Search Worlds Without End

This gripping collection begins with "Rita Hayworth and the Shawshank Redemption," in which an unjustly imprisoned convict seeks a strange and startling revenge--the basis for the Best Picture Academy Award-nominee The Shawshank Redemption.

Next is "Apt Pupil," the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town.

In "The Body," four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me.

Finally, a disgraced woman is determined to triumph over death in "The Breathing Method."

"The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is," hailed the Houston Chronicle about Different Seasons.

As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.

That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of The Silence of the Lambs--an unforgettable classic of suspense fiction.

The year is 1738; the place, Paris. A baby is born under a fish-monger's bloody table in a marketplace, and abandoned. Orphaned, passed over to the monks as a charity case, already there is something in the aura of the tiny infant that is unsettling. No one will look after him; he is somehow too demanding, and, even more disturbing, something is missing: as his wet nurse tries to explain, he doesn't smell the way a baby should smell; indeed, he has no scent at all.

Slowly, as we watch Jean-Baptiste Grenouille cling stubbornly to life, we begin to realize that a monster is growing before our eyes. With mounting unease, yet hypnotized, we see him explore his powers and their effect on the world around him. For this dark and sinister boy who has no smell himself possesses an absolute sense of smell, and with it he can read the world to discover the hidden truths that elude ordinary men. He can smell the very composition of objects, and their history, and where they have been, he has no need of the light, and darkness is not dark to him, because nothing can mask the odors of the universe.

As he leaves childhood behind and comes to understand his terrible uniqueness, his obsession becomes the quest to identify, and then to isolate, the most perfect scent of all, the scent of life itself.

At first, he hones his powers, learning the ancient arts of perfume-making until the exquisite fragrances he creates are the rage of Paris, and indeed Europe. Then, secure in his mastery of these means to an end, he withdraws into a strange and agonized solitude, waiting, dreaming, until the morning when he wakes, ready to embark on his monstrous quest: to find and extract from the most perfect living creatures-the most beautiful young virgins in the land- that ultimate perfume which alone can make him, too, fully human. As his trail leads him, at an ever-quickening pace, from his savage exile to the heart of the country and then back to Paris, we are caught up in a rising storm of terror and mortal sensual conquest until the frenzy of his final triumph explodes in all its horrifying consequences.

Told with dazzling narrative brilliance and the haunting power of a grown-up fairy tale, Perfume is one of the most remarkable novels of the last fifty years.

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.

Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.

The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter Lauren and his cat Olivia in an ordinary house at the end of an ordinary street.

All these things are true. And yet some of them are lies.

You think you know what's inside the last house on Needless Street. You think you've read this story before. But you're wrong. In the dark forest at the end of Needless Street, something lies buried. But it's not what you think...

Songs of a Dreamer was Thomas Ligotti's first collection of supernatural horror stories. When originally published in 1985 by Harry Morris's Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: "Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs."

Contents:

