Search Worlds Without End

On this alternate Earth, Rome rules all... including the New World, known in other dimensions as America but here as Terra Novo.

General Titus Papinianus is governor of that untamed land, and Aquila, chief of the savage Lacoti nation, is a Roman senator. But official titles aside, their duty is to Caesar. So when Caesar sends them on a quest for the fabled land of China, thought to be somewhere in Terra Novo, off they go.

They are hardly prepared for bloodthirsty Aztecs, flying machines, time-traveling aliens, or Bigfoot--and Aquila's problem-solving strategies are unconventional to say the least!

Before they know it, their adventures lead them into the hands of the Time Criminal, who is bent on altering all the multiple universes to suit his own evil whims. Somehow they have to stop him... before their world is destroyed!

Table of Contents:

• Aquila - (1982) - novelette
• Aquila the God - [Aquila] - (1982) - novelette
• Aquila Meets Bigfoot - [Aquila] - (1983) - novella
• Aquila: The Final Conflict - [Aquila] - (1983) - novella

Dating to the ninth century BC, Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb Introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer's poetry, and evokes the impact and nuance of the Iliad's mesmerizing repeated phrases in what Peter Levi calls "an astonishing performance."

Since it was first published, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" (Library Journal).

The greatest literary landmark of antiquity masterfully rendered by the most celebrated translator of our time...

The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world--the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even "complicated," characters--both human and divine.

The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.