Search Worlds Without End

A paddle wheeler cruises up the Mississippi, delivering mail and hosting an occasional concert. A scene straight out of the nineteenth century? Not quite. This Mississippi is a toxic brown river. And the paddle wheeler is run by the River Rats, a troop of orphans who survived the Flash, a nuclear holocaust. What were once huge cities are now plague-ridden ruins haunted by gangs of savage children. And the concerts the Rats play are post-apocalyptic rock and roll--a music as rough and ragged as the musicians who perform it.

When the Rats rescue a stranger from the river, all the troubles of the old world suddenly threaten to end their travels forever.

New York 1905 – The Vanderbilts. The Astors. The Morgans. They are the cream of society – and they own the nation on the cusp of a new century.

Thalia Cutler doesn't have any of those family connections. What she does know is stage magic, and she dazzles audiences with an act that takes your breath away.

That is, until one night when a trick goes horribly awry. In surviving, she discovers that she can shapeshift, and has the potential to take her place among the rich and powerful.

But first, she'll have to learn to control that power... before the real monsters descend to feast.

The conspirators gathered... from all walks of life. the soldier, the gambler, the minstrel, the scholar. The Queen's own waiting woman. The Queen's own son. They gathered to prove the treachery of a duke who wanted the kingdom for his own. But the duke had the trust of the queen. And the sorcery of the Serpent's Egg.

Good King Julian of Aravis has been dead for two hundred years, but his kingdom still misses him. The current occupant of the throne is old and witless and has no heir. The true ruler of Aravis is the powerful Prince Bishop, who controls both church and state.

When the King comes home, all wishes will be granted.

Hail Rosmer wants to be an artist-not an ordinary artist, but a great artist, as great as the fabled Maspero, who painted the famous Archangel altarpiece in the Palace of Aravis and made Good King Julian's crown.

When the King comes home, all dreams will be made real.

One day, Hail sees a man catching fish from the river and eating it raw. The man's clothes are antique in fashion. He looks exactly like King Julian of Aravis. And there begins an adventure that takes Hail and her enigmatic companion from palace to wilderness to battlefield and teaches her, and the rest of Aravis, what happens when the King comes home in sober reality.

Teenager Faris Nallaneen is the heir to the small northern dukedom of Galazon. Too young still to claim her title, her despotic Uncle Brinker has ruled in her place. Now he demands she be sent to Greenlaw College. For her benefit he insists. To keep me out of the way, more like it!

But Greenlaw is not just any school-as Faris and her new best friend Jane discover. At Greenlaw students major in... magic.

But it's not all fun and games. When Faris makes an enemy of classmate Menary of Aravill, life could get downright... deadly.

Glasscastle. University of dreaming towers and distant bells, pompous dons and disputatious undergraduates, exquisite architecture and grass that can choke you to death if you walk on it without the proper escort. On the surface, it is one of the most beautiful and peaceful places in England. But underneath, its magic is ancient and dangerous.

Samuel Lambert, sharpshooter, adventurer, late of the Wyoming plains and Kiowa Bob's Wild West Show, has been invited to Glasscastle to contribute his phemomenally accurate shooting eye to the top secret Agincourt Project. The only dangers he expects to face are British snobbery, heavy dinners, and tea with the Provost's pretty wife. But when the Provost's stylish sister Jane comes to town, things get much more exciting.

This sparkling sequel to A College of Magics is a whirlwind of secret weapons, motor cars, mysterious assaults and abductions, thugs in bowler hats, and a mild-mannered don who is heir to a magical power greater than all Glasscastle. The resulting tale is as funny as a Gilbert and Sullivan Victorian romp, with the wit and suspense of a Dorothy Sayers mystery and a dash of John Wayne thrown in for good measure.

Two girls contend with sorcery in England's Regency age

Since they were children, cousins Kate and Cecelia have been inseparable. But in 1817, as they approach adulthood, their families force them to spend a summer apart. As Cecelia fights boredom in her small country town, Kate visits London to mingle with the brightest lights of English society.

At the initiation of a powerful magician into the Royal College of Wizards, Kate finds herself alone with a mysterious witch who offers her a sip from a chocolate pot. When Kate refuses the drink, the chocolate burns through her dress and the witch disappears. It seems that strange forces are convening to destroy a beloved wizard, and only Kate and Cecelia can stop the plot. But for two girls who have to contend with the pressures of choosing dresses and beaux for their debuts, deadly magic is only one of their concerns.

On their honeymoons, Kate and Cecelia confront a plot against Europe

Ocean voyages do not agree with wizards, and seasickness during the Channel crossing is the price Cecelia must pay for her budding magical skill. As her nausea ebbs, she is comforted by her new husband, James, and the knowledge that at long last they are on their honeymoon. In their company is Cecelia's cousin Kate, newly minted as the Marchioness of Schofield, and her husband Thomas. The shared journey guarantees the two couples a happy start to married life, if they can survive the perils of the Continent.

In Calais, a mysterious woman visits Cecelia with a package intended for Thomas's mother. Inside is an alabaster flask of noble manufacture, one of the royal artifacts that have been vanishing all over Europe as part of a magical plot against the French crown. This is no simple honeymoon: On their tour of Europe, Kate and Cecelia must save the monarchy from an emperor-in-exile named Napoleon.

Now married with children, Cecelia and Kate must face a threat to the wizarding world

It's been a decade since Kate and Cecelia foiled Napoleon's plot to reclaim the French crown. The cousins now have estates, children, and a place at the height of wizarding society. It is 1828, and though magic remains at the heart of the British Empire, a new power has begun to make itself felt across England: the steam engine. As iron tracks crisscross the countryside, the shaking of the locomotives begins to disrupt the workings of English magic, threatening the very foundations of the Empire.

A foreign wizard on a diplomatic mission to England vanishes, and the Prime Minister sends Cecelia's husband to investigate. In order to accompany her husband to the north of England, Cecelia leaves her children in Kate's care. As Cecelia and James fight for the future of magic, Kate is left with a no less daunting problem: how to care for a gaggle of disobedient, spell-casting tots.