• ix - Introduction (Songs of a Dead Dreamer) - (1985) - essay by Ramsey Campbell
• 3 - The Frolic - (1982) - shortstory by Thomas Ligotti
• 19 - Les Fleurs - (1981) - shortstory by Thomas Ligotti
• 28 - Alice's Last Adventure - (1985) - shortstory by Thomas Ligotti
• 49 - Dream of a Mannikin - (1982) - shortstory by Thomas Ligotti
• 66 - The Chymist - [The Nyctalops Trilogy - 1] - (1981) - shortstory by Thomas Ligotti
• 79 - Drink to Me Only with Labyrinthine Eyes - [The Nyctalops Trilogy - 2] - (1982) - shortstory by Thomas Ligotti
• 90 - Eye of the Lynx - [The Nyctalops Trilogy - 3] - (1983) - shortstory by Thomas Ligotti
• 100 - Notes on the Writing of Horror: A Story - (1985) - novelette by Thomas Ligotti
• 125 - The Christmas Eves of Aunt Elise: A Tale of Possession in Old Grosse Pointe - (1983) - shortstory by Thomas Ligotti
• 135 - The Lost Art of Twilight - (1986) - shortstory by Thomas Ligotti
• 155 - The Troubles of Dr. Thoss - (1985) - shortstory by Thomas Ligotti
• 168 - Masquerade of a Dead Sword: A Tragedie - (1986) - novelette by Thomas Ligotti (variant of Masquerade of a Dead Sword)
• 191 - Dr. Voke and Mr. Veech - (1983) - shortstory by Thomas Ligotti
• 202 - Professor Nobody's Little Lectures on Supernatural Horror - (1985) - shortstory by Thomas Ligotti
• 213 - Dr. Locrian's Asylum - (1987) - shortstory by Thomas Ligotti
• 224 - The Sect of the Idiot - [Azathoth] - (1988) - shortstory by Thomas Ligotti
• 236 - The Greater Festival of Masks - (1985) - shortstory by Thomas Ligotti
• 244 - The Music of the Moon - (1987) - shortstory by Thomas Ligotti
• 253 - The Journal of J. P. Drapeau - (1987) - shortstory by Thomas Ligotti
• 260 - Vastarien - (1987) - shortstory by Thomas Ligotti

Stephen King's Holly marks the triumphant return of Holly Gibney. Readers have witnessed Holly's gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges's partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King's new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl's desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie's disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors...

After an automobile accident, novelist Paul Sheldon meets his biggest fan. Annie Wilkes is his nurse-and captor. Now, she wants Paul to write his greatest work-just for her. She has a lot of ways to spur him on. One is a needle. Another is an ax. And if they don't work, she can get really nasty...

One of the great works of the twentieth century, Kafka's The Trial has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. In it, a man wakes up one morning to find himself under arrest for an offence which is never explained. Faced with this ambiguous but threatening situation, Josef K. gradually succumbs to its psychological pressure. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom. He offers no solutions, but provokes his readers to arrive at meanings of their own.

It is autumn 1981 when the inconceivable comes to Blackeberg, a suburb in Sweden. The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last---revenge for the bullying he endures at school, day after day.

But the murder is not the most important thing on his mind. A new girl has moved in next door---a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

Sweeping top honors at film festivals all over the globe, director Tomas Alfredsson's film of Let the Right One In has received the same kind of spectacular raves that have been lavished on the book. American readers of vampire fiction will be thrilled!

A caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.

When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck--enough to get her off-planet and on the trail of her mother--meant she'd get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane.

Instead, she got Em.

Em sees nothing wrong with controlling Gyre's body with drugs or withholding critical information to "ensure the smooth operation" of her expedition. Em knows all about Gyre's falsified credentials, and has no qualms using them as a leash--and a lash. And Em has secrets, too...

As Gyre descends, little inconsistencies--missing supplies, unexpected changes in the route, and, worst of all, shifts in Em's motivations--drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive--she must confront the ghosts in her own head.

But how come she can't shake the feeling she's being followed?

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one.

But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision.

The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people's futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.

When Johnny has a disturbing vision after he shakes the hand of an ambitious and amoral politician, he must decide if he should take drastic action to change the future.

William Golding's classic novel of primitive savagery and survival is one of the most vividly realized and riveting works in modern fiction. The tale begins after a plane wreck deposits a group of English school boys, aged six to twelve on an isolated tropical island. Their struggle to survive and impose order quickly evolves from a battle against nature into a battle against their own primitive instincts. Golding's portrayal of the collapse of social order into chaos draws the fine line between innocence and savagery.

Geek Love is the story of the Binewskis, a carny family whose mater- and paterfamilias set out–with the help of amphetamine, arsenic, and radioisotopes–to breed their own exhibit of human oddities. There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious–and dangerous–asset. 

