Arbor House, 1985
Penguin Books, 1985
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Against a background of self-contained space habitats, interplanetary conquest, and bioengineering, two former friends--separated by politics and the death of the woman they both loved--slowly stage elaborate revenge plots. Over the course of several centuries, the two embody the ideological and political conflicts between the Shapers and the Mechanists--the two primary groups of post-humans in Sterling's classic far-future epic.
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