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Nebula Award winning and Hugo Award nominated novelette. It originally appeared in Omni, November 1990. The story can also be found in the anthologies The Year's Best Science Fiction: Eighth Annual Collection (1991), edited by Gardner Dozois, Nebula Awards 26 (1992), edited by James Morrow and The Fantasy Hall of Fame (1998), edited by Robert Silverberg. It is included in the collection Stories of Your Life and Others (2002).

A distinguished compilation of two classic fantasy novels, Soldier of the Mist and Soldier of Areté, in one volume

This omnibus of two acclaimed novels is the story of Latro, a Roman mercenary who while fighting in Greece received a head injury that deprived him of his short-term memory but gave him in return the ability to see and converse with the supernatural creatures and the gods and goddesses, who invisibly inhabit the ancient landscape. Latro forgets everything when he sleeps. Writing down his experiences every day and reading his journal anew each morning gives him a poignantly tenuous hold on himself, but his story's hold on readers is powerful indeed, and many consider these Wolfe's best books.

The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.

In this tightly plotted yet mind- expanding debut novel, an unlikely detective, armed only with an umbrella and a singular handbook, must untangle a string of crimes committed in and through people's dreams.

In an unnamed city always slick with rain, Charles Unwin toils as a clerk at a huge, imperious detective agency. All he knows about solving mysteries comes from the reports he's filed for the illustrious detective Travis Sivart. When Sivart goes missing and his supervisor turns up murdered, Unwin is suddenly promoted to detective, a rank for which he lacks both the skills and the stomach. His only guidance comes from his new assistant, who would be perfect if she weren't so sleepy, and from the pithy yet profound Manual of Detection (think The Art of War as told to Damon Runyon).

Unwin mounts his search for Sivart, but is soon framed for murder, pursued by goons and gunmen, and confounded by the infamous femme fatale Cleo Greenwood. Meanwhile, strange and troubling questions proliferate: why does the mummy at the Municipal Museum have modern- day dental work? Where have all the city's alarm clocks gone? Why is Unwin's copy of the manual missing Chapter 18?

When he discovers that Sivart's greatest cases— including the Three Deaths of Colonel Baker and the Man Who Stole November 12th—were solved incorrectly, Unwin must enter the dreams of a murdered man and face a criminal mastermind bent on total control of a slumbering city.

The Manual of Detection will draw comparison to every work of imaginative fiction that ever blew a reader's mind—from Carlos Ruiz Zafón to Jorge Luis Borges, from The Big Sleep to The Yiddish Policeman's Union. But, ultimately, it defies comparison; it is a brilliantly conceived, meticulously realized novel that will change what you think about how you think.

A tale of love, money, and family conflict--among dragons.

A family deals with the death of their father. A son goes to court for his inheritance. Another son agonises over his father's deathbed confession. One daughter becomes involved in the abolition movement, while another sacrifices herself for her husband.

And everyone in the tale is a dragon, red in tooth and claw.

Here is a world of politics and train stations, of churchmen and family retainers, of courtship and country houses...in which, on the death of an elder, family members gather to eat the body of the deceased. In which the great and the good avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby.

You have never read a novel like Tooth and Claw.

The story of John Chandagnac who sails to Haiti to recover his father's lost plantation and enters a Caribbean pirate empire ruled by Blackbeard, a child of voodoo whose spirit is infested with ghosts. The hero is pressed into piracy and sorcery as Blackbeard searches for the Fountain of Lost Youth.

Jake Sullivan is a war hero, a private eye-and an ex-con. He's free because he has a magical talent, being able to alter the force of gravity in himself and objects in his vicinity, and the Bureau of Investigation calls on him when they need his help in apprehending criminals with their own magical talents. But the last operation he was sent along to help with went completely wrong, and Delilah Jones, the woman the G-men were after, who just happened to be an old friend of Jake's in happier times, had a lot of magical muscle with her, too much muscle for the cops to handle, even with Jake's help. It got worse. Jake found out that the Feds had lied to him about Delilah being a murderer as well as a bank robber, and they had lied about this being his last job for them-he was too valuable for them to let him go. And things were even worse than Jake imagined. There was a secret war being waged by opposing forces of magic-users, and Jake had no idea that he had just attracted the attention of one side, whose ruthless leaders were of the opinion that Jake was far too dangerous to be permitted to live...

Toni Morrison's magnificent Pulitzer Prize-winning novel--first published in 1987--brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.

When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.

Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honesty will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered.

Now Celehar's skills lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness.