As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

When the Bates Motel loomed up out of the storm, Mary Craine thought it was her salvation. The rooms were musty but clean, and the manager, Norman Bates, seemed like a nice enough fellow, if a little strange....

Then Mary met Norman's mother. And the butcher knife.

The nightmare had just begun....

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.

Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.

Heart of Darkness is a short novel by Polish novelist Joseph Conrad, written as a frame narrative, about Charles Marlow's experience as an ivory transporter down the Congo River in Central Africa.

The river is "a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land". In the course of his travel in central Africa, Marlow becomes obsessed with Mr. Kurtz.

The story is a complex exploration of the attitudes people hold on what constitutes a barbarian versus a civilized society and the attitudes on colonialism and racism that were part and parcel of European imperialism.

Originally published as a three-part serial story, in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.

A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River, during the off season; awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall. This novel appears for the first time in its original unexpurgated of the authors vision. The original publisher refused to publish it in this version in 1980. Now available only in this edition with an introduction by Douglas E. Winter.

Theodore Sturgeon's dark and foreboding look at the vampire myth was an instant classic when originally published in 1956. When George Smith is arrested for assaulting a senior officer, a military psychiatrist is assigned to the case. The secret of George's past is unearthed, and a history of blood lust and murder. Innovatively told through letters, interviews, and traditional narrative, Some of Your Blood effectively portrays the tragic upbringing of George Smith to his attempts at a stable life and the great love of his life to his inevitable downfall. Millipede Press is proud to present this masterpiece of macabre literature in a brand new edition.

A quiet summer night...a neat suburban house...and another innocent, happy family is shattered - the latest victims of a grisly series of hideous sacrificial killings that no one understands, and no one can stop. Nobody lives to tell of the unimaginable carnage. Only the blood-stained walls bear witness.

All hope rests on Special Agent Will Graham, who must peer inside the killer's tortured soul to understand his rage, to anticipate and prevent his next vicious crime. Desperate for help, Graham finds himself locked in a deadly alliance with the brilliant Dr. Hannibal Lecter, the infamous mass murderer who Graham put in prison years ago.

As the imprisoned Lecter tightens the reins of revenge, Graham's feverish pursuit of the Red Dragon draws him inside the warped mind of a psychopath, into an unforgettable world of demonic ritual and violence, beyond the limits of human terror.

"Two years after I killed Blyth, I murdered my young brother Paul, for quite different reasons and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did my young cousin Esmeralda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through."

A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far--a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.

"Wake up, genius." So begins King's instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn't published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.

Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he's released from prison after thirty-five years.

Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life--for good, for bad, forever.

A cat-and-mouse suspense thriller featuring a retired homicide detective who's haunted by the few cases he left open, and by one in particular - the pre-dawn slaughter of eight people among hundreds gathered in line for the opening of a jobs fair when the economy was guttering out. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. The plot is kicked into gear when Bill Hodges receives a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again.

Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening.

Brady Hartfield lives with his alcoholic mother in the house where he was born. And he's preparing to kill again.

Only Hodges, with a couple of misfit friends, can apprehend the killer in this high-stakes race against time. Because Brady's next mission, if it succeeds, will kill or maim hundreds, even thousands.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when -- or if -- it will go away.

Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens -- town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing -- even murder -- to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out.

"Come home." Vera's mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories ? she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Coming home is hard enough for Vera, and to make things worse, she and her mother aren't alone. A parasitic artist has moved into the guest house out back and is slowly stripping Vera's childhood for spare parts. He insists that he isn't the one leaving notes around the house in her father's handwriting... but who else could it possibly be?

There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them and find out for herself just how deep the rot goes.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis's parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents--telekinesis and telepathy--who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, "like the roach motel," Kalisha says. "You check in, but you don't check out."

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don't, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King's gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don't always win.

The story of an adventure in time and space that spans all of creation. A building, constructed across an invisible chasm of space-time, fated to witness the very end of the world, is waiting with open doors for anyone who dares to enter it.

