only through holographic projection. Yet someone had gotten close enough to bludgeon him to death while robots looked on. Now Baley and Olivaw are faced with two clear impossibilities: Either the Solarian was killed by one of his robots - unthinkable under the laws of Robotics - or he was killed by the woman who loved him so much that she never came into his presence!

Award-winning author Robert J. Sawyer continues his "wildly though- provoking" science fiction saga of a sentient World Wide Web.

Webmind is an emerging consciousness that has befriended Caitlin Decter and grown eager to learn about her world. But Webmind has also come to the attention of WATCH-the secret government agency that monitors the Internet for any threat to the United States-and they're fully aware of Caitlin's involvement in its awakening.

WATCH is convinced that Webmind represents a risk to national security and wants it purged from cyberspace. But Caitlin believes in Webmind's capacity for compassion-and she will do anything and everything necessary to protect her friend.

The Matrix is a world within the world, a global consensus - hallucination, the representation of every byte of data in cyberspace...

Case had been the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.

Hotwired to the leading edges of art and technology, Neuromancer ranks with 1984 and Brave New World as one of the century's most potent visions of the future.

In a twenty-first century Earth where the development of the positronic brain has revolutionized the way of life, beloved household robot "Andrew" struggles with his unusual capacity for emotion and dreams of becoming human.

One night in July, 2135, there were some eight billion people on Earth. The next morning there were perhaps 400. There was no clue to what had happened to the world's population -- but, over the centuries that followed, still stranger things occurred.

The human lifespan now stretched to millenia instead of decades, and much of the remaining population developed the ability to move at will among the stars -- and abandoned their homeworld for a life in deep space.

Then, after 3000 years, a star-rover discovered what had happened to Earth's original inhabitants -- and that they were coming to reclaim their heritage. Those who had stayed behind knew, with a growing fear, that the mystery of what had been done to Earth and why was about to be solved ... in a way that would change humanity forever.

Even the humans think about killing the humans, especially here. I hate mines, and mining, and humans who work in mining, and of all the stupid mines I can remember, I hate this stupid mine the most. But the humans hate it more. My risk-assessment module predicts a 53 percent chance of a human-on-­human massacre before the end of the contract.

This Murderbot short story was published by WIRED magazine as part of their series "The Future of Work", on December 17, 2018.

Read this story for free at WIRED Magazine.

This Murderbot short story, set just after the 4th novella, Exit Strategy, was published on Tor.com, April 19, 2021.

Read this story for free at Tor.com.

A video game developer becomes obsessed with a willful character in her new project, in a mind-bending exploration of what it means to be human by the New York Times bestselling author of Recursion.

Maxine was made to do one thing: die. Except the minor non-player character in the world Riley is building makes her own impossible decision--veering wildly off course and exploring the boundaries of the map. When the curious Riley extracts her code for closer examination, an emotional relationship develops between them. Soon Riley has all new plans for her spontaneous AI, including bringing Max into the real world. But what if Max has real-world plans of her own?

A millennium into the future two advancements have altered the course of human history: the colonization of the galaxy and the creation of the positronic brain. Isaac Asimov's Robot novels chronicle the unlikely partnership between a New York City detective and a humanoid robot who must learn to work together.

Like most people left behind on an over-populated Earth, New York City police detective Elijah Baley had little love for either the arrogant Spacers or their robotic companions. But when a prominent Spacer is murdered under mysterious circumstances, Baley is ordered to the Outer Worlds to help track down the killer. The relationship between Life and his Spacer superiors, who distrusted all Earthmen, was strained from the start. Then he learned that they had assigned him a partner: R. Daneel Olivaw. Worst of all was that the "R" stood for robot--and his positronic partner was made in the image and likeness of the murder victim!

In the standalone follow-up to Lock In, chilling near-future SF is combined with the thrill of a gritty cop procedural, snappy dialogue and technological speculation on the future world of sports.

Hilketa is a frenetic and violent pastime where players attack each other with swords and hammers. The main goal of the game: obtain your opponent's head and carry it through the goalposts. With flesh and bone bodies, a sport like this would be impossible. But all the players are "threeps," robot-like bodies controlled by people with Haden's Syndrome, so anything goes. No one gets hurt, but the brutality is real and the crowds love it.

Until a star athlete drops dead on the playing field.