Scattered among poor, desolate farms, the clans of the Uplands possess gifts. Wondrous gifts: the ability--with a glance, a gesture, a word--to summon animals, bring forth fire, move the land. Fearsome gifts: They can twist a limb, chain a mind, inflict a wasting illness. The Uplanders live in constant fear that one family might unleash its gift against another. Two young people, friends since childhood, decide not to use their gifts. One, a girl, refuses to bring animals to their death in the hunt. The other, a boy, wears a blindfold lest his eyes and his anger kill.

International award-winning author Nnedi Okorafor enters the world of magic realist literature with a powerful story of genocide in the far future and of the woman who reshapes her world.

In a post-apocalyptic Africa, the world has changed in many ways, yet in one region genocide between tribes still bloodies the land. After years of enslaving the Okeke people, the Nuru tribe has decided to follow the Great Book and exterminate the Okeke tribe for good. An Okeke woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different--special--she names her child Onyesonwu, which means "Who Fears Death?" in an ancient tongue.

From a young age, stubborn, willful Onyesonwu is trouble. It doesn't take long for her to understand that she is physically and socially marked by the circumstances of her violent conception. She is Ewu--a child of rape who is expected to live a life of violence, a half-breed rejected by both tribes.

But Onye is not the average Ewu. As a child, Onye's singing attracts owls. By the age of eleven, she can change into a vulture. But these amazing abilities are merely the first glimmers of a remarkable unique magic. As Onye grows, so do her abilities--soon she can manipulate matter and flesh, or travel beyond into the spiritual world. During an inadvertent visit to this other realm she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer, and to understand her own nature, she seeks help from the magic practitioners of her village. But, even among her mother's people, she meets with frustrating prejudice because she is Ewu and female. Yet Onyesonwu persists.

Eventually her magical destiny and her rebellious nature will force her to leave home on a quest that will be perilous in ways that Onyesonwu can not possibly imagine. For this journey will cause her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture, and ultimately to learn why she was given the name she bears: Who Fears Death?

In this sequel to the novella Penric's Mission, the injured Penric, a Temple sorcerer and learned divine, tries to guide the betrayed General Arisaydia and his widowed sister Nikys across the last hundred miles of hostile Cedonia to safety in the Duchy of Orbas.

In the town of Sosie the fugitive party encounters unexpected delays, and even more unexpected opportunities and hazards, as the courtesan Mira of Adria, one of the ten dead women whose imprints make up the personality of the chaos demon Desdemona, comes to the fore with her own special expertise.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill--but she doesn't care. She'd rather play a monster than a maid.

But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes--even if that means becoming the monster herself.

Four months have passed since the shadow stone fell into Kell's possession. Four months since his path crossed with Delilah Bard. Four months since Rhy was wounded and the Dane twins fell, and the stone was cast with Holland's dying body through the rift, and into Black London.

In many ways, things have almost returned to normal, though Rhy is more sober, and Kell is now plagued by his guilt. Restless, and having given up smuggling, Kell is visited by dreams of ominous magical events, waking only to think of Lila, who disappeared from the docks like she always meant to do. As Red London finalizes preparations for the Element Games-an extravagent international competition of magic, meant to entertain and keep healthy the ties between neighboring countries-a certain pirate ship draws closer, carrying old friends back into port.

But while Red London is caught up in the pageantry and thrills of the Games, another London is coming back to life, and those who were thought to be forever gone have returned. After all, a shadow that was gone in the night reappears in the morning, and so it seems Black London has risen again-and so to keep magic's balance, another London must fall.

The National Book Award Winner and #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood--where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned--Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.

In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor--engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.

Like the protagonist of Gulliver's Travels, Cora encounters different worlds at each stage of her journey--hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

Welcome to Riverside, where the aristocratic and the ambitious battle for power in the city's ballroom, brothels and boudoirs. Into this alluring world walks Katherine, a well-bred country girl versed in the rules of conventional society. Her mistake is thinking that they apply. For Katherine's host and uncle, Alec Campion, aka the Mad Duke Tremontaine, is in charge here--and to him, rules are made to be broken.

When Alec decides it would be more amusing for his niece to learn swordplay than to follow the usual path to marriage, her world changes forever. Blade in hand, it's up to Katherine to navigate a maze of secrets and scoundrels--and to gain the self-discovery that comes to those who master....

Rachel Caine rewrites history, creating a dangerous world where the Great Library of Alexandria has survived the test of time....

Ruthless and supremely powerful, the Great Library is now a presence in every major city, governing the flow of knowledge to the masses. Alchemy allows the Library to deliver the content of the greatest works of history instantly--but the personal ownership of books is expressly forbidden.