Table of Contents:

• Introduction: "And Yet": The Antinomies of William Hope Hodgson - essay by China Miéville
• The Boats of the "Glen Carrig" - (1907) - novel
• The House on the Borderland - (1908) - novel
• The Ghost Pirates - (1909) - novel
• The Night Land - (1912) - novel
• The Hog - (1947) - novelette

Winner of the International Prize for Arabic Fiction and France's Grand Prize for Fantasy

From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi--a scavenger and an oddball fixture at a local café--collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he's created a monster, one that needs human flesh to survive--first from the guilty, and then from anyone in its path.

Ever heard of a culling song? It's a lullaby sung in Africa to give a painless death to the old or infirm. The lyrics of a culling song kill, whether spoken or even just thought. You can find one on page 27 of Poems and Rhymes from Around the World, an anthology that is sitting on the shelves of libraries across the country, waiting to be picked up by unsuspecting readers.

Reporter Carl Streator discovers the song's lethal nature while researching Sudden Infant Death Syndrome, and before he knows it, he's reciting the poem to anyone who bothers him. As the body count rises, Streator glimpses the potential catastrophe if someone truly malicious finds out about the song. The only answer is to find and destroy every copy of the book in the country. Accompanied by a shady real-estate agent, her Wiccan assistant, and the assistant's truly annoying ecoterrorist boyfriend, Streator begins a desperate cross-country quest to put the culling song to rest.

Written with a style and imagination that could only come from Chuck Palahniuk, Lullaby is the latest outrage from one of our most exciting writers at work today.

Creating George Stark was easy. Getting rid of him won't be...

The sparrows are flying again. The idea - unbidden, inexplicable - haunts the edge of Thad Beaumont's mind.

Thad should be happy. For years now it is his secret persona 'George Stark', author of super-violent pulp thrillers, who has paid the family bills. But now, Thad is writing seriously again under his own name, and his menacing pseudonym has been buried forever.

And yet... the sparrows are flying again, and something is terribly wrong in Thad Beaumont's world.

You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world. 

But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward.

Something strange is happening in the town of Stepford where the men spend their nights doing something secret and the women act like every man's dream of a "perfect" wife. One young woman watches the dream turn into a nightmare which engulfs her best friend, and realizes that her turn is coming.

Curse of the Old Gypsy Man...

Billy Halleck, good husband, loving father, is both beneficiary and victim of the American Good Life: he has an expensive home, a nice family, and a rewarding career as a lawyer. But he is also fifty pounds overweight and, as his doctor keeps reminding him, heading into heart attack country.

Then, in a moment of carelessness, Billy sideswipes an old gypsy woman as she is crossing the street--and her ancient father passes a bizarre and terrible judgment on him.

"Thinner," the old gypsy man whispers, and caresses his cheeks like a lover. Just one word... but six weeks later and ninety-three pounds lighter, Billy Halleck is more than worried. He's terrified. And desperate enough for one last gamble... that will lead him to a nightmare showdown with the forces of evil melting his flesh away.

A dark and electrifying novel about addiction, fanaticism, and what might exist on the other side of life.

In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs--including Jamie's mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.

Jamie has demons of his own. Wed to his guitar from the age of thirteen, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family's horrific loss. In his mid-thirties--addicted to heroin, stranded, desperate--Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil's devising, and Jamie discovers that revival has many meanings.

This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It's a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe.

Two terrifying classics by "the best kept secret in contemporary horror fiction" (The Washington Post)

Thomas Ligotti's debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

Ligotti's stories take on decaying cities and lurid dreamscapes in a style ranging from rich, ornamental prose to cold, clinical detachment. His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

We thought we'd play a fun prank on her, and now most of us are dead.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.

Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes--sometimes you have to become a monster first.

With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it?

