Search Worlds Without End

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

A powerful story about loss of freedom and individuality, V FOR VENDETTA takes place in a totalitarian England following a devastating war that changed the face of the planet.

In a world without political freedom, personal freedom and precious little faith in anything comes a mysterious man in a white porcelain mask who fights political oppressors through terrorism and seemingly absurd acts. It's a gripping tale of the blurred lines between ideological good and evil.

One summer weekend in 1949-but not our 1949-the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before.

Despite her parents' evident disapproval, Lucy is married-happily-to a London Jew. It was therefore quite a surprise to Lucy when she and her husband David found themselves invited to the retreat. It's even more startling when, on the retreat's first night, a major politician of the Farthing set is found gruesomely murdered, with abundant signs that the killing was ritualistic.

It quickly becomes clear to Lucy that she and David were brought to the retreat in order to pin the murder on him. Major political machinations are at stake, including an initiative in Parliament, supported by the Farthing set, to limit the right to vote to university graduates. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts - and looking beyond the obvious.

As the trap slowly shuts on Lucy and David, they begin to see a way out-a way fraught with peril in a darkening world.

When the body of a murdered woman is found in the extraordinary, decaying city of Bes el, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to conspiracies far stranger, and more deadly, than anything he could have imagined. Soon his work puts him and those he cares for in danger. Borlu must travel to the only metropolis on Earth as strange as his own, across a border like no other.

In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes.

What is Un Lun Dun?

It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book.

When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

Anthologies seldom make history, but Dangerous Visions is a grand exception. Harlan Ellison's 1967 collection of science fiction stories set an almost impossibly high standard, as more than a half dozen of its stories won major awards - not surprising with a contributors list that reads like a who's who of 20th-century SF.

Table of Contents:

• Foreword 1-The Second Revolution - (1967) - essay by Isaac Asimov
• Foreword 2-Harlan and I - (1967) - essay by Isaac Asimov
• Thirty-Two Soothsayers - (1967) - essay by Harlan Ellison
• Evensong - (1967) - shortstory by Lester del Rey
• Flies - (1967) - shortstory by Robert Silverberg
• The Day After the Day the Martians Came - (1967) - shortstory by Frederik Pohl
• Riders of the Purple Wage - (1967) - novella by Philip José Farmer
• The Malley System - (1967) - shortstory by Miriam Allen deFord
• A Toy for Juliette - shortstory by Robert Bloch
• The Prowler in the City at the Edge of the World - novelette by Harlan Ellison
• The Night That All Time Broke Out - (1967) - shortstory by Brian W. Aldiss
• The Man Who Went to the Moon - Twice - (1967) - shortstory by Howard Rodman
• Faith of Our Fathers - novelette by Philip K. Dick
• The Jigsaw Man - (1967) - shortstory by Larry Niven
• Gonna Roll the Bones - novelette by Fritz Leiber
• Lord Randy, My Son - (1967) - shortstory by Joe L. Hensley
• Eutopia - (1967) - novelette by Poul Anderson
• Incident in Moderan - (1967) - shortstory by David R. Bunch
• The Escaping - (1967) - shortstory by David R. Bunch
• The Doll-House - (1967) - shortstory by James Cross
• Sex and/or Mr. Morrison - shortstory by Carol Emshwiller
• Shall the Dust Praise Thee? - (1967) - shortstory by Damon Knight
• If All Men Were Brothers, Would You Let One Marry Your Sister? - (1967) - novella by Theodore Sturgeon
• What Happened to Auguste Clarot? - (1967) - shortstory by Larry Eisenberg
• Ersatz - (1967) - shortstory by Henry Slesar
• Go, Go, Go, Said the Bird - (1967) - shortstory by Sonya Dorman
• The Happy Breed - shortstory by John Sladek
• Encounter with a Hick - (1967) - shortstory by Jonathan Brand
• From the Government Printing Office - (1967) - shortstory by Kris Neville
• Land of the Great Horses - shortstory by R. A. Lafferty
• The Recognition - shortstory by J. G. Ballard
• Judas - (1967) - shortstory by John Brunner
• Test to Destruction - (1967) - novelette by Keith Laumer
• Carcinoma Angels - (1967) - shortstory by Norman Spinrad
• Auto-da-Fé - (1967) - shortstory by Roger Zelazny
• Aye, and Gomorrah... - (1967) - shortstory by Samuel R. Delany

Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying – from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.

On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works – and shamelessly flirts – with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.

But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined – and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

Three armies march on New Prentisstown, each one intent on destroying the others.

Todd and Viola are caught in the middle, with no chance of escape.

As the battles commence, how can they hope to stop the fighting? How can there be peace when they’re so hopelessly outnumbered? And if war makes monsters of men, what terrible choices await?

But then a third voice breaks into the battle, one bent on revenge…

The electrifying finale to the award-winning Chaos Walking trilogy. Publishing May 2010 in the UK, Ireland and Australia, and September 2010 in the United States and Canada.

Hugo Award nominated short story. It originally appeared in Galaxy Magazine, October 1968. The story can aslo be found in the anthologies Worlds of Maybe (1970) edited by Robert Silverberg, Galaxy: Thirty Years of Innovative Science Fiction (1980), edited by Frederik Pohl, Martin H. Greenberg and Joseph D. Olander, and The Best Alternate History Stories of the 20th Century (2001), edited by Harry Turtledove and Martin H. Greenberg. It is included in the collecions All the Myriad Ways (1971), N-Space (1990) and The Best of Larry Niven (2010).