Jess Brightwell believes in the value of the Library, but the majority of his knowledge comes from illegal books obtained by his family, who are involved in the thriving black market. Jess has been sent to be his family's spy, but his loyalties are tested in the final months of his training to enter the Library's service.

When he inadvertently commits heresy by creating a device that could change the world, Jess discovers that those who control the Great Library believe that knowledge is more valuable than any human life--and soon both heretics and books will burn....

Dark fantasy goes hardboiled in #2 of the hard-hitting Grimnoir Chronicles by the New York Times best-selling creator of Monster Hunter International. The Grimnoir Society's mission is to protect people with magic, and they've done so--successfully and in secret--since the mysterious arrival of the Power in the 1850s. But when a magical assassin makes an attempt on the life of President Franklin Roosevelt, the crime is pinned on the Grimnoir. The knights must become fugitives while they attempt to discover who framed them.

Things go from bad to worse when Jake Sullivan, former P.I. and knight of the Grimnoir, receives a telephone call from a dead man--a man he helped kill. Turns out the Power jumped universes because it was fleeing from a predator that eats magic and leaves destroyed worlds in its wake. That predator has just landed on Earth.

In Regency London, Zacharias Wythe is England's first African Sorcerer Royal. He leads the eminent Royal Society of Unnatural Philosophers, but a malicious faction seeks to remove him by fair means or foul. Meanwhile, the Society is failing its vital duty -- to keep stable the levels of magic within His Majesty's lands. The Fairy Court is blocking its supply, straining England's dangerously declining magical stores. And now the government is demanding to use this scarce resource in its war with France.

Ambitious orphan Prunella Gentleman is desperate to escape the school where she's drudged all her life, and a visit by the beleaguered Sorcerer Royal seems the perfect opportunity. For Prunella has just stumbled upon English magic's greatest discovery in centuries -- and she intends to make the most of it.

At his wits' end, the last thing Zachariah needs is a female magical prodigy! But together, they might just change the nature of sorcery, in Britain and beyond.

Alexia Tarabotti, the Lady Woolsey, awakens in the wee hours of the mid-afternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears - leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts, and an angry Queen Victoria.

But Alexia is armed with her trusty parasol, the latest fashions, and an arsenal of biting civility. Even when her investigations take her to Scotland, the backwater of ugly waistcoats, she is prepared: upending werewolf pack dynamics as only the soulless can.

She might even find time to track down her wayward husband, if she feels like it.

Quitting her husband's house and moving back in with her horrible family, Lady Maccon becomes the scandal of the London season.

Queen Victoria dismisses her from the Shadow Council, and the only person who can explain anything, Lord Akeldama, unexpectedly leaves town. To top it all off, Alexia is attacked by homicidal mechanical ladybugs, indicating, as only ladybugs can, the fact that all of London's vampires are now very much interested in seeing Alexia quite thoroughly dead.

While Lord Maccon elects to get progressively more inebriated and Professor Lyall desperately tries to hold the Woolsey werewolf pack together, Alexia flees England for Italy in search of the mysterious Templars. Only they know enough about the preternatural to explain her increasingly inconvenient condition, but they may be worse than the vampires -- and they're armed with pesto.

The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy, meets some extremely interesting characters, and attains a not inconsiderable amount of self knowledge.

Alex Green is a young girl in a world much like ours. But this version of 1950's America is characterized by a significant event: The Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales and talons, left a trail of fiery destruction in their path, and took to the skies. Seemingly for good. Was it their choice? What will become of those left behind? Why did Alex's beloved Aunt Marla transform but her mother did not? Alex doesn't know. It's taboo to speak of, even more so than her crush on Sonja, her schoolmate.

Forced into silence, Alex nevertheless must face the consequences of dragons: a mother more protective than ever; a father growing increasingly distant; the upsetting insistence that her aunt never even existed; and a new "sister" obsessed with dragons far beyond propriety. Through loss, rage, and self-discovery, this story follows Alex's journey as she deals with the events leading up to and beyond the Mass Dragoning, and her connection with the phenomenon itself.

Librarian-spy Irene is working undercover in an alternative London when her assistant, Kai, goes missing. She discovers he's been kidnapped by the fae faction, and the repercussions could be fatal -- not just for Kai, but for whole worlds.

Kai's dragon heritage means he has powerful allies but also powerful enemies in the form of the fae. With this act of aggression, the fae are determined to trigger a war between their people -- and the forces of order and chaos themselves.