This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

Table of Contents:

• The Repairer of Reputations
• The Mask
• In the Court of the Dragon
• The Yellow Sign
• The Demoiselle d'Ys
• The Prophets' Paradise
• The Street Of The Four Winds
• The Street of the First Shell
• The Street of Our Lady of the Fields
• Rue Barrée

A mother fights to rescue her newborn from a six-foot-tall madwoman

No one knows Mary Terrell's real name. She killed a man during the climax of the Summer of Love, and for two decades she has changed her name and location regularly, always keeping watch over her shoulder for the FBI. She has three passions: LSD, firearms, and children. She visits toy stores a few times a week, picking out a baby doll to take home and treat as a child. The new family always starts out happy, but when the baby refuses to eat, Mary gets angry. Murdered dolls fill her closet, and the woman who calls herself Mary Terror is tired of children made of plastic.

Laura Clayborne's marriage gives her little joy, but she can't wait for her son to come into the world. But if Mary Terror has her way, it won't be long before he leaves it again.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what's going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Christine was eating into his mind, burrowing into his unconscious.

Christine, blood-red, fat, and finned, was twenty. Her promise lay all in her past. Greedy and big, she was Arnie's obsession, a '58 Plymouth Fury. Broken down but not finished.

There was still power in her - a frightening power that leaked like sump oil, staining and corrupting. A malign power that corroded the mind and turned ownership into possession.

'KOKO ' Only four men knew what it meant. Vietnam vets. One was a doctor. One was a lawyer. One was a working stiff. One was a writer. All were as different as men could be - yet all were bound eternally together by a single shattering secret. And now they are joined together again on a quest that could take them from the graveyards and fleshpots of the Far East to the human jungle of New York, hunting an inhuman ghost of the past risen from nightmare darkness to kill and kill...

On an island off the coast of Maine, a man is found dead. There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues.

But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...?

No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

Roused by a single drop of blood, Rosie Daniels wakes up to the chilling realisation that her husband is going to kill her. And she takes flight - with his credit card. Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an odd junk shop painting, Rose Madder, which strangely seems to want her as much as she wants it.

Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.

Meanwhile, Vic and Donna Trenton, and their young son Tad, move to Maine. They are seeking peace and quiet, but life in this small town is not what it seems. As Tad tries to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight.

What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written. "A genuine page-turner that grabs you and holds you and won't let go" (Chattanooga Times), Cujo will forever change how you view man's best friend.

Hugo Award nominated novella.

In a remote house on a hilltop, a lonely boy witnesses a traumatic event. He tries - and fails - to flee. Left alone with his increasingly deranged parent, he dreams of safety, of joining the other children in the town below, of escape.

When at last a stranger knocks at his door, the boy senses that his days of isolation might be over.

But by what authority does this man keep the meticulous records he carries? What is the purpose behind his questions? Is he friend? Enemy? Or something else altogether?

Filled with beauty, terror and strangeness, This Census-Taker is a poignant and riveting exploration of memory and identity.

For more than two decades, Clive Barker has twisted the worlds of horrific and surrealistic fiction into a terrifying, transcendent genre all his own. With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

Table of Contents:

• Cabal - novel
• The Life of Death - (1985) - novelette
• How Spoilers Bleed - (1985) - novelette
• Twilight at the Towers - (1985) - novelette
• The Last Illusion - (1985) - novella

Haunted is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They're told by people who have answered an ad for a writer's retreat and unwittingly joined a "Survivor"-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you'll ever read, one that could only come from the mind of Chuck Palahniuk.

The peaceful life of a village in Wiltshire is suddenly shattered by a disaster which strikes without reason or explanation, leaving behind it a trail of misery and horror. A yawning, bottomless crack spreads through the earth, out of which creeps a fog that resembles no other. Whatever it is, it must be controlled; for wherever it goes it leaves behind a trail of disaster as hideous as the tragedy that marked its entry into the world. The fog, quite simple, drives people insane.

Suburbia. Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their, cruel, torturous deaths. A boy with a very adult decision to make.