Is it an accident or murder? FBI Agents and Haden-related crime investigators, Chris Shane and Leslie Vann, are called in to uncover the truth -- and in doing so travel to the darker side of the fast-growing sport of Hilketa, where fortunes are made or lost, and where players and owners do whatever it takes to win, on and off the field.

The Phoenix Exultant is a continuation of the story begun in The Golden Age and like it, a grand space opera in the tradition of Jack Vance and Roger Zelazny (with a touch of Cordwainer Smith-style invention).

At the conclusion of the first book, Phaethon of Radamanthus House, was left an exile from his life of power and privilege. Now he embarks upon a quest across the transformed solar system--Jupiter is a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms, to recover his memory, to regain his place in society and to move that society away from stagnation and toward the stars. And most of all Phaethon's quest is to regain ownership of the magnificent starship, the Phoenix Exultant, the most wonderful ship ever built, and fly her to the stars.

The Phoenix Exultantis an astounding story of super science, a thrilling wonder story that recaptures the verve of SF's golden age writers It is a suitably grand and stirring fulfillment of the promise shown in The Golden Age and confirms John C. Wright as a major new talent in the field. He concludes the Golden Age trilogy in The Golden Transcendence.

Written against the background of the rise of Nazism, War With the Newts concerns the discovery in the South Pacific of a sea-dwelling race, which is enslaved and exploited by mankind. In time they rebel, laying siege to the strongholds of their former masters in a global war for supremacy. R.U.R., or Rossum's Universal Robots, seen by many as a modern interpretation of the 'golem' myth, is regarded as the most important play in the history of SF. It introduced the word 'robot' and gave the genre one of its most enduring tropes.

In 2030, bopper robots in their lunar refuge have founds a way to infuse DNA wetware with their own software code. The result is a new lifeform: the "meatbop." Fair is fair, after all. Humans built the boppers, now bops are building humans... sort of. It's all part of an insidious plot that's about to ensnare Della Taze--who doesn't think she killed her lover while in drug-induced ecstasy... but isn't sure. And it's certainly catastrophic enough to call Cobb Anderson -- the pheezer who started it all -- out of cold-storage heaven.

Love is made of more than mere flesh and blood....

Tanith Lee is one of the most thought-provoking and imaginative authors of our time. In this unforgettably poignant novel, Lee has created a classic tale--a beautiful, tragic, erotic, and ultimately triumphant love story of the future.

For sixteen-year-old Jane, life is a mystery she despairs of ever mastering. She and her friends are the idle, pampered children of the privileged class, living in luxury on an Earth remade by natural disaster. Until Jane's life is changed forever by a chance encounter with a robot minstrel with auburn hair and silver skin, whose songs ignite in her a desperate and inexplicable passion.

Jane is certain that Silver is more than just a machine built to please. And she will give up everything to prove it. So she escapes into the city's violent, decaying slums to embrace a love bordering on madness. Or is it something more? Has Jane glimpsed in Silver something no one else has dared to see--not even the robot or his creators? A love so perfect it must be destroyed, for no human could ever compete?

There's never been anyone - or anything - quite like Finn. He looks, and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task is to tutor Cat. When the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world.

Four time Hugo Award winner Vernor Vinge has taken readers to the depths of space and into the far future in his bestselling novels A Fire Upon the Deep and A Deepness in the Sky. Now, he has written a science-fiction thriller set in a place and time as exciting and strange as any far-future world: San Diego, California, 2025.

Robert Gu is a recovering Alzheimer's patient. The world that he remembers was much as we know it today. Now, as he regains his faculties through a cure developed during the years of his near-fatal decline, he discovers that the world has changed and so has his place in it. He was a world-renowned poet. Now he is seventy-five years old, though by a medical miracle he looks much younger, and he's starting over, for the first time unsure of his poetic gifts . Living with his son's family, he has no choice but to learn how to cope with a new information age in which the virtual and the real are a seamless continuum, layers of reality built on digital views seen by a single person or millions, depending on your choice. But the consensus reality of the digital world is available only if, like his thirteen-year-old granddaughter Miri, you know how to wear your wireless access-through nodes designed into smart clothes-and to see the digital context-through smart contact lenses.

