Search Worlds Without End

THIS IS THE WAY THE WORLD ENDS. AGAIN.

Three terrible things happen in a single day.

Essun, masquerading as an ordinary schoolteacher in a quiet small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Mighty Sanze, the empire whose innovations have been civilization's bedrock for a thousand years, collapses as its greatest city is destroyed by a madman's vengeance. And worst of all, across the heartland of the world's sole continent, a great red rift has been been torn which spews ash enough to darken the sky for years. Or centuries.

But this is the Stillness, a land long familiar with struggle, and where orogenes -- those who wield the power of the earth as a weapon -- are feared far more than the long cold night. Essun has remembered herself, and she will have her daughter back.

She does not care if the world falls apart around her. Essun will break it herself, if she must, to save her daughter.

An enduring classic, this book offers a dramatic and prophetic look at the potential consequences of the escalating destruction of Earth.

In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment. The water is polluted, and only the poor drink from the tap. The government is ineffectual, and corporate interests scramble to make a profit from water purifiers, gas masks, and organic foods.

Environmentalist Austin Train is on the run. The Trainites, environmental activists and sometime terrorists, want him to lead their movement. The government wants him in jail, or preferably, executed. The media wants a circus. Everyone has a plan for Train, but Train has a plan of his own.

One of Jack Vances enduring classics is his 1964 novel, The Dying Earth, and its sequelsa fascinating tale set on a far-future Earth, under a giant red sun that is soon to go out forever. This volume comprises all four books in the series, The Dying Earth, The Eyes of the Overworld, Cugels Saga and Rialto the Magnificent.

'She throws her head back and pushes her chest forward and lets go a huge blast right into the centre of his body. The rivulets and streams of red scarring run across his chest and up around his throat. She'd put her hand on his heart and stopped him dead.'

Suddenly - tomorrow or the day after - girls find that with a flick of their fingers, they can inflict agonizing pain and even death. With this single twist, the four lives at the heart of Naomi Alderman's extraordinary, visceral novel are utterly transformed, and we look at the world in an entirely new light.

What if the power to hurt were in women's hands?

The world is still a recognizable place: there's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But something vital has changed, causing their lives to converge with devastating effect. Teenage girls now have immense physical power--they can cause agonizing pain and even death. And, with this small twist of nature, the world changes utterly.

This Omnibus Edition collects the five Wool books into a single volume. It is for those who arrived late to the party and who wish to save a dollar or two while picking up the same stories in a single package.

The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

The roguish Cugel the Clever is stranded on a shore on the other side of the world by the Laughing Magic and must fight, bluff, and connive his way back to Almery to take vengeance on the wizard.

Alternate title: Cugel: The Skybreak Spatterlight

THIS IS THE WAY THE WORLD ENDS... FOR THE LAST TIME.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize.

Margaret Atwood?s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it.

This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief.

With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter. This is Margaret Atwood at the absolute peak of her powers.

The city is winched along a track through a devastated land full of hostile tribes. Tracks must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city's engineers. But if the city does not move, it will fall farther and farther behind the "optimum," slipping into the crushing gravitational field that has transformed life on earth. The only alternative to the city's forward progress is death.

The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in creches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they are carefully sheltered from the dire necessities that have come to define human existence. And yet, for all that, the city is in crisis. The people are growing restive, the population is dwindling, and the rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum.

Helward Mann is a member of the city's elite. Better than anyone, he knows the risks the city runs, how tenuous is its continued existence, how essential it is that discipline be maintained. And yet, as he is about to discover, the world is even stranger than he dreamed.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb.

Zeb has been searching for Adam One, founder of the God's Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb's dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge.

Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns out, the governments have been lying to their people. When the deadly disease hits Britain they are left alone, and society starts to descend into barbarism. As John and his family try to make it across country to the safety of his brotherÂ’s farm in a hidden valley, their humanity is tested to its very limits.

Published in the USA as: No Blade of Grass.

When a Victorian scientist propels himself into the year a.d. 802,701, he is initially delighted to find that suffering has been replaced by beauty, contentment, and peace. Entranced at first by the Eloi, an elfin species descended from man, he soon realizes that these beautiful people are simply remnants of a once-great culture—now weak and childishly afraid of the dark.