The Machine Stops is a science fiction short story by E. M. Forster. The story is about a world in which many humans have lost the ability to live on the surface, and live underground. The story predicted a few technological and social innovations, such as the cinematophote (television) and videoconferencing.

Mycroft Canner is a convict. For his crimes he is required, as is the custom of the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer--a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away.

The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labelling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world's population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competion is carefully managed by central planners of inestimable subtlety. To us it seems like a mad combination of heaven and hell. To them, it seems like normal life.

And in this world, Mycroft and Carlyle have stumbled on the wild card that may destablize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life...

On October 11 the television star Jason Taverner is so famous that 30 million viewers eagerly watch his prime-time show. On October 12 Jason Taverner is not a has-been but a never-was -- a man who has lost not only his audience but all proof of his existence. And in the claustrophobic betrayal state of Flow My Tears, the Policeman Said, loss of proof is synonymous with loss of life.

Taverner races to solve the riddle of his disappearance", immerses us in a horribly plausible Philip K. Dick United States in which everyone -- from a waiflike forger of identity cards to a surgically altered pleasure -- informs on everyone else, a world in which omniscient police have something to hide. His bleakly beautiful novel bores into the deepest bedrock self and plants a stick of dynamite at its center.

Jonas's world is perfect. Everything is under control. There is no war or fear of pain. There are no choices. Every person is assigned a role in the community. When Jonas turns 12 he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back.

It's 2015, and Patricia Cowan is very old. "Confused today," read the notes clipped to the end of her bed. She forgets things she should know--what year it is, major events in the lives of her children. But she remembers things that don't seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.

Her childhood, her years at Oxford during the Second World War--those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?

Two lives, two worlds, two versions of modern history; each with their loves and losses, their sorrows and triumphs. Jo Walton's My Real Children is the tale of both of Patricia Cowan's lives... and of how every life means the entire world.?

Lew Nichols is in the business of stochastic prediction. A mixture of sophisticated analysis and inspired guesswork, it is the nearest man can get to predicting the future. And Nichols is very good at it. So good that he is soon indispensable to Paul Quinn, the ambitious and charismatic mayor of New York whose sights are firmly set on the presidency. But there is nothing paranormal about stochastic prediction: Nichols can't actually see the future. However, Martin Carvajal apparently can and he offers to help Nichols do so too. It's an offer Nichols can't resist, even though he can clearly see the devastating impact that knowing in advance every act of his life has on Carvajal. For Carvajal has even seen his own death.

A photographer returns to a near-future Britain after the death of his wife in a terrorist incident in Afghanistan. And finds that Britain has, itself, been suffering terrorist attacks. But no-one knows quite what is happening or how. Just that there are similarities between what killed the photographer's wife and what happened in West London. Soon he is drawn into a hall of mirrors at the heart of government.

In the First World War a magician is asked to travel to the frontline to help a naval aerial reconnaissance unit hide its planes from the German guns. On the way to France he meets a certain H.G. Wells. In the Second World War on the airfields of Bomber Commands there is also an obsession with camouflage, with misdirection. With deceit.

And in a garden, an old man raises a conch shell to his ear and initiates the first Adjacency.

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that reads like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

Originally appeared in Ace Double D-103 (1955).

The operating principle was random selection: positions of public power were decided by a sophisticated lottery. Everyone had a chance, everyone could live in hope that they would be chosen to be the boss, the Quizmaster. But with the power came the game - the assassination game - which everyone could watch on TV. Would the new man be good enough to avoid his chosen killer? Which made for fascinating and exciting viewing, compelling enough to distract the public's attention while the Big Five industrial complexes run the world, the solar system and the people, unnoticed and completely unopposed. Then, in 2203, with the choice of a member of a maverick cult as Quizmaster, the system developed a little hitch...

Extras, the final book in the Uglies series, is set a couple of years after the "mind-rain," a few earth-shattering months in which the whole world woke up. The cure has spread from city to city, and the pretty regime that kept humanity in a state of bubbleheadedness has ended. Boundless human creativity, new technologies, and old dangers have been unleashed upon the world. Culture is splintering, the cities becoming radically different from each other as each makes its own way into this strange and unpredictable future...

One of the features of the new world is that everyone has a "feed," which is basically their own blog/myspace/tv channel. The ratings of your feed (combined with how much the city interface overhears people talking about you) determines your social status--so everyone knows at all times how famous they are.

As Scott Westerfeld explored the themes of extreme beauty in the first three Uglies books, now he takes on the world's obsession with fame and popularity. And how anyone can be an instant celebrity.

Triton, the outermost moon of Neptune, was a world of absolute freedom, where every wish could be fulfilled. But for Bron Helstrom, one of Triton's elite, life had lost its meaning. There, in a world of endless possibilities, Bron began a searing odyssey to find the object of his desires.

Fleeing the city of New York on the TransContinental atmospheric transport vehicle, Dran Florrian is traveling with Palimpsest -- the ultimate proof of a lifetime of scientific theorizing.

When a rogue organization attempts to steal the device, however, Dran takes drastic action.

But his invention threatens to destroy the very fabric of this and all other possible universes, unless Dran -- or someone very much like him -- can shut down the machine and reverse the process.

Originally published in 1888, this prophetic work revolves around Julian West, a man who falls asleep near the end of the 19th century and wakes up in the year 2000. More than a brilliant visionary's view of the future, it is a guidebook that has stimulated some of the greatest thinkers of the modern age.