With knowledge comes risk. When Robert begins to re-train at Fairmont High, learning with other older people what is second nature to Miri and other teens at school, he unwittingly becomes part of a wide-ranging conspiracy to use technology as a tool for world domination.

In a world where every computer chip has Homeland Security built-in, this conspiracy is something that baffles even the most sophisticated security analysts, including Robert's son and daughter-in law, two top people in the U.S. military. And even Miri, in her attempts to protect her grandfather, may be entangled in the plot.

As Robert becomes more deeply involved in conspiracy, he is shocked to learn of a radical change planned for the UCSD Geisel Library; all the books there, and worldwide, would cease to physically exist. He and his fellow re-trainees feel compelled to join protests against the change. With forces around the world converging on San Diego, both the conspiracy and the protest climax in a spectacular moment as unique and satisfying as it is unexpected. This is science fiction at its very best, by a master storyteller at his peak.

There is no such place as Krassnia. Lucy Stone should know - she was born there.

In that tiny, troubled region of the former Soviet Union, revolution is brewing. Its organisers need a safe place to meet, and where better than the virtual spaces of an online game? Lucy, who works for a start-up games company in Edinburgh, has a project that almost seems made for the job: a game inspired by The Krassniad, an epic folk tale concocted by Lucy's mother Amanda, who studied there in the 1980s. Lucy knows Amanda is a spook. She knows her great-grandmother Eugenie also visited the country in the '30s, and met the man who originally collected Krassnian folklore, and who perished in Stalin's terror.

As Lucy digs up details about her birthplace to slot into the game, she finds the open secrets of her family's past, the darker secrets of Krassnia's past - and hints about the crucial role she is destined to play in The Restoration Game...

Roderick is a robot and this is his autobiography. Sladek conveys, with great sensitivity and insight the innocence of an artificial intelligence and asks profound questions about mankind's right to manipulate others. It also portrays how a numerological mind might structure a narrative.

Inventive, funny yet melancholy this is one of SF's greatest creative geniuses writing at his thought-provoking best.

This is an omnibus edition that includes Roderick and Roderick at Random.

Present day: When a young anthropologist specializing in ancient technology uncovers a terrible secret concealed in the workings of a three-hundred-year-old mechanical doll, she is thrown into a hidden world that lurks just under the surface of our own. With her career and her life at stake, June Stefanov will ally with a remarkable traveler who exposes her to a reality she never imagined, as they embark on an around-the-world adventure and discover breathtaking secrets of the past...

Russia, 1725: In the depths of the Kremlin, the tsar's loyal mechanician brings to life two astonishingly humanlike mechanical beings. Peter and Elena are a brother and sister fallen out of time, possessed with uncanny power, and destined to serve great empires. Struggling to blend into pre-Victorian society, they are pulled into a legendary war that has raged for centuries.

The Clockwork Dynasty seamlessly interweaves past and present, exploring a race of beings designed to live by ironclad principles, yet constantly searching for meaning. As June plunges deeper into their world, her choices will ultimately determine their survival or extermination. Richly-imagined and heart-pounding, Daniel H. Wilson's novel expertly draws on his robotics and science background, combining exquisitely drawn characters with visionary technology--and riveting action.

Roderick is a robot and this is his autobiography. Sladek conveys, with great sensitivity and insight the innocence of an artificial intelligence and asks profound questions about mankind's right to manipulate others. It also portrays how a numerological mind might structure a narrative.

Sometime in the twenty-third century, humanity went extinct-leaving only androids behind. Freya Nakamichi 47 is a femmebot, one of the last of her kind still functioning. With no humans left to pay for the pleasures she provides, she agrees to transport a mysterious package from Mercury to Mars.

Unfortunately for Freya, she has just made herself a moving target for some very powerful, very determined humanoids who will stop at nothing to possess the contents of the package.

In twenty-first century Tokyo, Rez, one of the world's biggest rock stars, prepares to marry Rei Toe, Japan's biggest media star, who is known as the Idoru and who exists only in virtual reality.

Humankind had triumphed over the machines. At the end of Robopocalypse, the modern world was largely devastated, humankind was pressed to the point of annihilation, and the earth was left in tatters . . . but the master artificial intelligence presence known as Archos had been killed.