They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race descended from humanity—the sinister Morlocks. And when the scientist’s time machine vanishes, it becomes clear he must search these tunnels if he is ever to return to his own era.

The world is crowded. Far too crowded. Its starving billions live on lentils, soya beans, and -if they're lucky-the odd starving rat.

In a New York City groaning under the burden of 35 million inhabitants, detective Andy Rusch is engaged in a desperate and lonely hunt for a killer everyone has forgotten. For even in a world such as this, a policeman can find himself utterly alone....

Acclaimed on its original publication in 1966, Make Room! Make Room! was adapted into the movie Soylent Green in 1973, starring Charlton Heston along with Edward G. Robinson in his last role.

The Eyes of the Overworld is the first of Vance's picaresque novels about the scoundrel Cugel. Here he is sent by a magician he has wronged to a distant unknown country to retrieve magical lenses that reveal the Overworld. Conniving to steal the lenses, he escapes and, goaded by a homesick monster magically attached to his liver, starts to find his way home to Almery. The journey takes him across trackless mountains, wastelands, and seas. Through cunning and dumb luck, the relentless Cugel survives one catastrophe after another, fighting off bandits, ghosts, and ghouls-stealing, lying, and cheating without insight or remorse leaving only wreckage behind.

Betrayed and betraying, he joins a cult group on a pilgrimage, crosses the Silver Desert as his comrades die one by one and, escaping the Rat People, obtains a spell that returns him home. There, thanks to incompetence and arrogance he misspeaks the words of a purloined spell and transports himself back to the same dismal place he began his journey.

Alternate title: Cugel the Clever

There are seven billion-plus humans crowding the surface of 21st century Earth. It is an age of intelligent computers, mass-market psychedelic drugs, politics conducted by assassination, scientists who burn incense to appease volcanoes... all the hysteria of a dangerously overcrowded world, portrayed in a dazzlingly inventive style.

Donald Hogan was a mild-mannered student, a dilettante intellectual--at least that's what everyone was supposed to think he was. But Donald knew otherwise. He knew he was a spy.

But what Donald didn't know was that in a world overpopulated by the billions--in a society squeezed into hive-living madness by megabrain computers, mass-marketed psychedelics, and eugenics--where everyone was struggling for life--he himself was programmed for death!

Asimov combines many of his science fiction favorites from the thirties with his personal reflections on his early years, interests, and influences.

Table of Contents:

• Introduction - (1974) - essay by Isaac Asimov
• Part One: 1920 to 1930 - (1974) - essay by Isaac Asimov
• Part Two: 1931 - (1974) - essay by Isaac Asimov
• The Man Who Evolved - (1931) - shortstory by Edmond Hamilton
• The Jameson Satellite - (1931) - novelette by Neil R. Jones
• Submicroscopic - (1931) - novelette by S. P. Meek
• Awlo of Ulm - (1931) - novella by S. P. Meek
• Tetrahedra of Space - (1931) - novelette by P. Schuyler Miller
• The World of the Red Sun - (1931) - novelette by Clifford D. Simak
• Part Three: 1932 - (1974) - essay by Isaac Asimov
• Tumithak of the Corridors - (1932) - novella by Charles R. Tanner
• The Moon Era - (1932) - novella by Jack Williamson

Part science fiction, part dystopian fantasy, part radical socialist tract, Jack London's The Iron Heel offers a grim depiction of warfare between the classes in America and around the globe. Originally published nearly a hundred years ago, it anticipated many features of the past century, including the rise of fascism, the emergence of domestic terrorism, and the growth of centralized government surveillance and authority. What begins as a war of words ends in scenes of harrowing violence as the state oligarchy, known as "the Iron Heel," moves to crush all opposition to its power.

Jack Vance is one of the most remarkable talents to ever grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. One of his enduring classics is hisThe Dying Earth series, fascinating, baroque tales set on a far-future Earth, under a giant red sun that is soon to go out forever.

