Search Worlds Without End

Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a remote asylum in England. She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: "Your patient must be an imposter." Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle's house? Georgina's perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends.

Viola Hatherley was a writer of ghost stories in the 1890s whose work lies forgotten until her great-grandson, as a young boy in Mawson, Australia, learns how to open the secret drawer in his mother's room. There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life?

Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

London, 1881. Constance Langton lives in a gloomy home with a distant father and a grief-stricken mother; seeking refuge and comfort, she secretly attends a séance which has tragic consequences. Left alone, her only legacy is a mysterious inheritance that will blight her life and take her deep into a world of apparitions, betrayal and blackmail, black-hearted villains - and murder.