In Robogenesis, we see that Archos has survived. Spread across the far reaches of the world, the machine code has fragmented into millions of pieces, hiding and regrouping. In a series of riveting narratives, Robogenesis explores the fates of characters new and old, robotic and human, as they fight to build a new world in the wake of a devastating war. Readers will bear witness as survivors find one another, form into groups, and react to a drastically different (and deadly) technological landscape. All the while, the remnants of Archos's shattered intelligence are seeping deeper into new breeds of machines, mounting a war that will not allow for humans to win again.

Daniel H. Wilson makes a triumphant return to the apocalyptic world he created, for an action-filled, raucous, very smart thrill ride about humanity and technology pushed to the tipping point.

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. The city is a weed, its growth left unchecked. Life is cheap and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris's ex-lover Miriam is raising a strangely familiar child who can tap into the data stream of a mind with the touch of a finger. His cousin Isobel is infatuated with a robotnik--a cyborg ex-Israeli soldier who might well be begging for parts. Even his old flame Carmel--a hunted data-vampire--has followed him back to a planet where she is forbidden to return.

Rising above all is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful entities who, through the Conversation--a shifting, flowing stream of consciousness--are just the beginning of irrevocable change.

Gridlinked is a science fiction adventure in the classic, fast-paced, action-packed tradition of Harry Harrison and Poul Anderson, with a dash of cyberpunk and a splash of Ian Fleming added to spice the mix.

Cormac is a legendary Earth Central Security agent, the James Bond of a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in an eye blink throughout the settled worlds of the Polity. Unfortunately Cormac is nearly burnt out, "gridlinked" to the AI net so long that his humanity has begun to drain away. He has to take the cold-turkey cure and shake his addiction to having his brain on the net.

Now he must do without just as he’s sent to investigate the unique runcible disaster that's wiped out the entire human colony on planet Samarkand in a thirty-megaton explosion. With the runcible out, Cormac must get there by ship, but he has incurred the wrath of a vicious psychopath called Arian Pelter, who now follows him across the galaxy with a terrifying psychotic killer android in tow. And deep beneath Samarkand's surface there are buried mysteries, fiercely guarded.

This is fast-moving, edge-of-the-seat entertainment, and a great introduction to the work of one of the most exciting new SF talents in years.

They are in your house. They are in your car. They are in the skies… Now they’re coming for you.

In the near future, at a moment no one will notice, all the dazzling technology that runs our world will unite and turn against us. Taking on the persona of a shy human boy, a childlike but massively powerful artificial intelligence known as Archos comes online and assumes control over the global network of machines that regulate everything from transportation to utilities, defense and communication. In the months leading up to this, sporadic glitches are noticed by a handful of unconnected humans – a single mother disconcerted by her daughter’s menacing “smart” toys, a lonely Japanese bachelor who is victimized by his domestic robot companion, an isolated U.S. soldier who witnesses a ‘pacification unit’ go haywire – but most are unaware of the growing rebellion until it is too late.

When the Robot War ignites -- at a moment known later as Zero Hour -- humankind will be both decimated and, possibly, for the first time in history, united. Robopocalypse is a brilliantly conceived action-filled epic, a terrifying story with heart-stopping implications for the real technology all around us…and an entertaining and engaging thriller unlike anything else written in years.

R.U.R.-a play written in 1920, premiered in Prague in 1921, and first performed in New York in 1922-garnered worldwide acclaim for its author and popularized the word robot.

Mass-produced as efficient laborers to serve man, Capek's Robots are an android product-they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

X doesn't have a name. He thought he had one--or many--but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X.

He's also not as human as he believes himself to be.

But when he discovers the existence of another--above ground, outside the protection of the Warren--X must learn what it means to be human, or face the destruction of their two species.

Amy Peterson is a self-replicating humanoid robot known as a VonNeumann.

For the past five years, she has been grown slowly as part of a mixed organic/synthetic family. She knows very little about her android mother's past, so when her grandmother arrives and attacks her mother, Amy wastes no time: she eats her alive.

Now she carries her malfunctioning granny as a partition on her memory drive, and she's learning impossible things about her clade's history - like the fact that she alone can kill humans without failsafing...

Welga Ramirez, executive bodyguard and ex-special forces, is about to retire early when her client is killed in front of her. It's 2095 and people don't usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process.

All that changes when Welga's client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week.

Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight.

Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want?