Irene's mission to save Kai and avert Armageddon will take her to a dark, alternate Venice where it's always Carnival. Here Irene will be forced to blackmail, fast talk, and fight. Or face death.

Alexia Tarabotti, Lady Maccon, has settled into domestic bliss. Of course, being Alexia, such bliss involves integrating werewolves into London High society, living in a vampire's second best closet, and coping with a precocious toddler who is prone to turning supernatural willy-nilly. Even Ivy Tunstell's acting troupe's latest play, disastrous to say the least, cannot put a damper on Alexia's enjoyment of her new London lifestyle.Until, that is, she receives a summons from Alexandria that cannot be ignored. With husband, child, and Tunstells in tow, Alexia boards a steamer to cross the Mediterranean. But Egypt may hold more mysteries than even the indomitable Lady Maccon can handle. What does the vampire Queen of the Alexandria Hive really want from her? Why is the God-Breaker Plague suddenly expanding? And how has Ivy Tunstell suddenly become the most popular actress in all the British Empire?

The fantasy novel you've always wished Jane Austen had written

Shades of Milk and Honey is exactly what we could expect from Jane Austen if she had been a fantasy writer: Pride and Prejudice meets Jonathan Strange & Mr. Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality.

Jane and her sister Melody vie for the attentions of eligible men, and while Jane's skill with glamour is remarkable, it is her sister who is fair of face. When Jane realizes that one of Melody's suitors is set on taking advantage of her sister for the sake of her dowry, she pushes her skills to the limit of what her body can withstand in order to set things right-and, in the process, accidentally wanders into a love story of her own.

Gloriana rules an Albion whose empire embraces America and most of Asia. A new Golden Age of peace, enlightenment and prosperity has dawned. Gloriana is Albion and Albion is Gloriana; if one falls, so too will the other. And Gloriana is oppressed by the burden this places upon her - and by the fact that she remains incapable of orgasm. The maintenance of the delicate balance that keeps Albion and Gloriana thriving depends of Montfallcon, Gloriana's Chancellor, and on his network of spies and assassins - in particular on Quire, cold hearted seducer of virtue and murderer of innocence. When Quire falls out with Montfallcon, he forms an alliance with his greatest enemy and conceives a plan to ruin Gloriana, destroy Albion, the empire and the Golden Age itself. But even the utterly ruthless Quire does not fully understand what he has set in motion when he persuades the Queen to fall in love with him...

Cassel comes from a family of curse workers -- people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they're all mobsters, or con artists. Except for Cassel. He hasn't got the magic touch, so he's an outsider, the straight kid in a crooked family. You just have to ignore one small detail -- he killed his best friend, Lila, three years ago.

Ever since, Cassel has carefully built up a façade of normalcy, blending into the crowd. But his façade starts crumbling when he starts sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He's noticing other disturbing things, too, including the strange behavior of his two brothers. They are keeping secrets from him, caught up in a mysterious plot. As Cassel begins to suspect he's part of a huge con game, he also wonders what really happened to Lila. Could she still be alive? To find that out, Cassel will have to out-con the conmen.

Holly Black has created a gripping tale of mobsters and dark magic where a single touch can bring love -- or death -- and your dreams might be more real than your memories.

On their honeymoons, Kate and Cecelia confront a plot against Europe

Ocean voyages do not agree with wizards, and seasickness during the Channel crossing is the price Cecelia must pay for her budding magical skill. As her nausea ebbs, she is comforted by her new husband, James, and the knowledge that at long last they are on their honeymoon. In their company is Cecelia's cousin Kate, newly minted as the Marchioness of Schofield, and her husband Thomas. The shared journey guarantees the two couples a happy start to married life, if they can survive the perils of the Continent.

In Calais, a mysterious woman visits Cecelia with a package intended for Thomas's mother. Inside is an alabaster flask of noble manufacture, one of the royal artifacts that have been vanishing all over Europe as part of a magical plot against the French crown. This is no simple honeymoon: On their tour of Europe, Kate and Cecelia must save the monarchy from an emperor-in-exile named Napoleon.

Jane Eliot wears an iron mask.

It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain--the ironskin.

When a carefully worded listing appears for a governess to assist with a "delicate situation"--a child born during the Great War--Jane is certain the child is fey-cursed, and that she can help.

Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn't expect to fall for the girl's father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her scars and by his parade of women. Ugly women, who enter his closed studio... and come out as beautiful as the fey.

Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things are true? Step by step Jane unlocks the secrets of a new life--and discovers just how far she will go to become whole again.