Rhialto the Marvellous contains three linked novellas about the adventures of the wizard Rhialto across the decadent landscape of the Dying Earth, under its swollen red sun.

As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city.

There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear -- along with the lawyers, of course.

There is the internet star, beloved by millions for her airship adventures, and the building's manager, quietly respected for his attention to detail. Then there are two boys who don't live there, but have no other home - and who are more important to its future than anyone might imagine.

Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all -- and even the long-hidden foundations on which the city rests.

A group of scientists from the far future have hit upon the perfect method of moving people through time--they engineer disasters in what we call the present, and whisk the people away, forward in time, a fraction of a second before they are to die. When an investigator begins his investigation into a midair collision between two planes, he never dreams that he will turn up evidence of time travel.

'Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.'

Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.

Living in the 10-billion-year-old city of Diaspar, Alvin is the last child born of humanity. He is intensely curious about the outside world. According to the oldest histories kept by the city fathers, however, there is no outside world-it was destroyed by the Invaders millions of years ago.

One day, Alvin finds a rock with an inscription seemingly meant for him: "There is a better way. Give my greetings to the Keeper of the Records. Alaine of Lyndar." This cryptic message takes Alvin on a quest to discover humanity's true past-and its future.

Originally published in the November 1948 issue of Startling Stories, Against the Fall of Night is a rich and intensely poetic vision of a distant future that's sure to delight fans of Clarke and science fiction as a genre.

A revised and expanded version of the novel was published by Clarke in 1956 as The City and the Stars.

In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the Plague of Infertility, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York City. In Colorado Springs, the Dominion sees to the nation's spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again.

Then out of Labrador come tales of a new Ajax-Captain Commongold, the Youthful Hero of the Saguenay. The ordinary people follow his adventures in the popular press. The Army adores him. The President is... troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the falsely accused and executed Bryce.

Treachery and intrigue dog Julian's footsteps. Hairsbreadth escapes and daring rescues fill his days. Stern resolve and tender sentiment dice for Julian's soul, while his admiration for the works of the Secular Ancients, and his adherence to the evolutionary doctrines of the heretical Darwin, set him at fatal odds with the hierarchy of the Dominion. Plague and fire swirl around the Presidential palace when at last he arrives with the acclamation of the mob.

As told by Julian's best friend and faithful companion, a rustic yet observant lad from the west, this tale of the 22nd Century asks- and answers-the age-old question: "Do you want to tell the truth, or do you want to tell a story?"

This novel is a greatly-expanded version of the Hugo- and Sturgeon-nominated novella, Julian: A Christmas Story.

Triton, the outermost moon of Neptune, was a world of absolute freedom, where every wish could be fulfilled. But for Bron Helstrom, one of Triton's elite, life had lost its meaning. There, in a world of endless possibilities, Bron began a searing odyssey to find the object of his desires.

Published in 1937, twelve years before Orwell's 1984, this novel projects a totally male-controlled fascist world that has eliminated women as we know them. They are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a "misfit" who asks, "How could this have happened?"

The Sleeper Awakes is H. G. Wells's wildly imaginative story of London in the twenty-second century and the man who by accident becomes owner and master of the world. In 1897 a Victorian gentleman falls into a sleep from which he cannot be waked. During his two centuries of slumber he becomes the Sleeper, the most well known and powerful person in the world. All property is bequeathed to the Sleeper to be administered by a Council on his behalf. The common people, increasingly oppressed, view the Sleeper as a mythical liberator whose awakening will free them from misery.

The Sleeper awakes in 2100 to a futuristic London adorned with wondrous technological trappings yet staggering under social injustice and escalating unrest. His awakening sends shock waves throughout London, from the highest meetings of the Council to the workers laboring in factories in the bowels of the city. Daring rescues and villainous treachery abound as workers and capitalists fight desperately for control of the Sleeper.

The Scorch Trials picks up where The Maze Runner left off. The Gladers have escaped the Maze, but now they face an even more treacherous challenge on the open roads of a devastated planet. And WICKED has made sure to adjust the variables and stack the odds against them. Can Thomas survive in such a violent world?